But André-Louis, we know, was not concerned to save France. At the moment he was concerned to save two women, both of whom he loved, though in vastly different ways, from a man he had vowed to ruin. He stood firm in his refusal until Le Chapelier dejectedly abandoned the attempt to persuade him.
“It is odd,” said André-Louis, “that I should have been so deeply immersed in trifles as never to have perceived that Nantes is being politically active.”
“Active! My friend, it is a seething cauldron of political emotions. It is kept quiet on the surface only by the persuasion that all goes well. At a hint to the contrary it would boil over.”
“Would it so?” said Scaramouche, thoughtfully. “The knowledge may be useful.” And then he changed the subject. “You know that La Tour d’Azyr is here?”
“In Nantes? He has courage if he shows himself. They are not a docile people, these Nantais, and they know his record and the part he played in the rising at Rennes. I marvel they haven’t stoned him. But they will, sooner or later. It only needs that someone should suggest it.”
“That is very likely,” said André-Louis, and smiled. “He doesn’t show himself much; not in the streets, at least. So that he has not the courage you suppose; nor any kind of courage, as I told him once. He has only insolence.”
At parting Le Chapelier again exhorted him to give thought to what he proposed. “Send me word if you change your mind. I am lodged at the Cerf, and I shall be here until the day after tomorrow. If you have ambition, this is your moment.”
“I have no ambition, I suppose,” said André-Louis, and went his way.
That night at the theatre he had a mischievous impulse to test what Le Chapelier had told him of the state of public feeling in the city. They were playing The Terrible Captain, in the last act of which the empty cowardice of the bullying braggart Rhodomont is revealed by Scaramouche.
After the laughter which the exposure of the roaring captain invariably produced, it remained for Scaramouche contemptuously to dismiss him in a phrase that varied nightly, according to the inspiration of the moment. This time he chose to give his phrase a political complexion:
“Thus, O thrasonical coward, is your emptiness exposed. Because of your long length and the great sword you carry and the angle at which you cock your hat, people have gone in fear of you, have believed in you, have imagined you to be as terrible and as formidable as you insolently make yourself appear. But at the first touch of true spirit you crumple up, you tremble, you whine pitifully, and the great sword remains in your scabbard. You remind me of the Privileged Orders when confronted by the Third Estate.”
It was audacious of him, and he was prepared for anything—a laugh, applause, indignation, or all together. But he was not prepared for what came. And it came so suddenly and spontaneously from the groundlings and the body of those in the amphitheatre that he was almost scared by it—as a boy may be scared who has held a match to a sun-scorched hayrick. It was a hurricane of furious applause. Men leapt to their feet, sprang up on to the benches, waving their hats in the air, deafening him with the terrific uproar of their acclamations. And it rolled on and on, nor ceased until the curtain fell.
Scaramouche stood meditatively smiling with tight lips. At the last moment he had caught a glimpse of M. de La Tour d’Azyr’s face thrust farther forward than usual from the shadows of his box, and it was a face set in anger, with eyes on fire.
“Mon Dieu!” laughed Rhodomont, recovering from the real scare that had succeeded his histrionic terror, “but you have a great trick of tickling them in the right place, Scaramouche.”
Scaramouche looked up at him and smiled. “It can be useful upon occasion,” said he, and went off to his dressing-room to change.
But a reprimand awaited him. He was delayed at the theatre by matters concerned with the scenery of the new piece they were to mount upon the morrow. By the time he was rid of the business the rest of the company had long since left. He called a chair and had himself carried back to the inn in solitary state. It was one of many minor luxuries his comparatively affluent present circumstances permitted.
Coming into that upstairs room that was common to all the troupe, he found M. Binet talking loudly and vehemently. He had caught sounds of his voice whilst yet upon the stairs. As he entered Binet broke off short, and wheeled to face him.
“You are here at last!” It was so odd a greeting that André-Louis did no more than look his mild surprise. “I await your explanations of the disgraceful scene you provoked tonight.”
“Disgraceful? Is it disgraceful that the public should applaud me?”
“The public? The rabble, you mean. Do you want to deprive us of the patronage of all gentlefolk by vulgar appeals to the low passions of the mob?”
André-Louis stepped past M. Binet and forward to the table. He shrugged contemptuously. The man offended him, after all.
“You exaggerate grossly—as usual.”
“I do not exaggerate. And I am the master in my own theatre. This is the Binet Troupe, and it shall be conducted in the Binet way.”
“Who are the gentlefolk the loss of whose patronage to the Feydau will be so poignantly felt?” asked André-Louis.
“You imply that there are none? See how wrong you are. After the play tonight M. le Marquis de La Tour d’Azyr came to me, and spoke to me in the severest terms
