‘Now I asked you not to be late,’ she said, ‘because this afternoon M. de la Tour is taking us to see a very famous private house, one of the hardest to get into, the Hôtel de Hauteserre in the rue de Varenne. I simply must go, and you’d better come too, Grace. It’s a chance we shan’t have again for ages, and I believe the boiseries are unique.’
Grace had nothing much to do and was, like Hughie, forever trying to scrape up a little culture. Besides, she thought, it might be something for Charles-Edouard with his perpetual ‘What are the news?’ She never had enough to tell him about her day. ‘So, what did la belle Lesbienne recount? Or did you sit, as usual, gazing at each other in silence?’ As her talk with Carolyn was never anything that could possibly interest him, being all about nannies, the Parc Monceau, and mutual friends at home, and as Grace had no talent for cooking up such plain food with either the spice of malice or the sauce of funniness, she was always obliged to leave it that they had gazed in silence. ‘Very strange, this dumbness.’
After luncheon Carolyn drove her across the river to the rue de Varenne. Her exasperation with the French always reached boiling-point when she was driving a motor. As they went she told Grace about a dishonest mechanic who had put back her spare wheel unmended (she was never happier than when some little thing of this sort occurred, another stick with which to beat them), and punctuated her story with, ‘Look at that! Did you ever see such driving? I shan’t give way; I’m in my rights and he knows it. Disgusting. Oh get on. What a place to park. What people, really!’
It was one of those Paris afternoons when, by some trick of the light, the buildings look as if they are made of opaque, blue glass. Grace wondered how much Carolyn really did love the stones of Paris. She seemed not to notice, as they went by, the blue glass façade of the Invalides surmounted by its dome powdered with gold, but only the bad driving in the Esplanade.
Now when they arrived at their destination Grace saw that it was none other than the Ferté house. She had never known that its old name was Hôtel de Hauteserre, to her it had always been 83 rue de Varenne or the house of Tante Edmonde. She laughed, and said to Carolyn, ‘But I know this house by heart – it belongs to Charles-Edouard’s old great-uncle; we lunch or dine here every week of our lives. I don’t think there’s much point in me going in.’
‘Nonsense,’ said Carolyn, ‘you’d better come along as you’re here. M. de la Tour will tell you all about it, and very likely show you lots of things you hadn’t ever suspected.’
Grace thought again that it would be something funny to tell Charles-Edouard, and that the idea of her sight-seeing in that house would be sure to amuse him. So she paid 100 francs at the door and went in with Carolyn. There was quite a crowd of people, and the guide was just beginning his lecture.
‘This house,’ he said, ‘was built in 1713 by Boffrand for the famous – I should perhaps say notorious – Marquise de Hauteserre, who created a record by keeping the Régent as her lover for eighteen weeks. He was by no means her only lover, and they were, in fact, numberless. I am glad to be able to announce that when we have seen the state rooms, which are of an extraordinary beauty, we are to be allowed the great privilege, hardly ever accorded to tourists, of seeing Madame de Hauteserre’s own bedroom. Madame la Duchesse has given me the key; she knows that we are all serious students of French art and not mere gaping sightseers.’
‘Have you seen it?’ whispered Carolyn to Grace.
‘No.’
‘There – what did I tell you?’
‘This bedroom,’ the guide continued, ‘has an erotic ceiling, a thing rare in France though not uncommon in Italy, by Le Moine; a Régence bed of wonderful quality, and boiseries by Robert de Cotte. When I tell you that all this is quite unrestored, you will easily realize that what you are about to see is unique, of its sort, in Paris.’
They went upstairs into the reception rooms of the first floor which Grace knew so well, gold and white, blue and white, gold and blue with painted ceilings. The lecturer went at length into the history of every detail; they were nearly an hour examining these three rooms, and Grace began to feel tired. At last, in the Salon de Jupiter, where the Fertés usually sat after dinner, the lecturer went to a little door in the wall, which Grace had never noticed there. Taking a large key from his pocket he unlocked this door, saying, ‘And now for the famous bedroom of Madame de Hauteserre.’
Grace happened to be standing beside him, and together they looked in. It was a tiny room decorated with a gold and white trellis; an alcove contained a bed, and on the bed, in a considerable state of disarray, were Juliette and Charles-Edouard.
The guide quickly slammed and relocked the door. He turned to the crowd, saying, ‘Excuse me, I had quite forgotten, but of course the boiseries and the ceiling have gone to the Beaux Arts for repair.’
Nobody but Grace and the guide had seen into the room; greatly to her relief the tourists accepted his statement without dispute, if rather crossly. They had certainly had their money’s worth in this beautiful house, although they had been looking forward to the erotic ceiling as a final titbit. Carolyn, still gazing at a panel in the Jupiter room, said, ‘Oh never mind, we’ve really seen enough for one day. Shall I give you a lift home, Grace?’
Grace got
