It was arranged that the Prince Stadtholder himself should give the prize of a hundred thousand guilders, which interested the people at large, and it was thought that perhaps he would make a speech which interested more particularly his friends and enemies.
For in the most insignificant words of men of political importance their friends and their opponents always endeavour to detect, and hence think they can interpret, something of their true thoughts.
As if your true politician’s hat were not a bushel under which he always hides his light!
At length the great and long-expected day—May 15, 1673—arrived; and all Haarlem, swelled by her neighbours, was gathered in the beautiful tree-lined streets, determined on this occasion not to waste its applause upon military heroes, or those who had won notable victories in the field of science, but to reserve their applause for those who had overcome Nature, and had forced the inexhaustible mother to be delivered of what had theretofore been regarded as impossible—a completely black tulip.
Nothing however, is more fickle than such a resolution of the people. When a crowd is once in the humour to cheer, it is just the same as when it begins to hiss. It never knows when to stop.
It therefore, in the first place, cheered Van Systens and his nosegay, then the corporation, then followed a cheer for the people; and, at last, and for once with great justice, there was one for the excellent music with which the gentlemen of the town councils generously treated the assemblage at every halt.
Every eye was looking eagerly for the heroine of the festival—that is to say, the black tulip—and for its hero in the person of the one who had grown it.
In case this hero should make his appearance after the address we have seen worthy Van Systens at work on so conscientiously, he would not fail to make as much of a sensation as the Stadtholder himself.
But the interest of the day’s proceedings for us is centred neither in the learned discourse of our friend Van Systens, however eloquent it might be, nor in the young dandies, resplendent in their Sunday clothes, and munching their heavy cakes; nor in the poor young peasants, gnawing smoked eels as if they were sticks of vanilla sweetmeat; neither is our interest in the lovely Dutch girls, with red cheeks and ivory bosoms; nor in the fat, round mynheers, who had never left their homes before; nor in the sallow, thin travellers from Ceylon or Java; nor in the thirsty crowds, who quenched their thirst with pickled cucumbers;—no, so far as we are concerned, the real interest of the situation, the fascinating, dramatic interest, is not to be found here.
Our interest is in a smiling, sparkling face to be seen amid the members of the Horticultural Committee; in the person with a flower in his belt, combed and brushed, and all clad in scarlet—a colour which makes his black hair and yellow skin stand out in violent contrast.
This hero, radiant with rapturous joy, who had the distinguished honour of making the people forget the speech of Van Systens, and even the presence of the Stadtholder, was Isaac Boxtel, who saw, carried on his right before him, the black tulip, his pretended daughter; and on his left, in a large purse, the hundred thousand guilders in glittering gold pieces, towards which he was constantly squinting, fearful of losing sight of them for one moment.
Now and then Boxtel quickened his step to rub elbows for a moment with Van Systens. He borrowed a little importance from everybody to make a kind of false importance for himself, as he had stolen Rosa’s tulip to effect his own glory, and thereby make his fortune.
Another quarter of an hour and the Prince will arrive and the procession will halt for the last time; after the tulip is placed on its throne, the Prince, yielding precedence to this rival for the popular adoration, will take a magnificently emblazoned parchment, on which is written the name of the grower; and his Highness, in a loud and audible tone, will proclaim him to be the discoverer of a wonder; that Holland, by the instrumentality of him, Boxtel, has forced Nature to produce a black flower, which shall henceforth be called Tulipa nigra Boxtellea.
From time to time, however, Boxtel withdrew his eyes for a moment from the tulip and the purse, timidly looking among the crowd, for more than anything he dreaded to descry there the pale face of the pretty Frisian girl.
She would have been a spectre spoiling the joy of the festival for him, just as Banquo’s ghost did that of Macbeth.
And yet, if the truth must be told, this wretch, who had stolen what was the boast of man, and the dowry of a woman, did not consider himself as a thief. He had so intently watched this tulip, followed it so eagerly from the drawer in Cornelius’s dry-room to the scaffold of the Buytenhof, and from the scaffold to the fortress of Loewestein; he had seen it bud and grow in Rosa’s window, and so often warmed the air round it with his breath, that he felt as if no one had a better right to call himself its producer than he had; and anyone who would now take the black tulip from him would have appeared to him as a thief.
Yet he did not perceive Rosa; his joy therefore was not spoiled.
In the centre of a circle of magnificent trees, which were decorated with garlands and inscriptions, the procession halted, amidst the sounds of lively music, and the young damsels of Haarlem made their appearance to escort the tulip to the raised seat which it was to occupy on the platform, by the side of the gilded chair of his Highness the Stadtholder.
And the
