The Hill of Dreams

flame smitten about its battlements, like the cities of the Sangraal, and he had moulded his copy in such poor clay as came to his hand; yet, in spite of the gulf that yawned between the idea and the work, he knew as he read that the thing accomplished was very far from a failure. He put back the leaves carefully, and glanced again at Messrs. Beit’s list. It had escaped his notice that A Bad Un to Beat was in its third three-volume edition. It was a great thing, at all events, to know in what direction to aim, if he wished to succeed. If he worked hard, he thought, he might some day win the approval of the coy and retiring Miranda of Smart Society; that modest maiden might in his praise interrupt her task of disinterested advertisement, her philanthropic counsels to “go to Jumper’s, and mind you ask for Mr. C. Jumper, who will show you the lovely blue paper with the yellow spots at ten shillings the piece.” He put down the pamphlet, and laughed again at the books and the reviewers: so that he might not weep. This then was English fiction, this was English criticism, and farce, after all, was but an ill-played tragedy.

The rejected manuscript was hidden away, and his father quoted Horace’s maxim as to the benefit of keeping literary works for some time “in the wood.” There was nothing to grumble at, though Lucian was inclined to think the duration of the reader’s catarrh a little exaggerated. But this was a trifle; he did not arrogate to himself the position of a small commercial traveler, who expects prompt civility as a matter of course, and not at all as a favor. He simply forgot his old book, and resolved that he would make a better one if he could. With the hot fit of resolution, the determination not to be snuffed out by one refusal upon him, he began to beat about in his mind for some new scheme. At first it seemed that he had hit upon a promising subject; he began to plot out chapters and scribble hints for the curious story that had entered his mind, arranging his circumstances and noting the effects to be produced with all the enthusiasm of the artist. But after the first breath the aspect of the work changed; page after page was tossed aside as hopeless, the beautiful sentences he had dreamed of refused to be written, and his puppets remained stiff and wooden, devoid of life or motion. Then all the old despairs came back, the agonies of the artificer who strives and perseveres in vain; the scheme that seemed of amorous fire turned to cold hard ice in his hands. He let the pen drop from his fingers, and wondered how he could have ever dreamed of writing books. Again, the thought occurred that he might do something if he could only get away, and join the sad procession in the murmuring London streets, far from the shadow of those awful hills. But it was quite impossible; the relative who had once promised assistance was appealed to, and wrote expressing his regret that Lucian had turned out a “loafer,” wasting his time in scribbling, instead of trying to earn his living. Lucian felt rather hurt at this letter, but the parson only grinned grimly as usual. He was thinking of how he signed a check many years before, in the days of his prosperity, and the check was payable to this didactic relative, then in but a poor way, and of a thankful turn of mind.

The old rejected manuscript had almost passed out of his recollection. It was recalled oddly enough. He was looking over the Reader, and enjoying the admirable literary criticisms, some three months after the return of his book, when his eye was attracted by a quoted passage in one of the notices. The thought and style both wakened memory, the cadences were familiar and beloved. He read through the review from the beginning; it was a very favorable one, and pronounced the volume an immense advance on Mr. Ritson’s previous work. “Here, undoubtedly, the author has discovered a vein of pure metal,” the reviewer added, “and we predict that he will go far.” Lucian had not yet reached his father’s stage, he was unable to grin in the manner of that irreverent parson. The passage selected for high praise was taken almost word for word from the manuscript now resting in his room, the work that had not reached the high standard of Messrs. Beit & Co., who, curiously enough, were the publishers of the book reviewed in the Reader. He had a few shillings in his possession, and wrote at once to a bookseller in London for a copy of The Chorus in Green, as the author had oddly named the book. He wrote on June 21st and thought he might fairly expect to receive the interesting volume by the 24th; but the postman, true to his tradition, brought nothing for him, and in the afternoon he resolved to walk down to Caermaen, in case it might have come by a second post; or it might have been mislaid at the office; they forgot parcels sometimes, especially when the bag was heavy and the weather hot.

This 24th was a sultry and oppressive day; a grey veil of cloud obscured the sky, and a vaporous mist hung heavily over the land, and fumed up from the valleys. But at five o’clock, when he started, the clouds began to break, and the sunlight suddenly streamed down through the misty air, making ways and channels of rich glory, and bright islands in the gloom. It was a pleasant and shining evening when, passing by devious back streets to avoid the barbarians (as he very rudely called the respectable inhabitants of the town), he reached the post-office; which was also the general shop.

“Yes, Mr. Taylor, there is