She stood up, shook herself, and went forward, neither of the men having moved.
“I am ready,” she said quietly.
LIX
The city of Wintoncester, that fine old city, aforetime capital of Wessex, lay amidst its convex and concave downlands in all the brightness and warmth of a July morning. The gabled brick, tile, and freestone houses had almost dried off for the season their integument of lichen, the streams in the meadows were low, and in the sloping High Street, from the West Gateway to the medieval cross, and from the medieval cross to the bridge, that leisurely dusting and sweeping was in progress which usually ushers in an old-fashioned market-day.
From the western gate aforesaid the highway, as every Wintoncestrian knows, ascends a long and regular incline of the exact length of a measured mile, leaving the houses gradually behind. Up this road from the precincts of the city two persons were walking rapidly, as if unconscious of the trying ascent—unconscious through preoccupation and not through buoyancy. They had emerged upon this road through a narrow, barred wicket in a high wall a little lower down. They seemed anxious to get out of the sight of the houses and of their kind, and this road appeared to offer the quickest means of doing so. Though they were young, they walked with bowed heads, which gait of grief the sun’s rays smiled on pitilessly.
One of the pair was Angel Clare, the other a tall budding creature—half girl, half woman—a spiritualized image of Tess, slighter than she, but with the same beautiful eyes—Clare’s sister-in-law, ’Liza-Lu. Their pale faces seemed to have shrunk to half their natural size. They moved on hand in hand, and never spoke a word, the drooping of their heads being that of Giotto’s Two Apostles.
When they had nearly reached the top of the great West Hill the clocks in the town struck eight. Each gave a start at the notes, and, walking onward yet a few steps, they reached the first milestone, standing whitely on the green margin of the grass, and backed by the down, which here was open to the road. They entered upon the turf, and, impelled by a force that seemed to overrule their will, suddenly stood still, turned, and waited in paralyzed suspense beside the stone.
The prospect from this summit was almost unlimited. In the valley beneath lay the city they had just left, its more prominent buildings showing as in an isometric drawing—among them the broad cathedral tower, with its Norman windows and immense length of aisle and nave, the spires of St. Thomas’s, the pinnacled tower of the College, and, more to the right, the tower and gables of the ancient hospice, where to this day the pilgrim may receive his dole of bread and ale. Behind the city swept the rotund upland of St. Catherine’s Hill; further off, landscape beyond landscape, till the horizon was lost in the radiance of the sun hanging above it.
Against these far stretches of country rose, in front of the other city edifices, a large redbrick building, with level gray roofs, and rows of short barred windows bespeaking captivity, the whole contrasting greatly by its formalism with the quaint irregularities of the Gothic erections. It was somewhat disguised from the road in passing it by yews and evergreen oaks, but it was visible enough up here. The wicket from which the pair had lately emerged was in the wall of this structure. From the middle of the building an ugly flat-topped octagonal tower ascended against the east horizon, and viewed from this spot, on its shady side and against the light, it seemed the one blot on the city’s beauty. Yet it was with this blot, and not with the beauty, that the two gazers were concerned.
Upon the cornice of the tower a tall staff was fixed. Their eyes were riveted on it. A few minutes after the hour had struck something moved slowly up the staff, and extended itself upon the breeze. It was a black flag.
“Justice” was done, and the President of the Immortals, in Aeschylean phrase, had ended his sport with Tess. And the d’Urberville knights and dames slept on in their tombs unknowing. The two speechless gazers bent themselves down to the earth, as if in prayer, and remained thus a long time, absolutely motionless: the flag continued to wave silently. As soon as they had strength, they arose, joined hands again, and went on.
Colophon
Tess of the d’Urbervilles
was published in 1891 by
Thomas Hardy.
This ebook was produced for
Standard Ebooks
by
Michael Atkinson,
and is based on a transcription produced in 1994 by
Steve Menyhert, Meredith Ricker, John Hamm, Joseph E. Loewenstein, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The cover page is adapted from
The Milkmaid of Bordeaux,
a painting completed in 1827 by
Francisco Goya.
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