The King in Yellow

for me. It tells me of meadows and clear rivers. The name of Sylvia troubles me like perfume from dead flowers.”

The cat mewed.

“Yes, yes,” he said soothingly, “I will take you back. Your Sylvia is not my Sylvia; the world is wide and Elven is not unknown. Yet in the darkness and filth of poorer Paris, in the sad shadows of this ancient house, these names are very pleasant to me.”

He lifted her in his arms and strode through the silent corridors to the stairs. Down five flights and into the moonlit court, past the little sculptor’s den, and then again in at the gate of the north wing and up the worm-eaten stairs he passed, until he came to a closed door. When he had stood knocking for a long time, something moved behind the door; it opened and he went in. The room was dark. As he crossed the threshold, the cat sprang from his arms into the shadows. He listened but heard nothing. The silence was oppressive and he struck a match. At his elbow stood a table and on the table a candle in a gilded candlestick. This he lighted, then looked around. The chamber was vast, the hangings heavy with embroidery. Over the fireplace towered a carved mantel, grey with the ashes of dead fires. In a recess by the deep-set windows stood a bed, from which the bedclothes, soft and fine as lace, trailed to the polished floor. He lifted the candle above his head. A handkerchief lay at his feet. It was faintly perfumed. He turned toward the windows. In front of them was a canapé and over it were flung, pell-mell, a gown of silk, a heap of lace-like garments, white and delicate as spiders’ meshes, long, crumpled gloves, and, on the floor beneath, the stockings, the little pointed shoes, and one garter of rosy silk, quaintly flowered and fitted with a silver clasp. Wondering, he stepped forward and drew the heavy curtains from the bed. For a moment the candle flared in his hand; then his eyes met two other eyes, wide open, smiling, and the candle-flame flashed over hair heavy as gold.

She was pale, but not as white as he; her eyes were untroubled as a child’s; but he stared, trembling from head to foot, while the candle flickered in his hand.

At last he whispered: “Sylvia, it is I.”

Again he said, “It is I.”

Then, knowing that she was dead, he kissed her on the mouth. And through the long watches of the night the cat purred on his knee, tightening and relaxing her padded claws, until the sky paled above the Street of the Four Winds.

The Street of the First Shell

“Be of Good Cheer, the Sullen Month will die,
And a young Moon requite us by and by:
Look how the Old one, meagre, bent, and wan
With age and Fast, is fainting from the sky.”

I

The room was already dark. The high roofs opposite cut off what little remained of the December daylight. The girl drew her chair nearer the window, and choosing a large needle, threaded it, knotting the thread over her fingers. Then she smoothed the baby garment across her knees, and, bending, bit off the thread and drew the smaller needle from where it rested in the hem. When she had brushed away the stray threads and bits of lace, she laid it again over her knees caressingly. Then she slipped the threaded needle from her corsage and passed it through a button, but as the button spun down the thread, her hand faltered, the thread snapped, and the button rolled across the floor. She raised her head. Her eyes were fixed on a strip of waning light above the chimneys. From somewhere in the city came sounds like the distant beating of drums, and beyond, far beyond, a vague muttering, now growing, swelling, rumbling in the distance like the pounding of surf upon the rocks, now like the surf again, receding, growling, menacing. The cold had become intense, a bitter piercing cold which strained and snapped at joist and beam and turned the slush of yesterday to flint. From the street below every sound broke sharp and metallic⁠—the clatter of sabots, the rattle of shutters or the rare sound of a human voice. The air was heavy, weighted with the black cold as with a pall. To breathe was painful, to move an effort.

In the desolate sky there was something that wearied, in the brooding clouds, something that saddened. It penetrated the freezing city cut by the freezing river, the splendid city with its towers and domes, its quays and bridges and its thousand spires. It entered the squares, it seized the avenues and the palaces, stole across bridges and crept among the narrow streets of the Latin Quarter, grey under the grey of the December sky. Sadness, utter sadness. A fine icy sleet was falling, powdering the pavement with a tiny crystalline dust. It sifted against the windowpanes and drifted in heaps along the sill. The light at the window had nearly failed, and the girl bent low over her work. Presently she raised her head, brushing the curls from her eyes.

“Jack?”

“Dearest?”

“Don’t forget to clean your palette.”

He said, “All right,” and picking up the palette, sat down upon the floor in front of the stove. His head and shoulders were in the shadow, but the firelight fell across his knees and glimmered red on the blade of the palette-knife. Full in the firelight beside him stood a colour-box. On the lid was carved,

J. Trent.
École des Beaux Arts.
1870.

This inscription was ornamented with an American and a French flag.

The sleet blew against the windowpanes, covering them with stars and diamonds, then, melting from the warmer air within, ran down and froze again in fern-like traceries.

A dog whined and the patter of small paws sounded on the zinc behind the stove.

“Jack, dear, do you think Hercules is hungry?”

The