The Penguin Complete Novels of Nancy Mitford

out of her accustomed languor, was in a state of exaggerated preoccupation and worry over the whole thing; we had never seen her like this before. For the first time, too, that any of us could remember, she found herself in opposition to Uncle Matthew. It was over the following question: The nearest neighbour to Alconleigh was Lord Merlin; his estate marched with that of my uncle, and his house at Merlinford was about five miles away. Uncle Matthew loathed him, while, as for Lord Merlin, not for nothing was his telegraphic address Neighbourtease. There had, however, been no open breach between them; the fact that they never saw each other meant nothing, for Lord Merlin neither hunted, shot, nor fished, while Uncle Matthew had never in his life been known to eat a meal in anybody else’s house. ‘Perfectly good food at home,’ he would say, and people had long ago stopped asking him. The two men, and indeed their two houses and estates afforded an absolute contrast. Alconleigh was a large, ugly, north-facing, Georgian house, built with only one intention, that of sheltering, when the weather was too bad to be out of doors, a succession of bucolic squires, their wives, their enormous families, their dogs, their horses, their father’s relict, and their unmarried sisters. There was no attempt at decoration, at softening the lines, no apology for a façade, it was all as grim and as bare as a barracks, stuck upon the high hillside. Within, the keynote, the theme, was death. Not death of maidens, not death romantically accoutred with urns and weeping willows, cypresses and valedictory odes, but the death of warriors and of animals, stark, real. On the walls halberds and pikes and ancient muskets were arranged in crude patterns with the heads of beasts slaughtered in many lands, with the flags and uniforms of bygone Radletts. Glass-topped cases contained, not miniatures of ladies, but miniatures of the medals of their lords, badges, penholders made of tiger’s teeth, the hoof of a favourite horse, telegrams announcing casualties in battle, and commissions written out on parchment scrolls, all lying together in a timeless jumble.

Merlinford nestled in a valley of south-westerly aspect, among orchards and old mellow farmhouses. It was a villa, built at about the same time as Alconleigh, but by a very different architect, and with a very different end in view. It was a house to live in, not to rush out from all day to kill enemies and animals. It was suitable for a bachelor, or a married couple with one, or at most two, beautiful, clever, delicate children. It had Angelica Kauffman ceilings, a Chippendale staircase, furniture by Sheraton and Hepplewhite; in the hall there hung two Watteaus; there was no entrenching tool to be seen, nor the head of any animal.

Lord Merlin added continually to its beauties. He was a great collector, and not only Merlinford, but also his houses in London and Rome flowed over with treasures. Indeed, a well-known antique dealer from St James’s had found it worth his while to open a branch in the little town of Merlinford, to tempt his lordship with choice objects during his morning walk, and was soon followed there by a Bond Street jeweller. Lord Merlin loved jewels; his two black whippets wore diamond necklaces designed for whiter, but not slimmer or more graceful necks than theirs. This was a neighbour-tease of long standing; there was a feeling among the local gentry that it incited the good burghers of Merlinford to dishonesty. The neighbours were doubly teased, when year after year went by and the brilliants still sparkled on those furry necks intact.

His taste was by no means confined to antiques; he was an artist and a musician himself, and the patron of all the young. Modern music streamed perpetually from Merlinford, and he had built a small but exquisite playhouse in the garden, where his astonished neighbours were sometimes invited to attend such puzzlers as Cocteau plays, the opera ‘Mahagonny’, or the latest Dada extravagances from Paris. As Lord Merlin was a famous practical joker, it was sometimes difficult to know where jokes ended and culture began. I think he was not always perfectly certain himself.

A marble folly on a nearby hill was topped with a gold angel which blew a trumpet every evening at the hour of Lord Merlin’s birth (that this happened to be 9.20 p.m., just too late to remind one of the BBC news, was to be a great local grievance in years to come). The folly glittered by day with semi-precious stones, by night a powerful blue beam was trained upon it.

Such a man was bound to become a sort of legend to the bluff Cotswold squires among whom he lived. But, although they could not approve of an existence which left out of account the killing, though by no means the eating, of delicious game, and though they were puzzled beyond words by the aestheticism and the teases, they accepted him without question as one of themselves. Their families had always known his family, and his father, many years ago, had been a most popular M.F.H.; he was no upstart, no new rich, but simply a sport of all that was most normal in English country life. Indeed, the very folly itself, while considered absolutely hideous, was welcomed as a landmark by those lost on their way home from hunting.

The difference between Aunt Sadie and Uncle Matthew was not as to whether Lord Merlin should or should not be asked to the ball (that question did not arise, since all neighbours were automatically invited), but whether he should be asked to bring a house party. Aunt Sadie thought he should. Since her marriage the least wordly of women, she had known the world as a girl, and she knew that Lord Merlin’s house party, if he consented to bring one, would have great decorative value. She also knew that, apart from this, the general note of