Noli Me Tangere

of a handsome man in full dress, rigid, erect, straight as the tasseled cane he holds in his stiff, ring-covered fingers⁠—the whole seeming to say, “Ahem! See how well dressed and how dignified I am!” The furnishings of the room are elegant and perhaps uncomfortable and unhealthful, since the master of the house would consider not so much the comfort and health of his guests as his own ostentation. “A terrible thing is dysentery,” he would say to them, “but you are sitting in European chairs and that is something you don’t find every day.”

This room is almost filled with people, the men being separated from the women as in synagogues and Catholic churches. The women consist of a number of Filipino and Spanish maidens, who, when they open their mouths to yawn, instantly cover them with their fans and who murmur only a few words to each other, any conversation ventured upon dying out in monosyllables like the sounds heard in a house at night, sounds made by the rats and lizards. Is it perhaps the different likenesses of Our Lady hanging on the walls that force them to silence and a religious demeanor or is it that the women here are an exception?

A cousin of Capitan Tiago, a sweet-faced old woman, who speaks Spanish quite badly, is the only one receiving the ladies. To offer to the Spanish ladies a plate of cigars and buyos, to extend her hand to her countrywomen to be kissed, exactly as the friars do⁠—this is the sum of her courtesy, her policy. The poor old lady soon became bored, and taking advantage of the noise of a plate breaking, rushed precipitately away, muttering, “Jesús! Just wait, you rascals!” and failed to reappear.

The men, for their part, are making more of a stir. Some cadets in one corner are conversing in a lively manner but in low tones, looking around now and then to point out different persons in the room while they laugh more or less openly among themselves. In contrast, two foreigners dressed in white are promenading silently from one end of the room to the other with their hands crossed behind their backs, like the bored passengers on the deck of a ship. All the interest and the greatest animation proceed from a group composed of two priests, two civilians, and a soldier who are seated around a small table on which are seen bottles of wine and English biscuits.

The soldier, a tall, elderly lieutenant with an austere countenance⁠—a Duke of Alva straggling behind in the roster of the Civil Guard⁠—talks little, but in a harsh, curt way. One of the priests, a youthful Dominican friar, handsome, graceful, polished as the gold-mounted eyeglasses he wears, maintains a premature gravity. He is the curate of Binondo and has been in former years a professor in the college of San Juan de Letran,16 where he enjoyed the reputation of being a consummate dialectician, so much so that in the days when the sons of Guzman17 still dared to match themselves in subtleties with laymen, the able disputant B. de Luna had never been able either to catch or to confuse him, the distinctions made by Fray Sibyla leaving his opponent in the situation of a fisherman who tries to catch eels with a lasso. The Dominican says little, appearing to weigh his words.

Quite in contrast, the other priest, a Franciscan, talks much and gesticulates more. In spite of the fact that his hair is beginning to turn gray, he seems to be preserving well his robust constitution, while his regular features, his rather disquieting glance, his wide jaws and herculean frame give him the appearance of a Roman noble in disguise and make us involuntarily recall one of those three monks of whom Heine tells in his “Gods in Exile,” who at the September equinox in the Tyrol used to cross a lake at midnight and each time place in the hand of the poor boatman a silver piece, cold as ice, which left him full of terror.18 But Fray Dámaso is not so mysterious as they were. He is full of merriment, and if the tone of his voice is rough like that of a man who has never had occasion to correct himself and who believes that whatever he says is holy and above improvement, still his frank, merry laugh wipes out this disagreeable impression and even obliges us to pardon his showing to the room bare feet and hairy legs that would make the fortune of a Mendieta in the Quiapo fairs.19

One of the civilians is a very small man with a black beard, the only thing notable about him being his nose, which, to judge from its size, ought not to belong to him. The other is a rubicund youth, who seems to have arrived but recently in the country. With him the Franciscan is carrying on a lively discussion.

“You’ll see,” the friar was saying, “when you’ve been here a few months you’ll be convinced of what I say. It’s one thing to govern in Madrid and another to live in the Philippines.”

“But⁠—”

“I, for example,” continued Fray Dámaso, raising his voice still higher to prevent the other from speaking, “I, for example, who can look back over twenty-three years of bananas and morisqueta, know whereof I speak. Don’t come at me with theories and fine speeches, for I know the Indian.20 Mark well that the moment I arrived in the country I was assigned to a town, small it is true, but especially devoted to agriculture. I didn’t understand Tagalog very well then, but I was soon confessing the women, and we understood one another and they came to like me so well that three years later, when I was transferred to another and larger town, made vacant by the death of the native curate, all