“Stilbro’ Moor, however, defies you, thank Heaven! What can you grow in Bilberry Moss? What will flourish on Rushedge?”
“Caroline, the houseless, the starving, the unemployed shall come to Hollow’s Mill from far and near; and Joe Scott shall give them work, and Louis Moore, Esq., shall let them a tenement, and Mrs. Gill shall mete them a portion till the first payday.”
She smiled up in his face.
“Such a Sunday school as you will have, Cary! such collections as you will get! such a day school as you and Shirley and Miss Ainley will have to manage between you! The mill shall find salaries for a master and mistress, and the squire or the clothier shall give a treat once a quarter.”
She mutely offered a kiss—an offer taken unfair advantage of, to the extortion of about a hundred kisses.
“Extravagant daydreams,” said Moore, with a sigh and smile, “yet perhaps we may realize some of them. Meantime, the dew is falling. Mrs. Moore, I shall take you in.”
It is August. The bells clash out again, not only through Yorkshire, but through England. From Spain the voice of a trumpet has sounded long; it now waxes louder and louder; it proclaims Salamanca won. This night is Briarfield to be illuminated. On this day the Fieldhead tenantry dine together; the Hollow’s Mill workpeople will be assembled for a like festal purpose; the schools have a grand treat. This morning there were two marriages solemnized in Briarfield church—Louis Gérard Moore, Esq., late of Antwerp, to Shirley, daughter of the late Charles Cave Keeldar, Esq., of Fieldhead; Robert Gérard Moore, Esq., of Hollow’s Mill, to Caroline, niece of the Rev. Matthewson Helstone, M.A., rector of Briarfield.
The ceremony, in the first instance, was performed by Mr. Helstone, Hiram Yorke, Esq., of Briarmains, giving the bride away. In the second instance, Mr. Hall, vicar of Nunnely, officiated. Amongst the bridal train the two most noticeable personages were the youthful bridesmen, Henry Sympson and Martin Yorke.
I suppose Robert Moore’s prophecies were, partially at least, fulfilled. The other day I passed up the Hollow, which tradition says was once green, and lone, and wild; and there I saw the manufacturer’s daydreams embodied in substantial stone and brick and ashes—the cinder-black highway, the cottages, and the cottage gardens; there I saw a mighty mill, and a chimney ambitious as the tower of Babel. I told my old housekeeper when I came home where I had been.
“Ay,” said she, “this world has queer changes. I can remember the old mill being built—the very first it was in all the district; and then I can remember it being pulled down, and going with my lake-lasses [companions] to see the foundation-stone of the new one laid. The two Mr. Moores made a great stir about it. They were there, and a deal of fine folk besides, and both their ladies; very bonny and grand they looked. But Mrs. Louis was the grandest; she always wore such handsome dresses. Mrs. Robert was quieter like. Mrs. Louis smiled when she talked. She had a real, happy, glad, good-natured look; but she had een that pierced a body through. There is no such ladies nowadays.”
“What was the Hollow like then, Martha?”
“Different to what it is now; but I can tell of it clean different again, when there was neither mill, nor cot, nor hall, except Fieldhead, within two miles of it. I can tell, one summer evening, fifty years syne, my mother coming running in just at the edge of dark, almost fleyed out of her wits, saying she had seen a fairish [fairy] in Fieldhead Hollow; and that was the last fairish that ever was seen on this countryside (though they’ve been heard within these forty years). A lonesome spot it was, and a bonny spot, full of oak trees and nut trees. It is altered now.”
The story is told. I think I now see the judicious reader putting on his spectacles to look for the moral. It would be an insult to his sagacity to offer directions. I only say, God speed him in the quest!
Endnotes
-
Find me an English word as good, reader, and I will gladly dispense with the French word. “Reflections” won’t do. ↩
Colophon
Shirley
was published in 1849 by
Charlotte Brontë.
This ebook was produced for
Standard Ebooks
by
David Grigg,
and is based on a transcription produced in 2009 by
Brenda Lewis, Fox in the Stars, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The cover page is adapted from
The Countess Blessington,
a painting completed in 1822 by
Thomas Lawrence.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
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