God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe’s, when her zone
Slipt its golden clasp, and down
Fell her kirtle to her feet,
While she held the goblet sweet,
And Jove grew languid.—Break the mesh
Of the Fancy’s silken leash;
Quickly break her prison-string.
And such joys as these she’ll bring.—
Let the winged Fancy roam,
Pleasure never is at home.
Ode
Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Double-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wond’rous
And the parle of voices thund’rous;
With the whisper of heaven’s trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian’s fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.
Thus ye live on high, and then,
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber’d, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.
Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
Modern Love
And what is love? It is a doll dress’d up
For idleness to cosset, nurse, and dandle;
A thing of soft misnomers, so divine
That silly youth doth think to make itself
Divine by loving, and so goes on
Yawning and doting a whole summer long,
Till Miss’s comb is made a pearl tiara,
And common Wellingtons turn Romeo boots;
Then Cleopatra lives at number seven,
And Antony resides in Brunswick Square.
Fools! if some passions high have warm’d the world,
If Queens and Soldiers have play’d deep for hearts,
It is no reason why such agonies
Should be more common than the growth of weeds.
Fools! make me whole again that weighty pearl
The Queen of Egypt melted, and I’ll say
That ye may love in spite of beaver hats.
Fragment of “The Castle Builder”
To-night I’ll have my friar—let me think
About my room—I’ll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June
Should look thro’ four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower’d with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady’s glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish’d but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink’d purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower;—just in time there sails
A cloud across the moon,—the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho’ they had
Been made for Cleopatra’s winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old “Mene, Mene, Tekel Upharsin.”
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far,
Than vase grotesque and Siamesian jar;
Therefore ’tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter’s clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason’s fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda’s cygnet progeny.
My pictures all Salvator’s, save a few
Of Titian’s portraiture, and one, though new,
Of Haydon’s in its fresh magnificence.
My wine—O good! ’tis here at my desire,
And I must sit to supper with my friar.
Spirit here that reignest!
Spirit here that painest!
Spirit here that burnest!
Spirit here that mournest!
Spirit, I bow
My forehead low,
Enshaded with thy pinions.
Spirit, I look
All passion-struck
Into thy pale dominions.
Spirit here that laughest!
Spirit here that quaffest!
Spirit here that dancest!
Noble soul that prancest!
Spirit, with thee
I join in the glee
A-nudging the elbow of Momus.
Spirit, I flush
With a Bacchanal blush
Just fresh from the Banquet of Comus.
In after-time, a sage of mickle lore
Yclep’d Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
The one he struck stone-blind, the other’s eyes wox dim.
Hyperion
A Fragment
Book I
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve’s one star,
Sat gray-hair’d Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer’s day
Robs not one light seed from the feather’d grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad ’mid her reeds
Press’d her cold finger closer to her lips.
Along the margin-sand large foot-marks went,
No further than to where his feet had stray’d,
And slept there since. Upon the sodden ground
His old right hand lay nerveless,
