“But the prosecutor refuses to allow that he could the same day have set aside half the money and sewn it up in a little bag. That’s not his character, he tells us, he couldn’t have had such feelings. But yet he talked himself of the broad Karamazov nature; he cried out about the two extremes which a Karamazov can contemplate at once. Karamazov is just such a two-sided nature, fluctuating between two extremes, that even when moved by the most violent craving for riotous gayety, he can pull himself up, if something strikes him on the other side. And on the other side is love—that new love which had flamed up in his heart, and for that love he needed money; oh, far more than for carousing with his mistress. If she were to say to him, ‘I am yours, I won’t have Fyodor Pavlovitch,’ then he must have money to take her away. That was more important than carousing. Could a Karamazov fail to understand it? That anxiety was just what he was suffering from—what is there improbable in his laying aside that money and concealing it in case of emergency?
“But time passed, and Fyodor Pavlovitch did not give the prisoner the expected three thousand; on the contrary, the latter heard that he meant to use this sum to seduce the woman he, the prisoner, loved. ‘If Fyodor Pavlovitch doesn’t give the money,’ he thought, ‘I shall be put in the position of a thief before Katerina Ivanovna.’ And then the idea presented itself to him that he would go to Katerina Ivanovna, lay before her the fifteen hundred roubles he still carried round his neck, and say, ‘I am a scoundrel, but not a thief.’ So here we have already a twofold reason why he should guard that sum of money as the apple of his eye, why he shouldn’t unpick the little bag, and spend it a hundred at a time. Why should you deny the prisoner a sense of honor? Yes, he has a sense of honor, granted that it’s misplaced, granted it’s often mistaken, yet it exists and amounts to a passion, and he has proved that.
“But now the affair becomes even more complex; his jealous torments reach a climax, and those same two questions torture his fevered brain more and more: ‘If I repay Katerina Ivanovna, where can I find the means to go off with Grushenka?’ If he behaved wildly, drank, and made disturbances in the taverns in the course of that month, it was perhaps because he was wretched and strained beyond his powers of endurance. These two questions became so acute that they drove him at last to despair. He sent his younger brother to beg for the last time for the three thousand roubles, but without waiting for a reply, burst in himself and ended by beating the old man in the presence of witnesses. After that he had no prospect of getting it from anyone; his father would not give it him after that beating.
“The same evening he struck himself on the breast, just on the upper part of the breast where the little bag was, and swore to his brother that he had the means of not being a scoundrel, but that still he would remain a scoundrel, for he foresaw that he would not use that means, that he wouldn’t have the character, that he wouldn’t have the willpower to do it. Why, why does the prosecutor refuse to believe the evidence of Alexey Karamazov, given so genuinely and sincerely, so spontaneously and convincingly? And why, on the contrary, does he force me to believe in money hidden in a crevice, in the dungeons of the castle of Udolpho?
“The same evening, after his talk with his brother, the prisoner wrote that fatal letter, and that letter is the chief, the most stupendous proof of the prisoner having committed robbery! ‘I shall beg from everyone, and if I don’t get it I shall murder my father and shall take the envelope with the pink ribbon on it from under his mattress as soon as Ivan has gone.’ A full program of the murder, we are told, so it must have been he. ‘It has all been done as he wrote,’ cries the prosecutor.
“But in the first place, it’s the letter of a drunken man and written in great irritation; secondly, he writes of the envelope from what he has heard from Smerdyakov again, for he has not seen the envelope himself; and thirdly, he wrote it indeed, but how can you prove that he did it? Did the prisoner take the envelope from under the pillow, did he find the money, did that money exist indeed? And was it to get money that the prisoner ran off, if you remember? He ran off post-haste not to steal, but to find out where she was, the woman who had crushed him. He was not running to carry out a program, to carry out what he had written, that is, not for an act of premeditated robbery, but he ran suddenly, spontaneously, in a jealous fury. Yes! I shall be told, but when he got there and murdered him he seized the money, too. But did he murder him after all? The charge of robbery I repudiate with indignation. A man cannot be accused of robbery, if it’s impossible to state accurately what he has stolen; that’s an axiom. But did he murder him without robbery, did he murder him at all? Is that proved? Isn’t that, too, a romance?”
