he overheard about eating people’s flesh and drinking blood. What’s the good of talking like that?”

There was a note of indignant scorn in her voice. Mr. Verloc was fully responsive now.

“Ask Karl Yundt,” he growled savagely.

Mrs. Verloc, with great decision, pronounced Karl Yundt “a disgusting old man.” She declared openly her affection for Michaelis. Of the robust Ossipon, in whose presence she always felt uneasy behind an attitude of stony reserve, she said nothing whatever. And continuing to talk of that brother, who had been for so many years an object of care and fears:

“He isn’t fit to hear what’s said here. He believes it’s all true. He knows no better. He gets into his passions over it.”

Mr. Verloc made no comment.

“He glared at me, as if he didn’t know who I was, when I went downstairs. His heart was going like a hammer. He can’t help being excitable. I woke mother up, and asked her to sit with him till he went to sleep. It isn’t his fault. He’s no trouble when he’s left alone.”

Mr. Verloc made no comment.

“I wish he had never been to school,” Mrs. Verloc began again brusquely. “He’s always taking away those newspapers from the window to read. He gets a red face poring over them. We don’t get rid of a dozen numbers in a month. They only take up room in the front window. And Mr. Ossipon brings every week a pile of these F. P. tracts to sell at a halfpenny each. I wouldn’t give a halfpenny for the whole lot. It’s silly reading⁠—that’s what it is. There’s no sale for it. The other day Stevie got hold of one, and there was a story in it of a German soldier officer tearing half-off the ear of a recruit, and nothing was done to him for it. The brute! I couldn’t do anything with Stevie that afternoon. The story was enough, too, to make one’s blood boil. But what’s the use of printing things like that? We aren’t German slaves here, thank God. It’s not our business⁠—is it?”

Mr. Verloc made no reply.

“I had to take the carving knife from the boy,” Mrs. Verloc continued, a little sleepily now. “He was shouting and stamping and sobbing. He can’t stand the notion of any cruelty. He would have stuck that officer like a pig if he had seen him then. It’s true, too! Some people don’t deserve much mercy.” Mrs. Verloc’s voice ceased, and the expression of her motionless eyes became more and more contemplative and veiled during the long pause. “Comfortable, dear?” she asked in a faint, faraway voice. “Shall I put out the light now?”

The dreary conviction that there was no sleep for him held Mr. Verloc mute and hopelessly inert in his fear of darkness. He made a great effort.

“Yes. Put it out,” he said at last in a hollow tone.

IV

Most of the thirty or so little tables covered by red cloths with a white design stood ranged at right angles to the deep brown wainscoting of the underground hall. Bronze chandeliers with many globes depended from the low, slightly vaulted ceiling, and the fresco paintings ran flat and dull all round the walls without windows, representing scenes of the chase and of outdoor revelry in medieval costumes. Varlets in green jerkins brandished hunting knives and raised on high tankards of foaming beer.

“Unless I am very much mistaken, you are the man who would know the inside of this confounded affair,” said the robust Ossipon, leaning over, his elbows far out on the table and his feet tucked back completely under his chair. His eyes stared with wild eagerness.

An upright semi-grand piano near the door, flanked by two palms in pots, executed suddenly all by itself a valse tune with aggressive virtuosity. The din it raised was deafening. When it ceased, as abruptly as it had started, the bespectacled, dingy little man who faced Ossipon behind a heavy glass mug full of beer emitted calmly what had the sound of a general proposition.

“In principle what one of us may or may not know as to any given fact can’t be a matter for inquiry to the others.”

“Certainly not,” Comrade Ossipon agreed in a quiet undertone. “In principle.”

With his big florid face held between his hands he continued to stare hard, while the dingy little man in spectacles coolly took a drink of beer and stood the glass mug back on the table. His flat, large ears departed widely from the sides of his skull, which looked frail enough for Ossipon to crush between thumb and forefinger; the dome of the forehead seemed to rest on the rim of the spectacles; the flat cheeks, of a greasy, unhealthy complexion, were merely smudged by the miserable poverty of a thin dark whisker. The lamentable inferiority of the whole physique was made ludicrous by the supremely self-confident bearing of the individual. His speech was curt, and he had a particularly impressive manner of keeping silent.

Ossipon spoke again from between his hands in a mutter.

“Have you been out much today?”

“No. I stayed in bed all the morning,” answered the other. “Why?”

“Oh! Nothing,” said Ossipon, gazing earnestly and quivering inwardly with the desire to find out something, but obviously intimidated by the little man’s overwhelming air of unconcern. When talking with this comrade⁠—which happened but rarely⁠—the big Ossipon suffered from a sense of moral and even physical insignificance. However, he ventured another question. “Did you walk down here?”

“No; omnibus,” the little man answered readily enough. He lived far away in Islington, in a small house down a shabby street, littered with straw and dirty paper, where out of school hours a troop of assorted children ran and squabbled with a shrill, joyless, rowdy clamour. His single back room, remarkable for having an extremely large cupboard, he rented furnished from two elderly spinsters, dressmakers in a humble way with a clientele of servant girls mostly. He had a heavy padlock put on the cupboard, but otherwise he was a model

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