Poetry

now to that fair lady’s bower?

Ah! courteous Sir Knight, with large joy thou art crown’d;
Full many the glories that brighten thy youth!
I will tell thee my blisses, which richly abound
In magical powers to bless, and to soothe.

On this scroll thou seest written in characters fair
A sun-beamy tale of a wreath, and a chain:
And, warrior, it nurtures the property rare
Of charming my mind from the trammels of pain.

This canopy mark: ’tis the work of a fay;
Beneath its rich shade did King Oberon languish,
When lovely Titania was far, far away,
And cruelly left him to sorrow, and anguish.

There, oft would he bring from his soft-sighing lute
Wild strains to which, spell-bound, the nightingales listen’d;
The wondering spirits of heaven were mute,
And tears ’mong the dewdrops of morning oft glistened.

In this little dome, all those melodies strange,
Soft, plaintive, and melting, for ever will sigh;
Nor e’er will the notes from their tenderness change;
Nor e’er will the music of Oberon die.

So, when I am in a voluptuous vein,
I pillow my head on the sweets of the rose,
And list to the tale of the wreath, and the chain,
Till its echoes depart; then I sink to repose.

Adieu, valiant Eric! with joy thou art crown’d;
Full many the glories that brighten thy youth,
I too have my blisses, which richly abound
In magical powers, to bless and to soothe.

Stanzas to Miss Wylie

O come, Georgiana! the rose is full blown,
The riches of Flora are lavishly strown,
The air is all softness, and crystal the streams;
The West is resplendently clothed in beams.

O come! let us haste to the freshening shades,
The quaintly carv’d seats, and the opening glades;
Where the faeries are chanting their evening hymns,
And the last sun-beam the sylph lightly swims.

And when thou art weary, I’ll find thee a bed
Of mosses and flowers to pillow thy head:
And there Georgiana I’ll sit at thy feet,
While my story of love I enraptur’d repeat.

So fondly I’ll breathe, and so softly I’ll sigh,
Thou wilt think that some amorous zephyr is nigh;
Yet no⁠—as I breathe I will press thy fair knee,
And then thou wilt know that the sigh comes from me.

Ah! why, dearest girl, should we lose all these blisses?
That mortal’s a fool who such happiness misses:
So smile acquiescence, and give me thy hand,
With love-looking eyes, and with voice sweetly bland.

“Woman! When I Behold Thee Flippant, Vain”

Woman! when I behold thee flippant, vain,
Inconstant, childish, proud, and full of fancies;
Without that modest softening that enhances
The downcast eye, repentant of the pain
That its mild light creates to heal again:
E’en then, elate, my spirit leaps, and prances,
E’en then my soul with exultation dances
For that to love, so long, I’ve dormant lain:
But when I see thee meek, and kind, and tender,
Heavens! how desperately do I adore
Thy winning graces;⁠—to be thy defender
I hotly burn⁠—to be a Calidore⁠—
A very Red Cross Knight⁠—a stout Leander⁠—
Might I be lov’d by thee like these of yore.

Light feet, dark violet eyes, and parted hair;
Soft dimpled hands, white neck, and creamy breast,
Are things on which the dazzled senses rest
Till the fond, fixèd eyes forget they stare.
From such fine pictures, Heavens! I cannot dare
To turn my admiration, though unpossess’d
They be of what is worthy,⁠—though not drest
In lovely modesty, and virtues rare.
Yet these I leave as thoughtless as a lark;
These lures I straight forget,⁠—e’en ere I dine,
Or thrice my palate moisten: but when I mark
Such charms with mild intelligences shine,
My ear is open like a greedy shark,
To catch the tunings of a voice divine.

Ah! who can e’er forget so fair a being?
Who can forget her half-retiring sweets?
God! she is like a milk-white lamb that bleats
For man’s protection. Surely the All-seeing,
Who joys to see us with his gifts agreeing,
Will never give him pinions, who intreats
Such innocence to ruin,⁠—who vilely cheats
A dove-like bosom. In truth there is no freeing
One’s thoughts from such a beauty; when I hear
A lay that once I saw her hand awake,
Her form seems floating palpable, and near:
Had I e’er seen her from an arbour take
A dewy flower, oft would that hand appear,
And o’er my eyes the trembling moisture shake.

To ⸻

Had I a man’s fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprise:
But ah! I am no knight whose foeman dies;
No cuirass glistens on my bosom’s swell;
I am no happy shepherd of the dell
Whose lips have trembled with a maiden’s eyes.
Yet must I dote upon thee,⁠—call thee sweet,
Sweeter by far than Hybla’s honied roses
When steep’d in dew rich to intoxication.
Ah! I will taste that dew, for me ’tis meet,
And when the moon her pallid face discloses,
I’ll gather some by spells, and incantation.

Sonnet

Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent:
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging:
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,
And float with them about the summer waters.

Sonnet

How many bards gild the lapses of time!
A few of them have ever been the food
Of my delighted fancy,⁠—I could brood
Over their beauties, earthly, or sublime:
And often, when I sit me down to rhyme,
These will in throngs before my mind intrude:
But no confusion, no disturbance rude
Do they occasion; ’tis a pleasing chime.
So the unnumber’d sounds that evening store;
The songs of birds⁠—the whisp’ring of the leaves⁠—