“Basil,” said Rupert desperately, “for God’s sake come and see what you can make of the woman downstairs. I can’t get the discomfort out of my mind. I admit that things look as if we had made a mistake. But these gentlemen won’t mind perhaps …”
“No, no,” cried Burrows, with a sort of Rabelaisian uproariousness. “No, no, look in the pantry, gentlemen. Examine the coal-hole. Make a tour of the chimneys. There are corpses all over the house, I assure you.”
This adventure of ours was destined to differ in one respect from others which I have narrated. I had been through many wild days with Basil Grant, days for the first half of which the sun and the moon seemed to have gone mad. But it had almost invariably happened that towards the end of the day and its adventure things had cleared themselves like the sky after rain, and a luminous and quiet meaning had gradually dawned upon me. But this day’s work was destined to end in confusion worse confounded. Before we left that house, ten minutes afterwards, one half-witted touch was added which rolled all our minds in cloud. If Rupert’s head had suddenly fallen off on the floor, if wings had begun to sprout out of Greenwood’s shoulders, we could scarcely have been more suddenly stricken. And yet of this we had no explanation. We had to go to bed that night with the prodigy and get up next morning with it and let it stand in our memories for weeks and months. As will be seen, it was not until months afterwards that by another accident and in another way it was explained. For the present I only state what happened.
When all five of us went down the kitchen stairs again, Rupert leading, the two hosts bringing up the rear, we found the door of the prison again closed. Throwing it open we found the place again as black as pitch. The old lady, if she was still there, had turned out the gas: she seemed to have a weird preference for sitting in the dark.
Without another word Rupert lit the gas again. The little old lady turned her birdlike head as we all stumbled forward in the strong gaslight. Then, with a quickness that almost made me jump, she sprang up and swept a sort of old-fashioned curtsey or reverence. I looked quickly at Greenwood and Burrows, to whom it was natural to suppose this subservience had been offered. I felt irritated at what was implied in this subservience, and desired to see the faces of the tyrants as they received it. To my surprise they did not seem to have seen it at all: Burrows was paring his nails with a small penknife. Greenwood was at the back of the group and had hardly entered the room. And then an amazing fact became apparent. It was Basil Grant who stood foremost of the group, the golden gaslight lighting up his strong face and figure. His face wore an expression indescribably conscious, with the suspicion of a very grave smile. His head was slightly bent with a restrained bow. It was he who had acknowledged the lady’s obeisance. And it was he, beyond any shadow of reasonable doubt, to whom it had really been directed.
“So I hear,” he said, in a kindly yet somehow formal voice, “I hear, madam, that my friends have been trying to rescue you. But without success.”
“No one, naturally, knows my faults better than you,” answered the lady with a high colour. “But you have not found me guilty of treachery.”
“I willingly attest it, madam,” replied Basil, in the same level tones, “and the fact is that I am so much gratified with your exhibition of loyalty that I permit myself the pleasure of exercising some very large discretionary powers. You would not leave this room at the request of these gentlemen. But you know that you can safely leave it at mine.”
The captive made another reverence. “I have never complained of your injustice,” she said. “I need scarcely say what I think of your generosity.”
And before our staring eyes could blink she had passed out of the room, Basil holding the door open for her.
He turned to Greenwood with a relapse into joviality. “This will be a relief to you,” he said.
“Yes, it will,” replied that immovable young gentleman with a face like a sphinx.
We found ourselves outside in the dark blue night, shaken and dazed as if we had fallen into it from some high tower.
“Basil,” said Rupert at last, in a weak voice, “I always thought you were my brother. But are you a man? I mean—are you only a man?”
“At present,” replied Basil, “my mere humanity is proved by one of the most unmistakable symbols—hunger. We are too late for the theatre in Sloane Square. But we are not too late for the restaurant. Here comes the green omnibus!” and he had leaped on it before we could speak.
As I said, it was months after that Rupert Grant suddenly entered my room, swinging a satchel in his hand and with a general air of having jumped over the garden wall, and implored me to go with him upon the latest and wildest of his expeditions. He proposed to himself no less a thing than the discovery of the actual origin, whereabouts, and headquarters of the source of all our joys and sorrows—the Club of Queer Trades. I should expand this story forever if I explained how ultimately we ran this strange entity to its lair. The process meant a hundred interesting things. The tracking of a member, the bribing of a cabman, the fighting of roughs, the lifting of a paving stone, the finding of a cellar, the finding of a cellar below the cellar, the
