“Phoebe,” said he, “do you remember this?” He put into her hand a daguerreotype; the same that he had shown her at their first interview in the garden, and which so strikingly brought out the hard and relentless traits of the original.
“What has this to do with Hepzibah and Clifford?” asked Phoebe, with impatient surprise that Holgrave should so trifle with her at such a moment. “It is Judge Pyncheon! You have shown it to me before!”
“But here is the same face, taken within this half-hour” said the artist, presenting her with another miniature. “I had just finished it when I heard you at the door.”
“This is death!” shuddered Phoebe, turning very pale. “Judge Pyncheon dead!”
“Such as there represented,” said Holgrave, “he sits in the next room. The Judge is dead, and Clifford and Hepzibah have vanished! I know no more. All beyond is conjecture. On returning to my solitary chamber, last evening, I noticed no light, either in the parlor, or Hepzibah’s room, or Clifford’s; no stir nor footstep about the house. This morning, there was the same deathlike quiet. From my window, I overheard the testimony of a neighbor, that your relatives were seen leaving the house in the midst of yesterday’s storm. A rumor reached me, too, of Judge Pyncheon being missed. A feeling which I cannot describe—an indefinite sense of some catastrophe, or consummation—impelled me to make my way into this part of the house, where I discovered what you see. As a point of evidence that may be useful to Clifford, and also as a memorial valuable to myself—for, Phoebe, there are hereditary reasons that connect me strangely with that man’s fate—I used the means at my disposal to preserve this pictorial record of Judge Pyncheon’s death.”
Even in her agitation, Phoebe could not help remarking the calmness of Holgrave’s demeanor. He appeared, it is true, to feel the whole awfulness of the Judge’s death, yet had received the fact into his mind without any mixture of surprise, but as an event preordained, happening inevitably, and so fitting itself into past occurrences that it could almost have been prophesied.
“Why have you not thrown open the doors, and called in witnesses?” inquired she with a painful shudder. “It is terrible to be here alone!”
“But Clifford!” suggested the artist. “Clifford and Hepzibah! We must consider what is best to be done in their behalf. It is a wretched fatality that they should have disappeared! Their flight will throw the worst coloring over this event of which it is susceptible. Yet how easy is the explanation, to those who know them! Bewildered and terror-stricken by the similarity of this death to a former one, which was attended with such disastrous consequences to Clifford, they have had no idea but of removing themselves from the scene. How miserably unfortunate! Had Hepzibah but shrieked aloud—had Clifford flung wide the door, and proclaimed Judge Pyncheon’s death—it would have been, however awful in itself, an event fruitful of good consequences to them. As I view it, it would have gone far towards obliterating the black stain on Clifford’s character.”
“And how,” asked Phoebe, “could any good come from what is so very dreadful?”
“Because,” said the artist, “if the matter can be fairly considered and candidly interpreted, it must be evident that Judge Pyncheon could not have come unfairly to his end. This mode of death had been an idiosyncrasy with his family, for generations past; not often occurring, indeed, but, when it does occur, usually attacking individuals about the Judge’s time of life, and generally in the tension of some mental crisis, or, perhaps, in an access of wrath. Old Maule’s prophecy was probably founded on a knowledge of this physical predisposition in the Pyncheon race. Now, there is a minute and almost exact similarity in the appearances connected with the death that occurred yesterday and those recorded of the death of Clifford’s uncle thirty years ago. It is true, there was a certain arrangement of circumstances, unnecessary to be recounted, which made it possible nay, as men look at these things, probable, or even certain—that old Jaffrey Pyncheon came to a violent death, and by Clifford’s hands.”
“Whence came those circumstances?” exclaimed Phoebe. “He being innocent, as we know him to be!”
“They were arranged,” said Holgrave—“at least such has long been my conviction—they were arranged after the uncle’s death, and before it was made public, by the man who sits in yonder parlor. His own death, so like that former one, yet attended by none of those suspicious circumstances, seems the stroke of God upon him, at once a punishment for his wickedness, and making plain the innocence of Clifford. But this flight—it distorts everything! He may be in concealment, near at hand. Could we but bring him back before the discovery of the Judge’s death, the evil might be rectified.”
“We must not hide this thing a moment longer!” said Phoebe. “It is dreadful to keep it so closely in our hearts. Clifford is innocent. God will make it manifest! Let us throw open the doors, and call all the neighborhood to see the truth!”
“You are right, Phoebe,” rejoined Holgrave. “Doubtless you are right.”
Yet the artist did not feel the horror, which was proper to Phoebe’s sweet and order-loving character, at thus finding herself at issue with society, and brought in contact with an event that transcended ordinary rules. Neither was he in haste, like her, to betake himself within the precincts of common life. On the contrary, he gathered a wild enjoyment—as it were, a flower of strange beauty, growing in a desolate spot, and blossoming in the wind—such a flower of momentary happiness he gathered from his present position. It separated Phoebe and himself from the world, and bound them to each other, by their exclusive knowledge of Judge Pyncheon’s mysterious death, and the counsel which they were forced to
