It seemed that the train came on as fast as ever. It was very near now.
“Keep off the line, you silly cuckoo!” said Peter, fiercely.
“It’s no good,” Bobbie said again.
“Stand back!” cried Peter, suddenly, and he dragged Phyllis back by the arm.
But Bobbie cried, “Not yet, not yet!” and waved her two flags right over the line. The front of the engine looked black and enormous. Its voice was loud and harsh.
“Oh, stop, stop, stop!” cried Bobbie. No one heard her. At least Peter and Phyllis didn’t, for the oncoming rush of the train covered the sound of her voice with a mountain of sound. But afterwards she used to wonder whether the engine itself had not heard her. It seemed almost as though it had—for it slackened swiftly, slackened and stopped, not twenty yards from the place where Bobbie’s two flags waved over the line. She saw the great black engine stop dead, but somehow she could not stop waving the flags. And when the driver and the fireman had got off the engine and Peter and Phyllis had gone to meet them and pour out their excited tale of the awful mound just round the corner, Bobbie still waved the flags but more and more feebly and jerkily.
When the others turned towards her she was lying across the line with her hands flung forward and still gripping the sticks of the little red flannel flags.
The engine-driver picked her up, carried her to the train, and laid her on the cushions of a first-class carriage.
“Gone right off in a faint,” he said, “poor little woman. And no wonder. I’ll just ’ave a look at this ’ere mound of yours, and then we’ll run you back to the station and get her seen to.”
It was horrible to see Bobbie lying so white and quiet, with her lips blue, and parted.
“I believe that’s what people look like when they’re dead,” whispered Phyllis.
“Don’t!” said Peter, sharply.
They sat by Bobbie on the blue cushions, and the train ran back. Before it reached their station Bobbie had sighed and opened her eyes, and rolled herself over and begun to cry. This cheered the others wonderfully. They had seen her cry before, but they had never seen her faint, nor anyone else, for the matter of that. They had not known what to do when she was fainting, but now she was only crying they could thump her on the back and tell her not to, just as they always did. And presently, when she stopped crying, they were able to laugh at her for being such a coward as to faint.
When the station was reached, the three were the heroes of an agitated meeting on the platform.
The praises they got for their “prompt action,” their “common sense,” their “ingenuity,” were enough to have turned anybody’s head. Phyllis enjoyed herself thoroughly. She had never been a real heroine before, and the feeling was delicious. Peter’s ears got very red. Yet he, too, enjoyed himself. Only Bobbie wished they all wouldn’t. She wanted to get away.
“You’ll hear from the Company about this, I expect,” said the Station Master.
Bobbie wished she might never hear of it again. She pulled at Peter’s jacket.
“Oh, come away, come away! I want to go home,” she said.
So they went. And as they went Station Master and Porter and guards and driver and fireman and passengers sent up a cheer.
“Oh, listen,” cried Phyllis; “that’s for us!”
“Yes,” said Peter. “I say, I am glad I thought about something red, and waving it.”
“How lucky we did put on our red flannel petticoats!” said Phyllis.
Bobbie said nothing. She was thinking of the horrible mound, and the trustful train rushing towards it.
“And it was us that saved them,” said Peter.
“How dreadful if they had all been killed!” said Phyllis; “wouldn’t it, Bobbie?”
“We never got any cherries, after all,” said Bobbie.
The others thought her rather heartless.
VII
For Valour
I hope you don’t mind my telling you a good deal about Roberta. The fact is I am growing very fond of her. The more I observe her the more I love her. And I notice all sorts of things about her that I like.
For instance, she was quite oddly anxious to make other people happy. And she could keep a secret, a tolerably rare accomplishment. Also she had the power of silent sympathy. That sounds rather dull, I know, but it’s not so dull as it sounds. It just means that a person is able to know that you are unhappy, and to love you extra on that account, without bothering you by telling you all the time how sorry she is for you. That was what Bobbie was like. She knew that Mother was unhappy—and that Mother had not told her the reason. So she just loved Mother more and never said a single word that could let Mother know how earnestly her little girl wondered what Mother was unhappy about. This needs practice. It is not so easy as you might think.
Whatever happened—and all sorts of nice, pleasant ordinary things happened—such as picnics, games, and buns for tea, Bobbie always had these thoughts at the back of her mind. “Mother’s unhappy. Why? I don’t know. She doesn’t want me to know. I won’t try to find out. But she is unhappy. Why? I don’t know. She doesn’t—” and so on, repeating and repeating like a tune that you don’t know the stopping part of.
The Russian gentleman still took up a good deal of everybody’s thoughts. All the editors and secretaries of Societies and Members of Parliament had answered Mother’s letters as politely as they knew how; but none of them could tell where the wife and children
