“I do not recommend it, sir. The animal is not intended to win. Second place is what the stable is after.”
Perfect piffle, I thought, of course. How the deuce could Jeeves know anything about it? Still, you know what happened. Wonderchild led till he was breathing on the wire, and then Banana Fritter came along and nosed him out. I went straight home and rang for Jeeves.
“After this,” I said, “not another step for me without your advice. From now on consider yourself the brains of the establishment.”
“Very good, sir. I shall endeavour to give satisfaction.”
And he has, by Jove! I’m a bit short on brain myself; the old bean would appear to have been constructed more for ornament than for use, don’t you know; but give me five minutes to talk the thing over with Jeeves, and I’m game to advise anyone about anything. And that’s why, when Bruce Corcoran came to me with his troubles, my first act was to ring the bell and put it up to the lad with the bulging forehead.
“Leave it to Jeeves,” I said.
I first got to know Corky when I came to New York. He was a pal of my cousin Gussie, who was in with a lot of people down Washington Square way. I don’t know if I ever told you about it, but the reason why I left England was because I was sent over by my Aunt Agatha to try to stop young Gussie marrying a girl on the vaudeville stage, and I got the whole thing so mixed up that I decided that it would be a sound scheme for me to stop on in America for a bit instead of going back and having long cosy chats about the thing with aunt. So I sent Jeeves out to find a decent apartment, and settled down for a bit of exile. I’m bound to say that New York’s a topping place to be exiled in. Everybody was awfully good to me, and there seemed to be plenty of things going on, and I’m a wealthy bird, so everything was fine. Chappies introduced me to other chappies, and so on and so forth, and it wasn’t long before I knew squads of the right sort, some who rolled in dollars in houses up by the Park, and others who lived with the gas turned down mostly around Washington Square—artists and writers and so forth. Brainy coves.
Corky was one of the artists. A portrait-painter, he called himself, but he hadn’t painted any portraits. He was sitting on the sidelines with a blanket over his shoulders, waiting for a chance to get into the game. You see, the catch about portrait-painting—I’ve looked into the thing a bit—is that you can’t start painting portraits till people come along and ask you to, and they won’t come and ask you to until you’ve painted a lot first. This makes it kind of difficult for a chappie. Corky managed to get along by drawing an occasional picture for the comic papers—he had rather a gift for funny stuff when he got a good idea—and doing bedsteads and chairs and things for the advertisements. His principal source of income, however, was derived from biting the ear of a rich uncle—one Alexander Worple, who was in the jute business. I’m a bit foggy as to what jute is, but it’s apparently something the populace is pretty keen on, for Mr. Worple had made quite an indecently large stack out of it.
Now, a great many fellows think that having a rich uncle is a pretty soft snap: but, according to Corky, such is not the case. Corky’s uncle was a robust sort of cove, who looked like living forever. He was fifty-one, and it seemed as if he might go to par. It was not this, however, that distressed poor old Corky, for he was not bigoted and had no objection to the man going on living. What Corky kicked at was the way the above Worple used to harry him.
Corky’s uncle, you see, didn’t want him to be an artist. He didn’t think he had any talent in that direction. He was always urging him to chuck Art and go into the jute business and start at the bottom and work his way up. Jute had apparently become a sort of obsession with him. He seemed to attach almost a spiritual importance to it. And what Corky said was that, while he didn’t know what they did at the bottom of the jute business, instinct told him that it was something too beastly for words. Corky, moreover, believed in his future as an artist. Some day, he said, he was going to make a hit. Meanwhile, by using the utmost tact and persuasiveness, he was inducing his uncle to cough up very grudgingly a small quarterly allowance.
He wouldn’t have got this if his uncle hadn’t had a hobby. Mr. Worple was peculiar in this respect. As a rule, from what I’ve observed, the American captain of industry doesn’t do anything out of business hours. When he has put the cat out and locked up the office for the night, he just relapses into a state of coma from which he emerges only to start being a captain of industry again. But Mr. Worple in his spare time was what is known as an ornithologist. He had written a book called American Birds, and was writing another, to be called More American Birds. When he had finished that, the presumption was that he would begin a third, and keep on till the supply of American birds gave out. Corky used to go to him about once every three months and let him talk about American birds. Apparently you could do what you liked with old Worple if you gave him his head first on his pet subject, so these little chats used to make Corky’s allowance all right for the time being. But it
