with women.’

The next day Charles-Edouard made one of his sudden moves and whirled Grace off to Paris. Nanny and the little boy were left behind to follow in a week or two, escorted by the faithful Ange-Victor.

7

The Valhuberts’ Paris house was of a later date than any part of Bellandargues, and had only been finished a month or two before the Revolution. It stood on the site of a Louis XIII house whose owner, planning to receive Marie Antoinette there, had pulled it down and built something more fashionable, to be worthy of her. The intended fête for the Queen never took place, and in the end it was Josephine, not Marie Antoinette, who was received as guest of honour in the round, white and gold music room. This was an episode in their family history very much glossed over by future Valhuberts, and most of all by Charles-Edouard’s grandmother. The truth was that the eldest son of Marie Antoinette’s admirer, a soldier born and bred, had not been able to resist the opportunity of serving under the most brilliant of all commanders. He had joined the revolutionary army, had risen to the rank of General before he was thirty, and was killed at the battle of Friedland shortly after receiving his Marshal’s bâton.

‘Most fortunately,’ Charles-Edouard said when recounting all this to Grace, ‘or he would certainly have ended up as a Duke with some outlandish title. I prefer to be what I am.’

‘Perhaps he would have refused.’

‘Perhaps. But I’ve yet to hear of anybody refusing a dukedom.’

The family, after his death, had once more embraced a cautious Royalism, and a veil was drawn over this unfashionably patriotic outburst. Old Madame de Valhubert always pretended that she knew nothing of it, and, if anybody mentioned the Marshal, would say that he must have been some very distant relation of her husband’s. All his relics, his portrait in uniform by Gros, the eagle which it had cost him his life to recapture, his medals, his sword, and his bâton were hidden away at Bellandargues in a little outhouse, locally known as le pavillon de la gloire, and even Charles-Edouard would not have dared bring them back into the salon during the lifetime of his grandmother.

‘It will be the same with me,’ he said. ‘Sigi’s great-grand-daughter-in-law will hide away my Croix de Lorraine, my médaille de la résistance, and the badge of my squadron, and say that I was some distant relation of her husband’s. They are terrible, French families.’

The house, long, three-storied, lay between courtyard and garden. Old Madame de Valhubert, when in Paris, occupied one of the lodges in the courtyard. ‘She moved in there during the war, after the Germans had looted the main block, and now she likes it so much that she has stayed on.’ The other lodge housed the servants. The ground floor of the house itself consisted of five enormous drawing-rooms leading out of each other, the middle one being the famous round music room, masterpiece of the brothers Rousseau. Over this, the same shape and almost as elaborately decorated, was Grace’s bedroom. These rooms were on the garden side, facing due south and with a wide view of trees.

‘What an enormous garden, for a town,’ said Grace.

‘It used to be three times as long, but some of it was taken, alas, in the time of Haussman to make the horrible rue de Babel, well named. However we can’t complain, many houses in this neighbourhood suffered more – many wonderful houses either lost their gardens altogether, or were even pulled down. Paris was only saved from complete ruination by the fall of Napoleon III. Bismarck really saved us, funnily enough!’

As Charles-Edouard had quite openly joined the Free French under his own name, everything he possessed was confiscated during the war and would have been taken off to Germany had it not been for the initiative of Louis, his old butler, who had piled pictures and furniture in the cellar, built a wall to hide them, and, to make this wall convincing, put a wash basin with brass taps against it.

‘We had so little time,’ he said, when explaining all this to Grace and Charles-Edouard, ‘that we had to connect the taps with an ordinary bucket of water hung up on the other side of the wall. Oh how we prayed the Germans wouldn’t run them very long. All was well, however. They came, they tested the taps for a minute, just as we hoped they would, and went away again. Oh what a relief!’

‘And they never requisitioned the house?’

‘They didn’t like this side of the river – too many dark, old, twisting streets; they felt more comfortable up by the Étoile in big, modern buildings. They just carted off everything they could see, and never came back again. Fortunately, as I’ve been here so long I knew which were the best pieces (we didn’t dare hide everything). Later on we installed ventilation in the cellar, and the things were miraculously well preserved through those long, terrible winters. In all this we were helped by M. Saqué the builder – M. le Marquis will perhaps go and thank him.’

‘Very probably I will,’ said Charles-Edouard, more touched than he cared to admit by this recital. He loved his furniture and objects, and specially loved his pictures. He showed them to Grace before he even allowed her to go upstairs. It was a charming collection of minor masters with one or two high spots, an important Fragonard, a pair of Hubert Roberts, and so on. He was always adding to it, and had bought more than half the pictures himself.

The weeks which followed, spent by Grace alone with her husband in the empty town during unfashionable September, were the happiest she had ever known. Charles-Edouard, rediscovering, after seven long years, the stones of Paris, for which he had an almost unhealthy love, walked with her all day in the streets, and sometimes,

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