satisfaction he wished for. The tables were accordingly brought, and the situation of the two contending parties being explained, the gentleman put up his sword and went away perfectly satisfied. To return from this, which to some will seem a digression, and to others will serve as a confirmation of the doctrine I am insisting on.

It is not, then, the value of the object, but the time and pains bestowed upon it, that determines the sense and degree of our loss. Many men set their minds only on trifles, and have not a compass of soul to take an interest in anything truly great and important beyond forms and minutiae. Such persons are really men of little minds, or may be complimented with the title of great children,

“Pleased with a feather, tickled with a straw.”

Larger objects elude their grasp, while they fasten eagerly on the light and insignificant. They fidget themselves and others to death with incessant anxiety about nothing. A part of their dress that is awry keeps them in a fever of restlessness and impatience; they sit picking their teeth, or paring their nails, or stirring the fire, or brushing a speck of dirt off their coats, while the house or the world tumbling about their ears would not rouse them from their morbid insensibility. They cannot sit still on their chairs for their lives, though if there were anything for them to do they would become immovable. Their nerves are as irritable as their imaginations are callous and inert. They are addicted to an inveterate habit of littleness and perversity, which rejects every other motive to action or object of contemplation but the daily, teasing, contemptible, familiar, favourite sources of uneasiness and dissatisfaction. When they are of a sanguine instead of a morbid temperament, they become quid-nuncs and virtuosos⁠—collectors of caterpillars and odd volumes, makers of fishing-rods and curious in watch-chains. Will Wimble dabbled in this way, to his immortal honour. But many others have been less successful. There are those who build their fame on epigrams or epitaphs, and others who devote their lives to writing the Lord’s Prayer in little. Some poets compose and sing their own verses. Which character would they have us think most highly of⁠—the poet or the musician? The Great is One. Some there are who feel more pride in sealing a letter with a head of Homer than ever that old blind bard did in reciting his Iliad. These raise a huge opinion of themselves out of nothing, as there are those who shrink from their own merits into the shade of unconquerable humility. I know one person at least, who would rather be the author of an unsuccessful farce than of a successful tragedy. Repeated mortification has produced an inverted ambition in his mind, and made failure the bitter test of desert. He cannot lift his drooping head to gaze on the gaudy crown of popularity placed within his reach, but casts a pensive, riveted look downwards to the modest flowers which the multitude trample under their feet. If he had a piece likely to succeed, coming out under all advantages, he would damn it by some ill-timed, wilful jest, and lose the favour of the public, to preserve the sense of his personal identity. “Misfortune,” Shakespeare says, “brings a man acquainted with strange bedfellows”; and it makes our thoughts traitors to ourselves.⁠—It is a maxim with many⁠—“Take care of the pence, and the pounds will take care of themselves.” Those only put it in practice successfully who think more of the pence than of the pounds. To such, a large sum is less than a small one. Great speculations, great returns are to them extravagant or imaginary: a few hundreds a year are something snug and comfortable. Persons who have been used to a petty, huckstering way of life cannot enlarge their apprehensions to a notion of anything better. Instead of launching out into greater expense and liberality with the tide of fortune, they draw back with the fear of consequences, and think to succeed on a broader scale by dint of meanness and parsimony. My uncle Toby frequently caught Trim standing up behind his chair, when he had told him to be seated. What the corporal did out of respect, others would do out of servility. The menial character does not wear out in three or four generations. You cannot keep some people out of the kitchen, merely because their grandfathers or grandmothers came out of it. A poor man and his wife walking along in the neighbourhood of Portland Place, he said to her peevishly, “What is the use of walking along these fine streets and squares? Let us turn down some alley!” He felt he should be more at home there. Lamb said of an old acquaintance of his, that when he was young he wanted to be a tailor, but had not spirit! This is the misery of unequal matches. The woman cannot easily forget, or think that others forget, her origin; and, with perhaps superior sense and beauty, keeps painfully in the background. It is worse when she braves this conscious feeling, and displays all the insolence of the upstart and affected fine lady. But shouldst thou ever, my Infelice, grace my home with thy loved presence, as thou hast cheered my hopes with thy smile, thou wilt conquer all hearts with thy prevailing gentleness, and I will show the world what Shakespeare’s women were!⁠—Some gallants set their hearts on princesses; others descend in imagination to women of quality; others are mad after opera-singers. For my part, I am shy even of actresses, and should not think of leaving my card with Madame Vestris. I am for none of these bonnes fortunes; but for a list of humble beauties, servant-maids and shepherd-girls, with their red elbows, hard hands, black stockings and mobcaps, I could furnish out a gallery equal to Cowley’s, and paint them half as well. Oh!

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