Under the scriptorial wand of Cushing the folktales of the Zunis are destined to become a part of the living literature of the world, for he is a poet although he does not write in verse. Cushing can think as myth-makers think, he can speak as prophets speak, he can expound as priests expound, and his tales have the verisimilitude of ancient lore; but his sympathy with the mythology of tribal men does not veil the realities of science from his mind.
The gods of Zuni, like those of all primitive people, are the ancients of animals, but we must understand and heartily appreciate their simple thought if we would do them justice. All entities are animals—men, brutes, plants, stars, lands, waters, and rocks—and all have souls. The souls are tenuous existences—mist entities, gaseous creatures inhabiting firmer bodies of matter. They are ghosts that own bodies. They can leave their bodies, or if they discover bodies that have been vacated they can take possession of them. Force and mind belong to souls; fixed form, firm existence belong to matter, while bodies and souls constitute the world. The world is a universe of animals. The stars are animals compelled to travel around the world by magic. The plants are animals under a spell of enchantment, so that usually they cannot travel. The waters are animals sometimes under the spell of enchantment. Lakes writhe in waves, the sea travels in circles about the earth, and the streams run over the lands. Mountains and hills tremble in pain, but cannot wander about; but rocks and hills and mountains sometimes travel about by night.
These animals of the world come in a flood of generations, and the firstborn are gods and are usually called the ancients, or the first ones; the later-born generations are descendants of the gods, but alas, they are degenerate sons.
The theatre of the world is the theatre of necromancy, and the gods are the primeval wonder-workers; the gods still live, but their descendants often die. Death itself is the result of necromancy practiced by bad men or angry gods.
In every Amerindian language there is a term to express this magical power. Among the Iroquoian tribes it is called orenda; among the Siouan tribe some manifestations of it are called wakan or wakanda, but the generic term in this language is hube. Among the Shoshonean tribes it is called pokunt. Let us borrow one of these terms and call it “orenda.” All unexplained phenomena are attributed to orenda. Thus the venom of the serpent is orenda, and this orenda can pass from a serpent to an arrow by another exercise of orenda, and hence the arrow is charmed. The rattlesnake may be stretched beside the arrow, and an invocation may be performed that will convey the orenda from the snake to the arrow, or the serpent may be made into a witch’s stew and the arrow dipped into the brew.
No man has contributed more to our understanding of the doctrine of orenda as believed and practised by the Amerindian tribes than Cushing himself. In other publications he has elaborately discussed this doctrine, and in his lectures he was wont to show how forms and decorations of implements and utensils have orenda for their motive.
When one of the ancients—that is, one of the gods—of the Iroquois was planning the streams of earth by his orenda or magical power, he determined to have them run up one side and down the other; if he had done this men could float up or down at will, by passing from one side to the other of the river, but his wicked brother interfered and made them run down on both sides; so orenda may thwart orenda.
The bird that sings is universally held by tribal men to be exercising its orenda. And when human beings sing they also exercise orenda; hence song is a universal accompaniment of Amerindian worship. All their worship is thus fundamentally terpsichorean, for it is supposed that they can be induced to grant favors by pleasing them.
All diseases and ailments of mankind are attributed by tribal men to orenda, and all mythology is a theory of magic. Yet many of the tribes, perhaps all of them, teach in their tales of some method of introducing death and disease into the world, but it is a method by which supernatural agencies can cause sickness and death.
The prophets, who are also priests, wonder-workers, and medicine-men, are called shamans in scientific literature. In popular literature and in frontier parlance they are usually called medicine-men. Shamans are usually initiated into the guild, and frequently there are elaborate tribal ceremonies for the purpose. Often individuals have revelations and set up to prophesy, to expel diseases, and to teach as priests. If they gain a following they may ultimately exert much influence and be greatly revered, but if they fail they may gradually be looked upon as wizards or witches, and they may be accused of black art, and in extreme cases may be put to death. All Amerindians believe in shamancraft and witchcraft.
The myths of cosmology are usually called creation myths. Sometimes all myths which account for things, even the most trivial, are called creation myths. Every striking phenomenon observed by the Amerind has a myth designed to account for its origin. The horn of the buffalo, the tawny patch on the shoulders of the rabbit, the crest of the blue-jay, the tail of the magpie, the sheen of the chameleon, the rattle of the snake—in fact, everything that challenges attention gives rise to a myth. Thus the folktales of the Amerinds seem to be inexhaustible, for in every language, and there are hundreds of them, a different set of myths is found.
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