three months on a ranch; the deer hunts, the rattlers, and the rollicking in the cow camps. Then of his advent to Santone, where he had indirectly learned, from a great specialist, that his life’s calendar probably contains but two more leaves. And then of this death-white, choking night which has come and strangled his fortitude and sent him out to seek a port amid its depressing billows.
“My weekly letter from home failed to come,” he told her, “and I was pretty blue. I knew I had to go before long and I was tired of waiting. I went out and bought morphine at every drug store where they would sell me a few tablets. I got thirty-six quarter grains, and was going back to my room and take them, but I met a queer fellow on a bridge, who had a new idea.”
Goodall fillips a little pasteboard box upon the table. “I put ’em all together in there.”
Miss Rosa, being a woman, must raise the lid, and gave a slight shiver at the innocent looking triturates. “Horrid things! but those little, white bits—they could never kill one!”
Indeed they could. Walter knew better. Nine grains of morphia! Why, half the amount might.
Miss Rosa demands to know about Mr. Hurd, of Toledo, and is told. She laughs like a delighted child. “What a funny fellow! But tell me more about your home and your sisters, Walter. I know enough about Texas and tarantulas and cowboys.”
The theme is dear, just now, to his mood, and he lays before her the simple details of a true home; the little ties and endearments that so fill the exile’s heart. Of his sisters, one, Alice, furnishes him a theme he loves to dwell upon.
“She is like you, Miss Rosa,” he says. “Maybe not quite so pretty, but, just as nice, and good, and—”
“There! Walter,” says Miss Rosa sharply, “now talk about something else.”
But a shadow falls upon the wall outside, preceding a big, softly treading man, finely dressed, who pauses a second before the curtains and then passes on. Presently comes the waiter with a message: “Mr. Rolfe says—”
“Tell Rolfe I’m engaged.”
“I don’t know why it is,” says Goodall, of Memphis, “but I don’t feel as bad as I did. An hour ago I wanted to die, but since I’ve met you, Miss Rosa, I’d like so much to live.”
The young woman whirls around the table, lays an arm behind his neck and kisses him on the cheek.
“You must, dear boy,” she says. “I know what was the matter. It was the miserable foggy weather that has lowered your spirit and mine too—a little. But look, now.”
With a little spring she has drawn back the curtains. A window is in the wall opposite, and lo! the mist is cleared away. The indulgent moon is out again, revoyaging the plumbless sky. Roof and parapet and spire are softly pearl enamelled. Twice, thrice the retrieved river flashes back, between the houses, the light of the firmament. A tonic day will dawn, sweet and prosperous.
“Talk of death when the world is so beautiful!” says Miss Rosa, laying her hand on his shoulder. “Do something to please me, Walter. Go home to your rest and say: ‘I mean to get better,’ and do it.”
“If you ask it,” says the boy, with a smile, “I will.”
The waiter brings full glasses. Did they ring? No; but it is well. He may leave them. A farewell glass. Miss Rosa says: “To your better health, Walter.” He says: “To our next meeting.”
His eyes look no longer into the void, but gaze upon the antithesis of death. His foot is set in an undiscovered country tonight. He is obedient, ready to go.
“Good night,” she says.
“I never kissed a girl before,” he confesses, “except my sisters.”
“You didn’t this time,” she laughs, “I kissed you—good night.”
“When shall I see you again,” he persists.
“You promised me to go home,” she frowns, “and get well. Perhaps we shall meet again soon. Good night.”
He hesitates, his hat in hand. She smiles broadly and kisses him once more upon the forehead. She watches him far down the aisle, then sits again at the table.
The shadow falls once more against the wall. This time the big, softly stepping man parts the curtains and looks in. Miss Rosa’s eyes meet his and for half a minute they remain thus, silent, fighting a battle with that king of weapons. Presently the big man drops the curtains and passes on.
The orchestra ceases playing suddenly, and an important voice can be heard loudly talking in one of the boxes farther down the aisle. No doubt some citizen entertains there some visitor to the town, and Miss Rosa leans back in her chair and smiles at some of the words she catches:
“Purest atmosphere—in the world—litmus paper all long—nothing hurtful—our city—nothing but pure ozone.”
The waiter returns for the tray and glasses. As he enters, the girl crushes a little empty pasteboard box in her hand and throws it in a corner. She is stirring something in her glass with her hatpin.
“Why, Miss Rosa,” says the waiter with the civil familiarity he uses—“putting salt in your beer this early in the night!”
The Dream
Murray dreamed a dream.
Both psychology and science grope when they would explain to us the strange adventures of our immaterial selves when wandering in the realm of “Death’s twin brother, Sleep.” This story will not attempt to be illuminative; it is no more than a record of Murray’s dream. One of the most puzzling phases of that strange waking sleep is that dreams which seem to cover months or even years may take place within a few seconds or minutes.
Murray was waiting in his cell in the ward of the condemned. An electric arc light in the ceiling of the corridor shone brightly upon his table. On a sheet of white paper an ant crawled wildly here and there as Murray blocked its way with an envelope. The electrocution was set for eight
