The Badger had ordered everything of the best, and the banquet was a great success. There was much talking and laughter and chaff among the animals, but through it all Toad, who of course was in the chair, looked down his nose and murmured pleasant nothings to the animals on either side of him. At intervals he stole a glance at the Badger and the Rat, and always when he looked they were staring at each other with their mouths open; and this gave him the greatest satisfaction. Some of the younger and livelier animals, as the evening wore on, got whispering to each other that things were not so amusing as they used to be in the good old days; and there were some knockings on the table and cries of “Toad! Speech! Speech from Toad! Song! Mr. Toad’s song!” But Toad only shook his head gently, raised one paw in mild protest, and, by pressing delicacies on his guests, by topical small-talk, and by earnest inquiries after members of their families not yet old enough to appear at social functions, managed to convey to them that this dinner was being run on strictly conventional lines.
He was indeed an altered Toad!
After this climax, the four animals continued to lead their lives, so rudely broken in upon by civil war, in great joy and contentment, undisturbed by further risings or invasions. Toad, after due consultation with his friends, selected a handsome gold chain and locket set with pearls, which he dispatched to the gaoler’s daughter, with a letter that even the Badger admitted to be modest, grateful, and appreciative; and the engine-driver, in his turn, was properly thanked and compensated for all his pains and trouble. Under severe compulsion from the Badger, even the barge-woman was, with some trouble, sought out and the value of her horse discreetly made good to her; though Toad kicked terribly at this, holding himself to be an instrument of Fate, sent to punish fat women with mottled arms who couldn’t tell a real gentleman when they saw one. The amount involved, it was true, was not very burdensome, the gipsy’s valuation being admitted by local assessors to be approximately correct.
Sometimes, in the course of long summer evenings, the friends would take a stroll together in the Wild Wood, now successfully tamed so far as they were concerned; and it was pleasing to see how respectfully they were greeted by the inhabitants, and how the mother-weasels would bring their young ones to the mouths of their holes, and say, pointing, “Look, baby! There goes the great Mr. Toad! And that’s the gallant Water Rat, a terrible fighter, walking along o’ him! And yonder comes the famous Mr. Mole, of whom you so often have heard your father tell!” But when their infants were fractious and quite beyond control, they would quiet them by telling how, if they didn’t hush them and not fret them, the terrible grey Badger would up and get them. This was a base libel on Badger, who, though he cared little about Society, was rather fond of children; but it never failed to have its full effect.
Colophon
The Wind in the Willows
was published in 1908 by
Kenneth Grahame.
This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2009 by
David Edwards, Jen Haines, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.
The cover page is adapted from
It Was the Water Rat,
a painting completed in 1913 by
Paul Bransom.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
October 30, 2015, 11:56 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/kenneth-grahame/the-wind-in-the-willows.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
Uncopyright
May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.
Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.
Non-authorship activities performed on public domain items—so-called “sweat of the brow” work—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done
