“Good night, gentlemen both,” said Jonathan Small.
“You first, Small,” remarked the wary Jones as they left the room. “I’ll take particular care that you don’t club me with your wooden leg, whatever you may have done to the gentleman at the Andaman Isles.”
“Well, and there is the end of our little drama,” I remarked, after we had set some time smoking in silence. “I fear that it may be the last investigation in which I shall have the chance of studying your methods. Miss Morstan has done me the honor to accept me as a husband in prospective.”
He gave a most dismal groan. “I feared as much,” said he. “I really cannot congratulate you.”
I was a little hurt. “Have you any reason to be dissatisfied with my choice?” I asked.
“Not at all. I think she is one of the most charming young ladies I ever met, and might have been most useful in such work as we have been doing. She had a decided genius that way: witness the way in which she preserved that Agra plan from all the other papers of her father. But love is an emotional thing, and whatever is emotional is opposed to that true cold reason which I place above all things. I should never marry myself, lest I bias my judgment.”
“I trust,” said I, laughing, “that my judgment may survive the ordeal. But you look weary.”
“Yes, the reaction is already upon me. I shall be as limp as a rag for a week.”
“Strange,” said I, “how terms of what in another man I should call laziness alternate with your fits of splendid energy and vigor.”
“Yes,” he answered, “there are in me the makings of a very fine loafer and also of a pretty spry sort of fellow. I often think of those lines of old Goethe—
Schade dass die Natur nur einen Mensch aus Dir schuf,
Denn zum wuerdigen Mann war und zum Schelmen der Stoff.
“By the way, apropos of this Norwood business, you see that they had, as I surmised, a confederate in the house, who could be none other than Lal Rao, the butler: so Jones actually has the undivided honor of having caught one fish in his great haul.”
“The division seems rather unfair,” I remarked. “You have done all the work in this business. I get a wife out of it, Jones gets the credit, pray what remains for you?”
“For me,” said Sherlock Holmes, “there still remains the cocaine-bottle.” And he stretched his long white hand up for it.
Colophon
The Sign of the Four
was published in 1890 by
Arthur Conan Doyle.
This ebook was produced for
Standard Ebooks
by
David Grigg,
and is based on a transcription produced in 2000 for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library and the Internet Archive.
The cover page is adapted from
Rough Weather,
a painting completed in 1917 by
Emile Claus.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
April 12, 2018, 10:22 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/arthur-conan-doyle/the-sign-of-the-four.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
Uncopyright
May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.
Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.
Non-authorship activities performed on public domain items—so-called “sweat of the brow” work—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.
