“We c’n have stewed fruit in it,” said Paul.
“Or custard, or a jelly,” said his mother.
“Or radishes and lettuce,” said he.
“Don’t forget that bread,” she said, her voice bright with glee.
Paul looked in the oven; tapped the loaf on the base.
“It’s done,” he said, giving it to her.
She tapped it also.
“Yes,” she replied, going to unpack her bag. “Oh, and I’m a wicked, extravagant woman. I know I s’ll come to want.”
He hopped to her side eagerly, to see her latest extravagance. She unfolded another lump of newspaper and disclosed some roots of pansies and of crimson daisies.
“Four penn’orth!” she moaned.
“How cheap!” he cried.
“Yes, but I couldn’t afford it this week of all weeks.”
“But lovely!” he cried.
“Aren’t they!” she exclaimed, giving way to pure joy. “Paul, look at this yellow one, isn’t it—and a face just like an old man!”
“Just!” cried Paul, stooping to sniff. “And smells that nice! But he’s a bit splashed.”
He ran in the scullery, came back with the flannel, and carefully washed the pansy.
“Now look at him now he’s wet!” he said.
“Yes!” she exclaimed, brimful of satisfaction.
The children of Scargill Street felt quite select. At the end where the Morels lived there were not many young things. So the few were more united. Boys and girls played together, the girls joining in the fights and the rough games, the boys taking part in the dancing games and rings and make-belief of the girls.
Annie and Paul and Arthur loved the winter evenings, when it was not wet. They stayed indoors till the colliers were all gone home, till it was thick dark, and the street would be deserted. Then they tied their scarves round their necks, for they scorned overcoats, as all the colliers’ children did, and went out. The entry was very dark, and at the end the whole great night opened out, in a hollow, with a little tangle of lights below where Minton pit lay, and another far away opposite for Selby. The farthest tiny lights seemed to stretch out the darkness forever. The children looked anxiously down the road at the one lamppost, which stood at the end of the field path. If the little, luminous space were deserted, the two boys felt genuine desolation. They stood with their hands in their pockets under the lamp, turning their backs on the night, quite miserable, watching the dark houses. Suddenly a pinafore under a short coat was seen, and a long-legged girl came flying up.
“Where’s Billy Pillins an’ your Annie an’ Eddie Dakin?”
“I don’t know.”
But it did not matter so much—there were three now. They set up a game round the lamppost, till the others rushed up, yelling. Then the play went fast and furious.
There was only this one lamppost. Behind was the great scoop of darkness, as if all the night were there. In front, another wide, dark way opened over the hill brow. Occasionally somebody came out of this way and went into the field down the path. In a dozen yards the night had swallowed them. The children played on.
They were brought exceedingly close together owing to their isolation. If a quarrel took place, the whole play was spoilt. Arthur was very touchy, and Billy Pillins—really Philips—was worse. Then Paul had to side with Arthur, and on Paul’s side went Alice, while Billy Pillins always had Emmie Limb and Eddie Dakin to back him up. Then the six would fight, hate with a fury of hatred, and flee home in terror. Paul never forgot, after one of these fierce internecine fights, seeing a big red moon lift itself up, slowly, between the waste road over the hilltop, steadily, like a great bird. And he thought of the Bible, that the moon should be turned to blood. And the next day he made haste to be friends with Billy Pillins. And then the wild, intense games went on again under the lamppost, surrounded by so much darkness. Mrs. Morel, going into her parlour, would hear the children singing away:
“My shoes are made of Spanish leather,
My socks are made of silk;
I wear a ring on every finger,
I wash myself in milk.”
They sounded so perfectly absorbed in the game as their voices came out of the night, that they had the feel of wild creatures singing. It stirred the mother; and she understood when they came in at eight o’clock, ruddy, with brilliant eyes, and quick, passionate speech.
They all loved the Scargill Street house for its openness, for the great scallop of the world it had in view. On summer evenings the women would stand against the field fence, gossiping, facing the west, watching the sunsets flare quickly out, till the Derbyshire hills ridged across the crimson far away, like the black crest of a newt.
In this summer season the pits never turned full time, particularly the soft coal. Mrs. Dakin, who lived next door to Mrs. Morel, going to the field fence to shake her hearthrug, would spy men coming slowly up the hill. She saw at once they were colliers. Then she waited, a tall, thin, shrew-faced woman, standing on the hill brow, almost like a menace to the poor colliers who were toiling up. It was only eleven o’clock. From the far-off wooded hills the haze that hangs like fine black crape at the back of a summer morning had not yet dissipated. The first man came to the stile. “Chock-chock!” went the gate under his thrust.
“What, han’ yer knocked off?” cried Mrs. Dakin.
“We han, missis.”
“It’s a pity as they letn yer goo,” she said sarcastically.
“It is that,” replied the man.
“Nay, you know you’re flig to come up again,” she said.
And the man went on. Mrs. Dakin, going up her yard, spied Mrs. Morel taking the ashes to the ash-pit.
“I reckon Minton’s knocked off, missis,” she cried.
“Isn’t it sickenin!” exclaimed Mrs. Morel in wrath.
“Ha! But I’n just seed Jont Hutchby.”
“They might as well have saved their shoe-leather,” said Mrs. Morel. And both women went indoors disgusted.
The colliers,
