and yourself?” asked the conductor. “And how far?”

“As far as that will carry us,” said Clifford. “It is no great matter. We are riding for pleasure merely.”

“You choose a strange day for it, sir!” remarked a gimlet-eyed old gentleman on the other side of the car, looking at Clifford and his companion, as if curious to make them out. “The best chance of pleasure, in an easterly rain, I take it, is in a man’s own house, with a nice little fire in the chimney.”

“I cannot precisely agree with you,” said Clifford, courteously bowing to the old gentleman, and at once taking up the clue of conversation which the latter had proffered. “It had just occurred to me, on the contrary, that this admirable invention of the railroad⁠—with the vast and inevitable improvements to be looked for, both as to speed and convenience⁠—is destined to do away with those stale ideas of home and fireside, and substitute something better.”

“In the name of common sense,” asked the old gentleman rather testily, “what can be better for a man than his own parlor and chimney-corner?”

“These things have not the merit which many good people attribute to them,” replied Clifford. “They may be said, in few and pithy words, to have ill served a poor purpose. My impression is, that our wonderfully increased and still increasing facilities of locomotion are destined to bring us around again to the nomadic state. You are aware, my dear sir⁠—you must have observed it in your own experience⁠—that all human progress is in a circle; or, to use a more accurate and beautiful figure, in an ascending spiral curve. While we fancy ourselves going straight forward, and attaining, at every step, an entirely new position of affairs, we do actually return to something long ago tried and abandoned, but which we now find etherealized, refined, and perfected to its ideal. The past is but a coarse and sensual prophecy of the present and the future. To apply this truth to the topic now under discussion. In the early epochs of our race, men dwelt in temporary huts, of bowers of branches, as easily constructed as a bird’s-nest, and which they built⁠—if it should be called building, when such sweet homes of a summer solstice rather grew than were made with hands⁠—which Nature, we will say, assisted them to rear where fruit abounded, where fish and game were plentiful, or, most especially, where the sense of beauty was to be gratified by a lovelier shade than elsewhere, and a more exquisite arrangement of lake, wood, and hill. This life possessed a charm which, ever since man quitted it, has vanished from existence. And it typified something better than itself. It had its drawbacks; such as hunger and thirst, inclement weather, hot sunshine, and weary and foot-blistering marches over barren and ugly tracts, that lay between the sites desirable for their fertility and beauty. But in our ascending spiral, we escape all this. These railroads⁠—could but the whistle be made musical, and the rumble and the jar got rid of⁠—are positively the greatest blessing that the ages have wrought out for us. They give us wings; they annihilate the toil and dust of pilgrimage; they spiritualize travel! Transition being so facile, what can be any man’s inducement to tarry in one spot? Why, therefore, should he build a more cumbrous habitation than can readily be carried off with him? Why should he make himself a prisoner for life in brick, and stone, and old worm-eaten timber, when he may just as easily dwell, in one sense, nowhere⁠—in a better sense, wherever the fit and beautiful shall offer him a home?”

Clifford’s countenance glowed, as he divulged this theory; a youthful character shone out from within, converting the wrinkles and pallid duskiness of age into an almost transparent mask. The merry girls let their ball drop upon the floor, and gazed at him. They said to themselves, perhaps, that, before his hair was gray and the crow’s-feet tracked his temples, this now decaying man must have stamped the impress of his features on many a woman’s heart. But, alas! no woman’s eye had seen his face while it was beautiful.

“I should scarcely call it an improved state of things,” observed Clifford’s new acquaintance, “to live everywhere and nowhere!”

“Would you not?” exclaimed Clifford, with singular energy. “It is as clear to me as sunshine⁠—were there any in the sky⁠—that the greatest possible stumbling-blocks in the path of human happiness and improvement are these heaps of bricks and stones, consolidated with mortar, or hewn timber, fastened together with spike-nails, which men painfully contrive for their own torment, and call them house and home! The soul needs air; a wide sweep and frequent change of it. Morbid influences, in a thousandfold variety, gather about hearths, and pollute the life of households. There is no such unwholesome atmosphere as that of an old home, rendered poisonous by one’s defunct forefathers and relatives. I speak of what I know. There is a certain house within my familiar recollection⁠—one of those peaked-gable (there are seven of them), projecting-storied edifices, such as you occasionally see in our older towns⁠—a rusty, crazy, creaky, dry-rotted, dingy, dark, and miserable old dungeon, with an arched window over the porch, and a little shop-door on one side, and a great, melancholy elm before it! Now, sir, whenever my thoughts recur to this seven-gabled mansion (the fact is so very curious that I must needs mention it), immediately I have a vision or image of an elderly man, of remarkably stern countenance, sitting in an oaken elbow-chair, dead, stone-dead, with an ugly flow of blood upon his shirt-bosom! Dead, but with open eyes! He taints the whole house, as I remember it. I could never flourish there, nor be happy, nor do nor enjoy what God meant me to do and enjoy.”

His face darkened, and seemed to contract, and shrivel itself up, and wither into age.

“Never, sir!” he repeated. “I could never draw

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