He could still distinguish, though very vaguely, the pile of papers beside him, and he remembered, now, that he had finished a long task that afternoon, before he fell asleep. He could not trouble himself to recollect the exact nature of the work, but he was sure that he had done well; in a few minutes, perhaps, he would strike a match, and read the title, and amuse himself with his own forgetfulness. But the sight of the papers lying there in order made him think of his beginnings, of those first unhappy efforts which were so impossible and so hopeless. He saw himself bending over the table in the old familiar room, desperately scribbling, and then laying down his pen dismayed at the sad results on the page. It was late at night, his father had been long in bed, and the house was still. The fire was almost out, with only a dim glow here and there amongst the cinders, and the room was growing chilly. He rose at last from his work and looked out on a dim earth and a dark and cloudy sky.
Night after night he had laboured on, persevering in his effort, even through the cold sickness of despair, when every line was doomed as it was made. Now, with the consciousness that he knew at least the conditions of literature, and that many years of thought and practice had given him some sense of language, he found these early struggles both pathetic and astonishing. He could not understand how he had persevered so stubbornly, how he had had the heart to begin a fresh page when so many folios of blotted, painful effort lay torn, derided, impossible in their utter failure. It seemed to him that it must have been a miracle or an infernal possession, a species of madness, that had driven him on, every day disappointed, and every day hopeful.
And yet there was a joyous side to the illusion. In these dry days that he lived in, when he had bought, by a long experience and by countless hours of misery, a knowledge of his limitations, of the vast gulf that yawned between the conception and the work, it was pleasant to think of a time when all things were possible, when the most splendid design seemed an affair of a few weeks. Now he had come to a frank acknowledgment; so far as he was concerned, he judged every book wholly impossible till the last line of it was written, and he had learnt patience, the art of sighing and putting the fine scheme away in the pigeonhole of what could never be. But to think of those days! Then one could plot out a book that should be more curious than Rabelais, and jot down the outlines of a romance to surpass Cervantes, and design renaissance tragedies and volumes of contes, and comedies of the Restoration; everything was to be done, and the masterpiece was always the rainbow cup, a little way before him.
He touched the manuscript on the desk, and the feeling of the pages seemed to restore all the papers that had been torn so long ago. It was the atmosphere of the silent room that returned, the light of the shaded candle falling on the abandoned leaves. This had been painfully excogitated while the snowstorm whirled about the lawn and filled the lanes, this was of the summer night, this of the harvest moon rising like a fire from the tithebarn on the hill. How well he remembered those half-dozen pages of which he had once been so proud; he had thought out the sentences one evening, while he leaned on the footbridge and watched the brook swim across the road. Every word smelt of the meadowsweet that grew thick upon the banks; now, as he recalled the cadence and the phrase that had seemed so charming, he saw again the ferns beneath the vaulted roots of the beech, and the green light of the glowworm in the hedge.
And in the west the mountains swelled to a great dome, and on the dome was a mound, the memorial of some forgotten race, that grew dark and large against the red sky, when the sun set. He had lingered below it in the solitude, amongst the winds, at evening, far away from home; and oh, the labour and the vain efforts to make the form of it and the awe of it in prose, to write the hush of the vast hill, and the sadness of the world below sinking into the night, and the mystery, the suggestion of the rounded hillock, huge against the magic sky.
He had tried to sing in words the music that the brook sang, and the sound of the October wind rustling through the brown bracken on the hill. How many pages he had covered in the effort to show a white winter world, a sun without warmth in a grey-blue sky, all the fields, all the land white and shining, and one high summit where the dark pines towered, still in the still afternoon, in the pale violet air.
To win the secret of words, to make a phrase that would murmur of summer and the bee, to summon the wind into a sentence, to conjure the odour of the night into the surge and fall and harmony of a line; this was the tale of the long evenings, of the candle flame white upon the paper and
