beer in wooden piggins, poured from leathern jacks, and bread brought in large baskets. The official company enter; the Lord Mayor, or President, takes his seat in a state chair made of oak from St. Catherine’s Church, by the Tower; a hymn is sung, accompanied by the organ; a “Grecian,” or head boy, reads the prayers from the pulpit, silence being enforced by three drops of a wooden hammer. After prayer the supper commences, and the visitors walk between the tables. At its close the “trade-boys” take up the baskets, bowls, jacks, piggins, and candlesticks, and pass in procession, the bowing to the Governors being curiously formal. This spectacle was witnessed by Queen Victoria and Prince Albert in 1845.

Among the more eminent Bluecoat boys are Joshua Barnes, editor of Anacreon and Euripides; Jeremiah Markland, the eminent critic, particularly in Greek Literature; Camden, the antiquary; Bishop Stillingfleet; Samuel Richardson, the novelist; Thomas Mitchell, the translator of Aristophanes; Thomas Barnes, many years editor of the London Times; Coleridge, Charles Lamb, and Leigh Hunt.

No boy is admitted before he is seven years old, or after he is nine; and no boy can remain in the school after he is fifteen, king’s boys and “Grecians” alone excepted. There are about 500 Governors, at the head of whom are the Sovereign and the Prince of Wales. The qualification for a Governor is payment of 500 pounds. —⁠Timbs’ Curiosities of London

  • See Dr. J. Hammond Trumbull’s Blue Laws, True and False, p. 11.

  • Colophon

    The Standard Ebooks logo.

    The Prince and the Pauper
    was published in 1881 by
    Mark Twain.

    This ebook was produced for
    Standard Ebooks
    by
    Maxwell Aires,
    and is based on a transcription produced in 2004 by
    David Widger
    for
    Project Gutenberg
    and on digital scans available at the
    Internet Archive.

    The cover page is adapted from
    A View of London Bridge Before the Late Alterations,
    a painting completed in 1758 by
    Samuel Scott.
    The cover and title pages feature the
    League Spartan and Sorts Mill Goudy
    typefaces created in 2014 and 2009 by
    The League of Moveable Type.

    The first edition of this ebook was released on
    August 8, 2018, 5:49 p.m.
    You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
    standardebooks.org/ebooks/mark-twain/the-prince-and-the-pauper.

    The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

    Uncopyright

    May you do good and not evil.
    May you find forgiveness for yourself and forgive others.
    May you share freely, never taking more than you give.

    Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

    Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

    Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

    Вы читаете The Prince and the Pauper
    Добавить отзыв
    ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

    0

    Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

    Отметить Добавить цитату
    ×