Meanwhile, there are arriving in conveyances of all kinds relatives, friends, strangers, the gamblers with their best gamecocks and their bags of gold, ready to risk their fortune on the green cloth or within the arena of the cockpit.
“The alferez has fifty pesos for each night,” murmurs a small, chubby individual into the ears of the latest arrivals. “Capitan Tiago’s coming and will set up a bank; Capitan Joaquin’s bringing eighteen thousand. There’ll be liam-pó: Carlos the Chinaman will set it up with ten thousand. Big stakes are coming from Tanawan, Lipa, and Batangas, as well as from Santa Cruz.80 It’s going to be on a big scale, yes, sir, on a grand scale! But have some chocolate! This year Capitan Tiago won’t break us as he did last, since he’s paid for only three thanksgiving masses and I’ve got a cacao mutya. And how’s your family?”
“Well, thank you,” the visitors respond, “and Padre Dámaso?”
“Padre Dámaso will preach in the morning and sit in with us at night.”
“Good enough! Then there’s no danger.”
“Sure, we’re sure! Carlos the Chinaman will loosen up also.” Here the chubby individual works his fingers as though counting out pieces of money.
Outside the town the hill-folk, the kasamá, are putting on their best clothes to carry to the houses of their landlords well-fattened chickens, wild pigs, deer, and birds. Some load firewood on the heavy carts, others fruits, ferns, and orchids, the rarest that grow in the forests, others bring broad-leafed caladiums and flame-colored tikas-tikas blossoms to decorate the doors of the houses.
But the place where the greatest activity reigns, where it is converted into a tumult, is there on a little plot of raised ground, a few steps from Ibarra’s house. Pulleys screech and yells are heard amid the metallic sound of iron striking upon stone, hammers upon nails, of axes chopping out posts. A crowd of laborers is digging in the earth to open a wide, deep trench, while others place in line the stones taken from the town quarries. Carts are unloaded, piles of sand are heaped up, windlasses and derricks are set in place.
“Hey, you there! Hurry up!” cries a little old man with lively and intelligent features, who has for a cane a copper-bound rule around which is wound the cord of a plumb-bob. This is the foreman of the work, Ñor Juan, architect, mason, carpenter, painter, locksmith, stonecutter, and, on occasions, sculptor. “It must be finished right now! Tomorrow there’ll be no work and the day after tomorrow is the ceremony. Hurry!”
“Cut that hole so that this cylinder will fit it exactly,” he says to some masons who are shaping a large square block of stone. “Within that our names will be preserved.”
He repeats to every newcomer who approaches the place what he has already said a thousand times: “You know what we’re going to build? Well, it’s a schoolhouse, a model of its kind, like those in Germany, and even better. A great architect has drawn the plans, and I—I am bossing the job! Yes, sir, look at it, it’s going to be a palace with two wings, one for the boys and the other for the girls. Here in the middle a big garden with three fountains, there on the sides shaded walks with little plots for the children to sow and cultivate plants in during their recess-time, that they may improve the hours and not waste them. Look how deep the foundations are, three meters and seventy-five centimeters! This building is going to have storerooms, cellars, and for those who are not diligent students dungeons near the playgrounds so that the culprits may hear how the studious children are enjoying themselves. Do you see that big space? That will be a lawn for running and exercising in the open air. The little girls will have a garden with benches, swings, walks where they can jump the rope, fountains, birdcages, and so on. It’s going to be magnificent!”
Then Ñor Juan would rub his hands together as he thought of the fame that he was going to acquire. Strangers would come to see it and would ask, “Who was the great artisan that built this?” and all would answer, “Don’t you know? Can it be that you’ve never heard of Ñor Juan? Undoubtedly you’ve come from a great distance!” With these thoughts he moved from one part to the other, examining and reexamining everything.
“It seems to me that there’s too much timber for one derrick,” he remarked to a yellowish man who was overseeing some laborers. “I should have enough with three large beams for the tripod and three more for the braces.”
“Never mind!” answered the yellowish man, smiling in a peculiar way. “The more apparatus we use in the work, so much the greater effect we’ll get. The whole thing will look better and of more importance, so they’ll say, ‘How hard they’ve worked!’ You’ll see, you’ll see what a derrick I’ll put up! Then I’ll decorate it with banners, and garlands of leaves and flowers. You’ll say afterwards that you were right in hiring me as one of your laborers, and Señor Ibarra couldn’t ask for more!” As he said this the man laughed and smiled. Ñor Juan also smiled, but shook his head.
Some distance away were seen two kiosks united by a kind of arbor covered with banana leaves. The schoolmaster and some thirty boys were weaving crowns and fastening banners upon the frail bamboo posts, which were wrapped in white cloth.
“Take care that the letters are well written,” he admonished the boys who were preparing inscriptions. “The alcalde is coming, many curates will be present, perhaps even the Captain-General, who is now in the province. If they see that you draw well, maybe they’ll praise you.”
“And give us a blackboard?”
“Perhaps, but Señor Ibarra has already ordered
