stretched brows. Once, or perhaps twice, during the meal her knife and fork will be suspended in midair as if she were trying to think of something that she had forgotten. Then she will say that she believes in an Omnipotent Deity or she will utter the one word “shuttlecocks,” perhaps. It is very extraordinary to see the perfect flush of health on her cheeks, to see the lustre of her coiled black hair, the poise of the head upon the neck, the grace of the white hands⁠—and to think that it all means nothing⁠—that it is a picture without a meaning. Yes, it is queer.

But, at any rate, there is always Leonora to cheer you up; I don’t want to sadden you. Her husband is quite an economical person of so normal a figure that he can get quite a large proportion of his clothes ready-made. That is the great desideratum of life, and that is the end of my story. The child is to be brought up as a Romanist.


It suddenly occurs to me that I have forgotten to say how Edward met his death. You remember that peace had descended upon the house; that Leonora was quietly triumphant and that Edward said his love for the girl had been merely a passing phase. Well, one afternoon we were in the stables together, looking at a new kind of flooring that Edward was trying in a loose-box. Edward was talking with a good deal of animation about the necessity of getting the numbers of the Hampshire territorials up to the proper standard. He was quite sober, quite quiet, his skin was clear-coloured; his hair was golden and perfectly brushed; the level brick-dust red of his complexion went clean up to the rims of his eyelids; his eyes were porcelain blue and they regarded me frankly and directly. His face was perfectly expressionless; his voice was deep and rough. He stood well back upon his legs and said:

“We ought to get them up to two thousand three hundred and fifty.”

A stable-boy brought him a telegram and went away. He opened it negligently, regarded it without emotion, and, in complete silence, handed it to me. On the pinkish paper in a sprawled handwriting I read: “Safe Brindisi. Having rattling good time. Nancy.”

Well, Edward was the English gentleman; but he was also, to the last, a sentimentalist, whose mind was compounded of indifferent poems and novels. He just looked up to the roof of the stable, as if he were looking to Heaven, and whispered something that I did not catch.

Then he put two fingers into the waistcoat pocket of his grey, frieze suit; they came out with a little neat penknife⁠—quite a small penknife. He said to me:

“You might just take that wire to Leonora.” And he looked at me with a direct, challenging, browbeating glare. I guess he could see in my eyes that I didn’t intend to hinder him. Why should I hinder him?

I didn’t think he was wanted in the world, let his confounded tenants, his rifle-associations, his drunkards, reclaimed and unreclaimed, get on as they liked. Not all the hundreds and hundreds of them deserved that that poor devil should go on suffering for their sakes.

When he saw that I did not intend to interfere with him his eyes became soft and almost affectionate. He remarked:

“So long, old man, I must have a bit of a rest, you know.”

I didn’t know what to say. I wanted to say, “God bless you,” for I also am a sentimentalist. But I thought that perhaps that would not be quite English good form, so I trotted off with the telegram to Leonora. She was quite pleased with it.

Colophon

The Standard Ebooks logo.

The Good Soldier
was published in 1915 by
Ford Madox Ford.

This ebook was produced for
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At Mouquin’s,
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