clay. She knew she was not really reading. She was not really working. She was watching the fingers twitch across the eternal, mechanical, monotonous clock-face of time. She never really lived, she only watched. Indeed, she was like a little, twelve-hour clock, vis-à-vis with the enormous clock of eternity⁠—there she was, like Dignity and Impudence, or Impudence and Dignity.

The picture pleased her. Didn’t her face really look like a clock dial⁠—rather roundish and often pale, and impassive. She would have got up to look, in the mirror, but the thought of the sight of her own face, that was like a twelve-hour clock-dial, filled her with such deep terror, that she hastened to think of something else.

Oh, why wasn’t somebody kind to her? Why wasn’t there somebody who would take her in their arms, and hold her to their breast, and give her rest, pure, deep, healing rest. Oh, why wasn’t there somebody to take her in their arms and fold her safe and perfect, for sleep. She wanted so much this perfect enfolded sleep. She lay always so unsheathed in sleep. She would lie always unsheathed in sleep, unrelieved, unsaved. Oh, how could she bear it, this endless unrelief, this eternal unrelief.

Gerald! Could he fold her in his arms and sheathe her in sleep? Ha! He needed putting to sleep himself⁠—poor Gerald. That was all he needed. What did he do, he made the burden for her greater, the burden of her sleep was the more intolerable, when he was there. He was an added weariness upon her unripening nights, her unfruitful slumbers. Perhaps he got some repose from her. Perhaps he did. Perhaps this was what he was always dogging her for, like a child that is famished, crying for the breast. Perhaps this was the secret of his passion, his forever unquenched desire for her⁠—that he needed her to put him to sleep, to give him repose.

What then! Was she his mother? Had she asked for a child, whom she must nurse through the nights, for her lover. She despised him, she despised him, she hardened her heart. An infant crying in the night, this Don Juan.

Ooh, but how she hated the infant crying in the night. She would murder it gladly. She would stifle it and bury it, as Hetty Sorrell did. No doubt Hetty Sorrell’s infant cried in the night⁠—no doubt Arthur Donnithorne’s infant would. Ha⁠—the Arthur Donnithornes, the Geralds of this world. So manly by day, yet all the while, such a crying of infants in the night. Let them turn into mechanisms, let them. Let them become instruments, pure machines, pure wills, that work like clockwork, in perpetual repetition. Let them be this, let them be taken up entirely in their work, let them be perfect parts of a great machine, having a slumber of constant repetition. Let Gerald manage his firm. There he would be satisfied, as satisfied as a wheelbarrow that goes backwards and forwards along a plank all day⁠—she had seen it.

The wheelbarrow⁠—the one humble wheel⁠—the unit of the firm. Then the cart, with two wheels; then the truck, with four; then the donkey-engine, with eight, then the winding-engine, with sixteen, and so on, till it came to the miner, with a thousand wheels, and then the electrician, with three thousand, and the underground manager, with twenty thousand, and the general manager with a hundred thousand little wheels working away to complete his makeup, and then Gerald, with a million wheels and cogs and axles.

Poor Gerald, such a lot of little wheels to his makeup! He was more intricate than a chronometer-watch. But oh heavens, what weariness! What weariness, God above! A chronometer-watch⁠—a beetle⁠—her soul fainted with utter ennui, from the thought. So many wheels to count and consider and calculate! Enough, enough⁠—there was an end to man’s capacity for complications, even. Or perhaps there was no end.

Meanwhile Gerald sat in his room, reading. When Gudrun was gone, he was left stupefied with arrested desire. He sat on the side of the bed for an hour, stupefied, little strands of consciousness appearing and reappearing. But he did not move, for a long time he remained inert, his head dropped on his breast.

Then he looked up and realised that he was going to bed. He was cold. Soon he was lying down in the dark.

But what he could not bear was the darkness. The solid darkness confronting him drove him mad. So he rose, and made a light. He remained seated for a while, staring in front. He did not think of Gudrun, he did not think of anything.

Then suddenly he went downstairs for a book. He had all his life been in terror of the nights that should come, when he could not sleep. He knew that this would be too much for him, to have to face nights of sleeplessness and of horrified watching the hours.

So he sat for hours in bed, like a statue, reading. His mind, hard and acute, read on rapidly, his body understood nothing. In a state of rigid unconsciousness, he read on through the night, till morning, when, weary and disgusted in spirit, disgusted most of all with himself, he slept for two hours.

Then he got up, hard and full of energy. Gudrun scarcely spoke to him, except at coffee when she said:

“I shall be leaving tomorrow.”

“We will go together as far as Innsbruck, for appearance’s sake?” he asked.

“Perhaps,” she said.

She said Perhaps between the sips of her coffee. And the sound of her taking her breath in the word, was nauseous to him. He rose quickly to be away from her.

He went and made arrangements for the departure on the morrow. Then, taking some food, he set out for the day on the skis. Perhaps, he said to the Wirt, he would go up to the Marienhütte, perhaps to the village below.

To Gudrun this day was full of a promise like spring. She felt an approaching release, a new fountain of

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