‘Oh Tante Régine! Yes, perhaps. But then what about Juliette and Albertine?’
‘Back to them again? You are behind the times, my dearest. Juliette is quite finished. But let’s try and be sensible about it. Charles-Edouard was sleeping with you, I suppose?’
Grace became rather pink, but she nodded.
‘Well then, that’s all right. Why not look upon these others as his hobby? Like hunting or racing, a pursuit that takes him from you of an afternoon sometimes, amuses him, and does you no harm?
‘There’s another thing I wanted to tell you. Of course one never can say for certain, and people vary in this respect, but very often at Charles-Edouard’s age a man does begin, all the same, to settle down with his own wife. If you go back to him it would not surprise me in the least to see a very different Charles-Edouard five or ten years from now.
‘Tea with Albertine, yes I expect so, she is one whom people never quite get out of their systems, I’m afraid, and Charles-Edouard had her in his long before he ever met you. But the Juliettes of this world have their little day, it is soon over, and sometimes they are not replaced. I think Charles-Edouard is a particularly hopeful case because of the great love he has of his home. Consider the hours and the energy he expends on it, rearranging his furniture and pictures, adding to his collections, pondering over almost insignificant details of the lighting, and so on. Think how much he hates to leave it, even for a short holiday at Bellandargues or in Venice. He goes away, complaining dreadfully, for a month while the servants have their holiday and is back before the dust sheets are off.
‘All this can be very much on your side if you can manage to make him feel that you are part of his home, its goddess, in fact. I had a cousin, a terrible Don Juan, whose wife retrieved him, really, with her knitting. She sat through everything with this eternal ball of wool and click of needles – how we used to mock at her for it. But it was not stupid. In the end it became a symbol to him I think, a symbol of home life, and he so turned to her again that when they were old he seemed never to have cared for anybody else. Could you not try to see this whole problem rather differently, Grace? More like a Frenchwoman and less like a film star?’
Grace felt that she could, and knew that she longed to, since this different vision was clearly essential if she were to go home to Charles-Edouard.
‘Yes, Tante Régine,’ she said. ‘I will try, I promise you. But Charles-Edouard must come and fetch me.’
‘Oh – that! I shall have a word with him, and I can promise he’ll be here next week. So all is settled then – good. And now, when do I see my dear Vénérable?’
‘Ah well, the Vénérable dies for you. He rang up the Embassy to find out your plans – it seems they are taking you to the Ballet tonight, so he hopes that you will dine with us tomorrow. He’s out shopping this very moment, trying to find something fit to offer you.’
‘Wearing his apron, no doubt. But please tell him not to trouble. I love your English cuts, sirloins and saddles – you see how I remember, and I haven’t been here since 1914. I love them just as they are. That excellent roast meat, those steak and kidney puddings, what could be more delicious? At eight o’clock then tomorrow?’ She kissed Grace most affectionately on both cheeks.
Grace went home, a warm feeling at her heart. Everything was going to be all right now, she knew.
The dinner party for Madame Rocher consisted of an M.P., Clarkely by name, member of the Anglo-French Parliamentary Committee, Sir Henry and Lady Clarissa Teazle, owner of one of the big Sunday papers and his wife, noted francophiles, and, of course, Mrs O’Donovan. Madame Rocher arrived in full Paris fig. Her breasts were contained (but only just, it seemed that they might spring out at any moment, and then how to coax them back again?) in pale blue glass bubbles embroidered on yellow silk; her pale blue skirt, carved, as it were, out of hundreds of layers of tulle, was rather short, and when she sat down it could be seen that she wore yellow silk breeches also embroidered at the knee with bubbles. Mrs O’Donovan and Lady Clarissa could not take their eyes off bosom and knees, and exchanged many significant glances.
‘What a joy,’ Madame Rocher cried effusively, ‘to see dear Meg. Why do you never come to Paris now? I know more than one who still dies of love for you there. Nobody,’ she said to the company at large, ‘certainly no foreigner, has ever had so much success in Paris as Madame Audonnevent.’
All the English guests had been chosen because they spoke excellent French, but they did not get much opportunity to air this accomplishment, since Madame Rocher was determined to practise her English, and, furthermore, never drew breath the whole evening.
Her theme was the delight, the ravishment, the ecstasies into which she had been thrown by her two days in London.
‘This morning,’ she said, ‘I got up at eight, and imagine! I was ready for the opening at nine.’
‘The opening?’
‘Of the shops. Oh those shops! I have already bought all my hats for the Grande Semaine.’
‘No! Where?’ said Mrs O’Donovan, hoping for the name of a talented little French modiste, kept perhaps in some secret mews by the ladies of the French Embassy.
‘My dear, can you ask? D. H. Heavens, of
