“I am not good at goncealment,” said Gogol sulkily, with a thick foreign accent; “I am not ashamed of the cause.”
“Yes you are, my boy, and so is the cause of you,” said the President good-naturedly. “You hide as much as anybody; but you can’t do it, you see, you’re such an ass! You try to combine two inconsistent methods. When a householder finds a man under his bed, he will probably pause to note the circumstance. But if he finds a man under his bed in a top hat, you will agree with me, my dear Tuesday, that he is not likely even to forget it. Now when you were found under Admiral Biffin’s bed—”
“I am not good at deception,” said Tuesday gloomily, flushing.
“Right, my boy, right,” said the President with a ponderous heartiness, “you aren’t good at anything.”
While this stream of conversation continued, Syme was looking more steadily at the men around him. As he did so, he gradually felt all his sense of something spiritually queer return.
He had thought at first that they were all of common stature and costume, with the evident exception of the hairy Gogol. But as he looked at the others, he began to see in each of them exactly what he had seen in the man by the river, a demoniac detail somewhere. That lopsided laugh, which would suddenly disfigure the fine face of his original guide, was typical of all these types. Each man had something about him, perceived perhaps at the tenth or twentieth glance, which was not normal, and which seemed hardly human. The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.
Only the individual examples will express this half-concealed eccentricity. Syme’s original cicerone bore the title of Monday; he was the Secretary of the Council, and his twisted smile was regarded with more terror than anything, except the President’s horrible, happy laughter. But now that Syme had more space and light to observe him, there were other touches. His fine face was so emaciated, that Syme thought it must be wasted with some disease; yet somehow the very distress of his dark eyes denied this. It was no physical ill that troubled him. His eyes were alive with intellectual torture, as if pure thought was pain.
He was typical of each of the tribe; each man was subtly and differently wrong. Next to him sat Tuesday, the tousle-headed Gogol, a man more obviously mad. Next was Wednesday, a certain Marquis de St. Eustache, a sufficiently characteristic figure. The first few glances found nothing unusual about him, except that he was the only man at table who wore the fashionable clothes as if they were really his own. He had a black French beard cut square and a black English frock-coat cut even squarer. But Syme, sensitive to such things, felt somehow that the man carried a rich atmosphere with him, a rich atmosphere that suffocated. It reminded one irrationally of drowsy odours and of dying lamps in the darker poems of Byron and Poe. With this went a sense of his being clad, not in lighter colours, but in softer materials; his black seemed richer and warmer than the black shades about him, as if it were compounded of profound colour. His black coat looked as if it were only black by being too dense a purple. His black beard looked as if it were only black by being too deep a blue. And in the gloom and thickness of the beard his dark red mouth showed sensual and scornful. Whatever he was he was not a Frenchman; he might be a Jew; he might be something deeper yet in the dark heart of the East. In the bright coloured Persian tiles and pictures showing tyrants hunting, you may see just those almond eyes, those blue-black beards, those cruel, crimson lips.
Then came Syme, and next a very old man, Professor de Worms, who still kept the chair of Friday, though every day it was expected that his death would leave it empty. Save for his intellect, he was in the last dissolution of senile decay. His face was as grey as his long grey beard, his forehead was lifted and fixed finally in a furrow of mild despair. In no other case, not even that of Gogol, did the bridegroom brilliancy of the morning dress express a more painful contrast. For the red flower in his buttonhole showed up against a face that was literally discoloured like lead; the whole hideous effect was as if some drunken dandies had put their clothes upon a corpse. When he rose or sat down, which was with long labour and peril, something worse was expressed than mere weakness, something indefinably connected with the horror of the whole scene. It did not express decrepitude merely, but corruption. Another hateful fancy crossed Syme’s quivering mind. He could not help thinking that whenever the man moved a leg or arm might fall off.
Right at the end sat the man called Saturday, the simplest and the most baffling of all. He was a short, square man with a
