High above, on the hillside, a voice was calling.
I look’d up. Below the steeper ridge of the tor a patch of land had been cleared for tillage: and here a yoke of oxen was moving leisurely before a plough (’twas their tinkling bells I had heard, just now); while behind followed the wildest shape—by the voice, a woman.
She was not calling to me, but to her team: and as I put Molly at the slope, her chant rose and fell in the mournfullest singsong.
“So-hoa! Oop Comely Vean! oop, then—o-oop!”
I rose in my stirrups and shouted.
At this and the sound of hoofs, she stay’d the plough and, hand on hip, looked down the slope. The oxen, softly rattling the chains on their yoke, turn’d their necks and gazed. With sunk head Molly heaved herself up the last few yards and came to a halt with a stagger. I slipp’d out of the saddle and stood, with a hand on it, swaying.
“What’s thy need, young man—that comest down to Temple wi’ sword a-danglin’?”
The girl was a half-naked savage, dress’d only in a strip of sacking that barely reach’d her knees, and a scant bodice of the same, lac’d in front with pack thread, that left her bosom and brown arms free. Yet she appear’d no whit abash’d, but lean’d on the plough-tail and regarded me, easy and frank, as a man would.
“Sell me a horse,” I blurted out: “Twenty guineas will I give for one within five minutes, and more if he be good! I ride on the King’s errand.”
“Then get thee back to thy master, an’ say, no horse shall he have o’ me—nor any man that uses horseflesh so.” She pointed to Molly’s knees, that were bow’d and shaking, and the bloody froth dripping from her mouth.
“Girl, for God’s sake sell me a horse! They are after me, and I am hurt.” I pointed up the road. “Better than I are concerned in this.”
“God nor King know I, young man. But what’s on thy saddle cloth, there?”
’Twas the smear where my blood had soak’d: and looking and seeing the purple mess cak’d with mud and foam on the sorrel’s flank, I felt suddenly very sick. The girl made a step to me.
“Sell thee a horse? Hire thee a bedman, more like. Nay, then, lad—”
But I saw her no longer: only called “oh-oh!” twice, like a little child, and slipping my hold of the saddle, dropp’d forward on her breast.
Waking, I found myself in darkness—not like that of night, but of a room where the lights have gone out: and felt that I was dying. But this hardly seem’d a thing to be minded. There was a smell of peat and bracken about. Presently I heard the tramp of feet somewhere overhead, and a dull sound of voices that appear’d to be cursing.
The footsteps went to and fro, the voices muttering most of the time. After a bit I caught a word—“Witchcraft”: and then a voice speaking quite close—“There’s blood ’pon her hands, an’ there’s blood yonder by the plough.” Said another voice, higher and squeaky, “there’s scent behind a fox, but you don’t dig it up an’ take it home.” The tramp passed on, and the voices died away.
By this I knew the troopers were close, and seeking me. A foolish thought came that I was buried, and they must be rummaging over my grave: but indeed I had no wish to enquire into it; no wish to move even, but just to lie and enjoy the lightness of my limbs. The blood was still running. I felt the warmth of it against my back: and thought it very pleasant. So I shut my eyes and dropp’d off again.
Then I heard the noise of shouting, far away: and a long while after that, was rous’d by the touch of a hand, thrust in against my naked breast, over my heart.
“Who is it?” I whispered.
“Joan,” answered a voice, and the hand was withdrawn.
The darkness had lifted somewhat, and though something stood between me and the light, I mark’d a number of small specks, like points of gold dotted around me—
“Joan—what besides?”
“Joan’s enough, I reckon: lucky for thee ’tis none else. Joan o’ the Tor folks call me, but may jet be Joan i’ Good Time. So hold thy peace, lad, an’ cry out so little as may be.”
I felt a ripping of my jacket sleeve and shirt, now clotted and stuck to the flesh. It pain’d cruelly, but I shut my teeth: and after that came the smart and delicious ache of water, as she rinsed the wound.
“Clean through the flesh, lad:—in an’ out, like country dancin’. No bullet to probe nor bone to set. Heart up, soce! Thy mother shall kiss thee yet. What’s thy name?”
“Marvel, Joan—Jack Marvel.”
“An’ marvel ’tis thou’rt Marvel yet. Good blood there’s in thee, but little enow.”
She bandaged the sore with linen torn from my shirt, and tied it round with sackcloth from her own dress. ’Twas all most gently done: and then I found her arms under me, and myself lifted as easy as a baby.
“Left arm round my neck, Jack: an’ sing out if ’tis hurtin’ thee.”
It seemed but six steps and we were out on the bright hillside, not fifty paces from where the plough yet stood in the furrow. I caught a glimpse of a brown neck and a pair of firm red lips, of the grey tor stretching above us and, further aloft, a flock of field fare hanging in the pale sky; and then shut my eyes for the dazzle: but could still feel the beat of Joan’s heart as she held me close, and the touch of her breath on my forehead.
Down the hill she carried me, picking the softest turf, and moving with an easeful swing that rather lull’d my hurt than jolted it. I was dozing, even, when a strange noise awoke me.
’Twas a high
