that Squibby, Biggy and Bunch sought no adventures save those of the questing spirit, while the adventures of Maydew were the talk of London, they being men of words while he was in all things a man of deeds; in spite of many dissimilarities of nature, the four of them got on well together, and there were very few classical concerts and no performances of German opera at which they could not be seen sitting side by side, deep in perusal of the score. They were further made remarkable by an extraordinary physical resemblance to each other. All four were on the large side, blond and with pink and white complexions, all, with the exception of the hirsute Maydew, slightly bald and quite lacking in eyebrows. They walked with the same peculiar gait, swinging rather prominent buttocks in the manner of hockey-playing schoolgirls, and all sat listening to music (which, provided, of course, that it came from the Fatherland, was the beginning and end of their existence) with the same air of rigid concentration.

Nearly always they sat alone, dispensing with female company. Sometimes, however, by mutual consent, each would appear followed by some pretty débutante; these, with gestures of exaggerated courtesy, would be motioned into the intervening seats, presented with programmes, and then be completely ignored. Many unlucky girls were forced to subdue their very natural distaste for highbrow music for hours on end in order that they might sit in this delicious proximity to their heroes, listening with awe to the Olympian breathing and even, if lucky, occasionally brushing a heroic hand. In the case of Maydew things sometimes went further during the dark moments of The Ring, but the other three were most consistently platonic in their friendships, and were rapidly becoming the despair of matchmaking mammas. Things were indeed beginning to reach such a pitch that the more ambitious mothers of sub-débutantes were obliged to abandon Paris as an educational centre and dispatch their daughters instead to Munich, where they could be trained to endure classical music silently and, in certain cases, even intelligently. For Squibby, Biggy, Bunch and Maydew were all highly eligible young men. After one of these ‘mixed’ evenings each would sternly criticize the girls produced by the others. Should one of them have yawned, or even sighed a little, her immediate expulsion from her admirer’s visiting list would be demanded, while too frequent crossing and uncrossing of legs would be made a cause for bitter complaint. Poor Bunch, always less fortunate in his choice than the others, because more easily beguiled by a pretty face, produced two inveterate leg crossers on consecutive nights during the Wagner season and was very severely spoken to by Biggy, who, seated on the other side of these ladies, had suffered in consequence sundry kicks and knocks, and complained that his attention had been quite abstracted from the stage during several moving moments. It is true that the climax of horror was reached by a girl friend of Maydew who, during the Rhinegold, was heard to ask in a piercing whisper what the heaps of firewood were for, what the story was all about anyway, and whether there wouldn’t soon be an interval; but then a certain licence was always allowed to Maydew in matters of the heart.

When the performance was concluded the girls, if any, were obliged to stifle their cravings for food, drinks and the gay sights of the town, and were hurried away in one or two unromantically full taxis to their respective homes. (Maydew’s girl, however, always lived in a different part of London from the others and had to be taken home alone.)

After this Squibby, Biggy and Bunch would foregather in Biggy’s flat, where they drank strong beer and talked of music and philosophy, and where, much later if at all, they might be joined by a complacent Maydew.

These friends were so seldom separated that Christmas time, when from a sense of duty Squibby, Biggy and Bunch would rejoin their noble families, seemed to them the most inhuman of feasts. How, secretly, did they envy the unregenerate Maydew, who had departed with a Balham beauty to Berlin in order to improve his German. Squibby in particular, dreaded all the year round the Christmas house party at Compton Bobbin. This year, however, things might be more amusing; he had been fond of Paul at Eton, Bobby was now a grown-up person instead of a child; Michael Lewes, too, might prove to be pleasantly reformed. With less than his usual depression, he picked out some obscure motif from Siegfried.

The presence at Compton Bobbin of these people and others too numerous and boring to mention had the effect for the time being of throwing Philadelphia, Paul and Michael very much into each other’s company. All three of them had a profound distaste for noise, crowds and organized pleasure, and they now spent most of their time hiding from the rest of the party. They went for long rides together every morning, Paul mounted, at his own urgent request, on an ancient cob which had long ago been turned out to enjoy a peaceful old age in the orchard, and which he found more to his liking than the aristocratic Boadicea. After dinner they would retire by mutual consent to the schoolroom and thus avoid the games of sardines, kick-the-bucket, and murders with which the others whiled away their evenings.

Bobby was now seldom to be seen; he spent most of his time giggling in corners with Miss Héloïse Potts, a pretty black-eyed little creature of seventeen who substituted parrot-like shrieks and screams of laughter for the more usual amenities of conversation, with apparently, since she was always surrounded by crowds of admiring young men, the greatest possible success. Even Squibby would often leave his beloved piano in order to enjoy her company, while at meal times her end of the table was eagerly sought after by all the men of the party, young and old, except for Paul and Michael.

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