For a week the sole event of note was that Patience took up his abode in a hut near the château. Ever since the Abbé Aubert had found a refuge from ecclesiastical persecution under the chevalier’s roof, he had no longer been obliged to arrange secret meetings with the hermit. He had, therefore, strongly urged him to give up his dwelling in the forest and to come nearer to himself. Patience had needed a great deal of persuasion. Long years of solitude had so attached him to his Gazeau Tower that he hesitated to desert it for the society of his friend. Besides, he declared that the abbé would assuredly be corrupted with commerce with the great; that soon, unknown to himself, he would come under the influence of the old ideas, and that his zeal for the sacred cause would grow cold. It is true that Edmée had won Patience’s heart, and that, in offering him a little cottage belonging to her father situated in a picturesque ravine near the park gate, she had gone to work with such grace and delicacy that not even his techy pride could feel wounded. In fact, it was to conclude these important negotiations that the abbé had betaken himself to Gazeau Tower with Marcasse on that very evening when Edmée and myself sought shelter there. The terrible scene which followed our arrival put an end to any irresolution still left in Patience. Inclined to the Pythagorean doctrines, he had a horror of all bloodshed. The death of a deer drew tears from him, as from Shakespeare’s Jacques; still less could he bear to contemplate the murder of a human being, and the instant that Gazeau Tower had served as the scene of two tragic deaths, it stood defiled in his eyes, and nothing could have induced him to pass another night there. He followed us to Sainte-Severe, and soon allowed his philosophical scruples to be overcome by Edmée’s persuasive powers. The little cottage which he was prevailed on to accept was humble enough not to make him blush with shame at a too palpable compromise with civilization; and, though the solitude he found there was less perfect than at Gazeau Tower, the frequent visits of the abbé and of Edmée could hardly have given him a right to complain.
Here the narrator interrupted his story again to expatiate on the development of Mademoiselle de Mauprat’s character.
Edmée, hidden away in her modest obscurity, was—and, believe me, I do not speak from bias—one of the most perfect women to be found in France. Had she desired or been compelled to make herself known to the world, she would assuredly have been famous and extolled beyond all her sex. But she found her happiness in her own family, and the sweetest simplicity crowned her mental powers and lofty virtues. She was ignorant of her worth, as I myself was at that time, when, brutelike, I saw only with the eyes of the body, and believed I loved her only because she was beautiful. It should be said, too, that her fiancé, M. de la Marche, understood her but little better. He had developed the weakly mind with which he was endowed in the frigid school of Voltaire and Helvetius. Edmée had fired her vast intellect with the burning declamations of Jean Jacques. A day came when I could understand her—the day when M. de la Marche could have understood her would never have come.
Edmée, deprived of her mother from the very cradle, and left to her young devices by a father full of confidence and careless good nature, had shaped her character almost alone. The Abbé Aubert, who had confirmed her, had by no means forbidden her to read the philosophers by whom he himself had been lured from the paths of orthodoxy. Finding no one to oppose her ideas or even to discuss them—for her father, who idolized her, allowed himself to be led wherever she wished—Edmée had drawn support from two sources apparently very antagonistic: the philosophy which was preparing the downfall of Christianity, and Christianity which was proscribing the spirit of inquiry. To account for this contradiction, you must recall what I told you about the effect produced on the Abbé Aubert by the Profession de Foi du Vicaire Savoyard. Moreover, you must be aware that, in poetic souls, mysticism and doubt often reign side by side. Jean Jacques himself furnishes a striking example of this, and you know what sympathies he stirred among priests and nobles, even when he was chastising them so unmercifully. What miracles may not conviction work when helped by sublime eloquence! Edmée had drunk of this living fount with all the eagerness of an ardent soul. In her rare visits to Paris she had sought for spirits in sympathy with her own. There, however, she had found so many shades of opinion, so little harmony, and—despite the prevailing fashion—so many ineradicable prejudices, that she had returned with a yet deeper love to her solitude and her poetic reveries under the old oaks in the park. She would even then speak of her illusions, and—with a good sense beyond her years, perhaps, too, beyond her sex—she refused all opportunities of direct intercourse with the philosophers whose writings made up her intellectual life.
“I am somewhat of a Sybarite,” she would say with a smile. “I would rather have a bouquet of roses arranged for me in a vase in the early morning, than go and gather them myself from out their thorns in the heat of the sun.”
As a fact, this remark about her sybaritism was only a jest. Brought up in the country, she was strong, active, brave, and full of life. To all her charms of