veil. Let them see you!
The Mother 
Rising and covering her face with her hands, in desperation. I beg you, sir, to prevent this man from carrying out his plan which is loathsome to me. 
 
The Manager 
Dumbfounded. I don’t understand at all. What is the situation? Is this lady your wife? To The Father. 
 
The Father 
Yes, gentlemen: my wife! 
 
The Manager 
But how can she be a widow if you are alive? The Actors find relief for their astonishment in a loud laugh. 
 
The Father 
Don’t laugh! Don’t laugh like that, for Heaven’s sake. Her drama lies just here in this: she has had a lover, a man who ought to be here. 
 
The Mother 
With a cry. No! No! 
 
The Step-Daughter 
Fortunately for her, he is dead. Two months ago as I said. We are in mourning, as you see. 
 
The Father 
He isn’t here you see, not because he is dead. He isn’t here—look at her a moment and you will understand—because her drama isn’t a drama of the love of two men for whom she was incapable of feeling anything except possibly a little gratitude—gratitude not for me but for the other. She isn’t a woman, she is a mother, and her drama—powerful sir, I assure you—lies, as a matter of fact, all in these four children she has had by two men. 
 
The Mother 
I had them? Have you got the courage to say that I wanted them? To the company. It was his doing. It was he who gave me that other man, who forced me to go away with him. 
 
The Step-Daughter 
It isn’t true. 
 
The Mother 
Startled. Not true, isn’t it? 
 
The Step-Daughter 
No, it isn’t true, it just isn’t true. 
 
The Mother 
And what can you know about it? 
 
The Step-Daughter 
It isn’t true. Don’t believe it. To The Manager. Do you know why she says so? For that fellow there. Indicates The Son. She tortures herself, destroys herself on account of the neglect of that son there; and she wants him to believe that if she abandoned him when he was only two years old, it was because he Indicates The Father. made her do so. 
 
The Mother 
Vigorously. He forced me to it, and I call God to witness it. To The Manager. Ask him Indicates husband. if it isn’t true. Let him speak. You To The Step-Daughter. are not in a position to know anything about it. 
 
The Step-Daughter 
I know you lived in peace and happiness with my father while he lived. Can you deny it? 
 
The Mother 
No, I don’t deny it … 
 
The Step-Daughter 
He was always full of affection and kindness for you To The Boy, angrily. It’s true, isn’t it? Tell them! Why don’t you speak, you little fool? 
 
The Mother 
Leave the poor boy alone. Why do you want to make me appear ungrateful, daughter? I don’t want to offend your father. I have answered him that I didn’t abandon my house and my son through any fault of mine, nor from any wilful passion. 
 
The Father 
It is true. It was my doing. 
 
Leading Man 
To the company. What a spectacle! 
 
Leading Lady 
We are the audience this time. 
 
Juvenile Lead 
For once, in a way. 
 
The Manager 
Beginning to get really interested. Let’s hear them out. Listen! 
 
The Son 
Oh yes, you’re going to hear a fine bit now. He will talk to you of the Demon of Experiment. 
 
The Father 
You are a cynical imbecile. I’ve told you so already a hundred times. To The Manager. He tries to make fun of me on account of this expression which I have found to excuse myself with. 
 
The Son 
With disgust. Yes, phrases! phrases! 
 
The Father 
Phrases! Isn’t everyone consoled when faced with a trouble or fact he doesn’t understand, by a word, some simple word, which tells us nothing and yet calms us? 
 
The Step-Daughter 
Even in the case of remorse. In fact, especially then. 
 
The Father 
Remorse? No, that isn’t true. I’ve done more than use words to quieten the remorse in me. 
 
The Step-Daughter 
Yes, there was a bit of money too. Yes, yes, a bit of money. There were the hundred lire he was about to offer me in payment, gentlemen. … Sensation of horror among the Actors. 
 
The Son 
To The Step-Daughter. This is vile. 
 
The Step-Daughter 
Vile? There they were in a pale blue envelope on a little mahogany table in the back of Madame Pace’s shop. You know Madame Pace—one of those ladies who attract poor girls of good family into their ateliers, under the pretext of their selling robes et manteaux. 
 
The Son 
And he thinks he has bought the right to tyrannize over us all with those hundred lire he was going to pay; but which, fortunately—note this, gentlemen—he had no chance of paying. 
 
The Step-Daughter 
It was a near thing, though, you know! Laughs ironically. 
 
The Mother 
Protesting. Shame, my daughter, shame! 
 
The Step-Daughter 
Shame indeed! This is my revenge! I am dying to live that scene. … The room … I see it. … Here is the window with the mantles exposed, there the divan, the looking-glass, a screen, there in front of the window the little mahogany table with the blue envelope containing one hundred lire. I see it. I see it. I could take hold of it. … But you, gentlemen, you ought to turn your backs now: I am almost nude, you know. But I don’t blush: I leave that to him. Indicating The Father. 
 
The Manager 
I don’t understand this at all. 
 
The Father 
Naturally enough. I would ask you, sir, to exercise your authority a little here, and let me speak before you believe all she is trying to blame me with. Let me explain. 
 
The Step-Daughter 
Ah yes, explain it in your own way. 
 
The Father 
But don’t you see that the whole trouble lies here. In words, words. Each one of us has within him a whole world of things, 
 
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