intensely disciplined one. Like the Indian, however, the Crew added but little to the gaiety of the party. They sat in silent groups combing the dusty veils over their faces and thinking clever thoughts about The Book of the It, The Sheldonian Synthesis, The Literature of Extreme Situations and other neglected masterpieces.

The Captain was very much struck by Grace with her French name and Paris clothes, a year old, but all the easier for that on an English eye. He knew about the General de Valhubert killed at Friedland because this General had been a great friend, indeed one of the few known friends, of General Choderlos de Laclos. He took Grace to his library and showed her what he said was his greatest treasure, General de Valhubert’s own copy of Les Liaisons Dangereuses. It was bound in red morocco with the Valhubert coat of arms, a stag and a rose tree, and the General had written a sort of journal, or series of notes, during one of his campaigns, all over the margins. It was a collector’s piece of rare interest. That coat of arms, so familiar to Grace, who during her short and happy life in France had seen it every day on china, silver, carpets, books, and linen, gave her a dreadful pang.

‘How strange. It must have been stolen from Bellandargues,’ she said, looking sadly at the book.

‘Thrown away, more likely. No respectable French family would have cared to have Les Liaisons Dangereuses lying about their house, in the nineteenth century.’

‘Oh yes, that’s it, of course. And then my husband always said they were really ashamed of the Marshal, though in another way pleased to have had a Marshal of France in the family. All very complicated.’

‘French people are complicated. Did you like the play?’ he asked.

‘Yes, though I like the real Phèdre better.’ It was Charles-Edouard’s favourite play, she remembered.

‘The real Phèdre is wonderful poetry, but, as my friend Baggarat has shown us this evening, it is psychologically quite unsound. Racine’s Phèdre has two psychological weaknesses – the first is that we can never believe in Hyppolite’s love for Aricie, and the second we cannot understand why he should recoil in such horror from this fascinating woman who loves him.’

‘Except that she was as old as the hills.’

‘How do you know? My guess is that she was half-way between the ages of Thésée and Hyppolite, and still very attractive. But if Hyppolite was homosexual, everything is explained – he adores Hara-See the dancing boy, he loathes the idea of making love to a woman. I think my friend Baggarat has done a very fine piece of work, valuable for the future of the theatre.’

Grace was impressed. She liked the Captain very much, she liked his jolly, careless, piratical look, she thought his house most original and charming, and she was quite prepared to like the Crew. But the Crew despised her and made no effort to conceal the fact. They could not be the clever girls they were without seeing life a little bit through Marx-coloured spectacles, and to them Grace was the very personification of the rich bourgeoisie. They despised the rich bourgeoisie. Her presence in the house made them uneasy, superstitious, it was as though Jonah had come aboard the Royal George.

They sat in a sulky, silent group, combed their hair over their faces and watched the Captain through it. To their distress they saw that he was putting himself out to be as agreeable to Grace as if she had been Panayotis Canellopoulos in person. Why? What could he see in this spineless creature, who, unable to get on with her husband, had run back to her father like a spoilt child? When the various members of the Crew had been unable to get on with their husbands they had struck proudly out on their own, taken rooms near the Deux Magots, hitch-hiked to Lithuania, or stowed away to the Caribbean. She was the sort of woman, with no self-respect, whom they positively execrated. They combed and watched, but if they harboured mutinous thoughts, they still hopped to it at a look from the Captain. In those days it seemed unthinkable that actual rebellion should ever break out on that ship while the Captain was at the helm.

The Captain soon fell in love with Grace, if that can be called love which has nothing physical in its composition. He was not attracted to her physically, she was too clean, too tidy, and too reserved for him; impossible to conceive of cuddling or rumpling Grace. Her stiff Paris dresses, lined with buckram and padded petticoats, in themselves precluded such cosy goings on. He could not even imagine her sitting on his lap. But in every other way he loved her; he loved her elegance, her sad, romantic look, and the serious attention which she bestowed upon everything he said. Above all he loved his own mental picture of what life with her would be like if they were to marry. He imagined a small eighteenth-century villa not too far from London, where great luxury would prevail. Large, delicious, regular meals would arrive with no effort to himself, none of the expense of spirit which it cost him to keep Phaedra up to the mark; he would have a gentleman’s library, a first-class cellar, intellectual friends would come and stay, he would be able to chuck the Royal George and write a masterpiece. Later, when Sir Conrad was dead, they would live at beautiful Bunbury. Sex would not play much part in all this. The French husband, it was to be hoped, would have satisfied her in that respect for ever, and after all people could live together very happily without it. He knew many cases. They would just have to sublimate their sexual desires, it was really quite easy.

Grace, too, had made a mental picture of what marriage with the Captain would be like, as women always do when they become aware that a man’s thoughts have

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