“You air that serves me with breath to speak!
You objects that call from diffusion my meanings and give them shape!
You light that wraps me and all things in delicate equable showers!
You paths worn in the irregular hollows by the roadside!
I believe you are latent with unseen existences, you are so dear to me.”
A subtle interpenetration of your spirit with the spirit of those “unseen existences,” now so deeply and thrillingly felt by you, will take place. Old barriers will vanish: and you will become aware that St. Francis was accurate as well as charming when he spoke of Brother Wind and Sister Water; and that Stevenson was obviously right when he said, that since:
“The world is so full of a number of things,
I’m sure we ought all to be happy as kings.”
Those glad and vivid “things” will speak to you. They will offer you news at least as definite and credible as that which the paperboy is hawking in the street: direct messages from that Beauty which the artist reports at best at second hand. Because of your new sensitiveness, anthems will be heard of you from every gutter; poems of intolerable loveliness will bud for you on every weed. Best and greatest, your fellowmen will shine for you with new significance and light. Humility and awe will be evoked in you by the beautiful and patient figures of the poor, their long dumb heroisms, their willing acceptance of the burden of life. All the various members of the human group, the little children and the aged, those who stand for energy, those dedicated to skill, to thought, to plainest service, or to prayer, will have for you fresh vivid significance, be felt as part of your own wider being. All adventurous endeavours, all splendour of pain and all beauty of play—more, that grey unceasing effort of existence which makes up the groundwork of the social web, and the ineffective hopes, enthusiasms, and loves which transfuse it—all these will be seen and felt by you at last as full of glory, full of meaning; for you will see them with innocent, attentive, disinterested eyes, feel them as infinitely significant and adorable parts of the Transcendent Whole in which you also are immersed.
This discovery of your fraternal link with all living things, this down-sinking of your arrogant personality into the great generous stream of life, marks an important stage in your apprehension of that Science of Love which contemplation is to teach. You are not to confuse it with pretty fancies about nature, such as all imaginative persons enjoy; still less, with a self-conscious and deliberate humanitarianism. It is a veritable condition of awareness; a direct perception, not an opinion or an idea. For those who attain it, the span of the senses is extended. These live in a world which is lit with an intenser light; has, as George Fox insisted, “another smell than before.” They hear all about them the delicate music of growth, and see the “new colour” of which the mystics speak.
Further, you will observe that this act, and the attitude which is proper to it, differs in a very important way even from that special attentiveness which characterised the stage of meditation, and which seems at first sight to resemble it in many respects. Then, it was an idea or image from amongst the common stock—one of those conceptual labels with which the human paste-brush has decorated the surface of the universe—which you were encouraged to hold before your mind. Now, turning away from the label, you shall surrender yourself to the direct message poured out towards you by the thing. Then, you considered: now, you are to absorb. This experience will be, in the very highest sense, the experience of sensation without thought: the essential sensation, the “savouring” to which some of the mystics invite us, of which our fragmentary bodily senses offer us a transient sacrament. So here at last, in this intimate communion, this “simple seeing,” this total surrender of you to the impress of things, you are using to the full the sacred powers of sense: and so using them, because you are concentrating upon them, accepting their reports in simplicity. You have, in this contemplative outlook, carried the peculiar methods of artistic apprehension to their highest stage: with the result that the sense-world has become for you, as Erigena said that all creatures were, “a theophany, or appearance of God.” Not, you observe, a symbol, but a showing: a very different thing. You have begun now the Plotinian ascent from multiplicity to unity, and therefore begin to perceive in the Many the clear and actual presence of the One: the changeless and absolute Life, manifesting itself in all the myriad nascent, crescent, cadent lives. Poets, gazing thus at the “flower in the crannied wall” or the “green thing that stands in the way,” have been led deep into the heart of its life; there to discern the secret of the universe.
All the greater poems of Wordsworth and Walt Whitman represent an attempt to translate direct contemplative experience of this kind into words and rhythms which might convey its secret to other men: all Blake’s philosophy is but a desperate effort to persuade us to exchange the false world of “Nature” on which we usually look—and which is not really Nature at all—for this, the true world, to which he gave the confusing name of “Imagination.” For these, the contemplation of the World of Becoming assumes
