an old man, well past the prime of life, no longer young. From the fact that there is a burr in his speech and that he has absentmindedly put on his coat wrongside out, we surmise that he is either above or below the ordinary superficialities of life.
Near him on the grass lies Peter, a little boy. Peter, of course, has his chin on his palm like the pictures of the young Sir Walter Raleigh. He has a complete set of features, including serious, sombre, even funereal, gray eyes—and radiates that alluring air of never having eaten food. This air can best be radiated during the afterglow of a beef dinner. He is looking at Mr. Icky, fascinated.
Silence. … The song of birds.
| Peter | Often at night I sit at my window and regard the stars. Sometimes I think they’re my stars. … Gravely. I think I shall be a star some day. … |
| Mr. Icky | Whimsically. Yes, yes … yes. … |
| Peter | I know them all: Venus, Mars, Neptune, Gloria Swanson. |
| Mr. Icky | I don’t take no stock in astronomy. … I’ve been thinking o’ Lunnon, laddie. And calling to mind my daughter, who has gone for to be a typewriter. … He sighs. |
| Peter | I liked Ulsa, Mr. Icky; she was so plump, so round, so buxom. |
| Mr. Icky | Not worth the paper she was padded with, laddie. He stumbles over a pile of pots and dods. |
| Peter | How is your asthma, Mr. Icky? |
| Mr. Icky | Worse, thank God! … Gloomily. I’m a hundred years old … I’m getting brittle. |
| Peter | I suppose life has been pretty tame since you gave up petty arson. |
| Mr. Icky | Yes … yes. … You see, Peter, laddie, when I was fifty I reformed once—in prison. |
| Peter | You went wrong again? |
| Mr. Icky | Worse than that. The week before my term expired they insisted on transferring to me the glands of a healthy young prisoner they were executing. |
| Peter | And it renovated you? |
| Mr. Icky | Renovated me! It put the Old Nick back into me! This young criminal was evidently a suburban burglar and a kleptomaniac. What was a little playful arson in comparison! |
| Peter | Awed. How ghastly! Science is the bunk. |
| Mr. Icky | Sighing. I got him pretty well subdued now. ’Tisn’t everyone who has to tire out two sets o’ glands in his lifetime. I wouldn’t take another set for all the animal spirits in an orphan asylum. |
| Peter | Considering. I shouldn’t think you’d object to a nice quiet old clergyman’s set. |
| Mr. Icky | Clergymen haven’t got glands—they have souls. |
| There is a low, sonorous honking off stage to indicate that a large motorcar has stopped in the immediate vicinity. Then a young man handsomely attired in a dress-suit and a patent-leather silk hat comes onto the stage. He is very mundane. His contrast to the spirituality of the other two is observable as far back as the first row of the balcony. This is Rodney Divine. | |
| Divine | I am looking for Ulsa Icky. |
| Mr. Icky rises and stands tremulously between two dods. | |
| Mr. Icky | My daughter is in Lunnon. |
| Divine | She has left London. She is coming here. I have followed her. |
| He reaches into the little mother-of-pearl satchel that hangs at his side for cigarettes. He selects one and scratching a match touches it to the cigarette. The cigarette instantly lights. | |
| Divine | I shall wait. |
| He waits. Several hours pass. There is no sound except an occasional cackle or hiss from the dods as they quarrel among themselves. Several songs can be introduced here or some card tricks by Divine or a tumbling act, as desired. | |
| Divine | It’s very quiet here. |
| Mr. Icky | Yes, very quiet. … |
| Suddenly a loudly dressed girl appears; she is very worldly. It is Ulsa Icky. On her is one of those shapeless faces peculiar to early Italian painting. | |
| Ulsa | In a coarse, worldly voice. Feyther! Here I am! Ulsa did what? |
| Mr. Icky | Tremulously. Ulsa, little Ulsa. They embrace each other’s torsos. |
| Mr. Icky | Hopefully. You’ve come back to help with the ploughing. |
| Ulsa | Sullenly. No, feyther; ploughing’s such a beyther. I’d reyther not. |
| Though her accent is broad, the content of her speech is sweet and clean. | |
| Divine | Conciliatingly. See here, Ulsa. Let’s come to an understanding. |
| He advances toward her with the graceful, even stride that made him captain of the striding team at Cambridge. | |
| Ulsa | You still say it would be Jack? |
| Mr. Icky | What does she mean? |
| Divine | Kindly. My dear, of course, it would be Jack. It couldn’t be Frank. |
| Mr. Icky | Frank who? |
| Ulsa | It would be Frank! |
| Some risqué joke can be introduced here. | |
| Mr. Icky | Whimsically. No good fighting … no good fighting … |
| Divine | Reaching out to stroke her arm with the powerful movement that made him stroke of the crew at Oxford. You’d better marry me. |
| Ulsa | Scornfully. Why, they wouldn’t let me in through the servants’ entrance of your house. |
| Divine | Angrily. They wouldn’t! Never fear—you shall come in through the mistress’ entrance. |
| Ulsa | Sir! |
| Divine | In confusion. I beg your pardon. You know what I mean? |
| Mr. Icky | Aching with whimsey. You want to marry my little Ulsa? … |
| Divine | I do. |
| Mr. Icky | Your record is clean. |
| Divine | Excellent. I have the best constitution in the world— |
| Ulsa | And the worst bylaws. |
| Divine | At Eton I was a member at Pop; at Rugby I belonged to Near-beer. As a younger son I was destined for the police force— |
| Mr. Icky | Skip that. … Have you money? … |
| Divine | Wads of it. I should expect Ulsa to go down town in sections every morning—in two Rolls Royces. I have also a kiddy-car and a converted tank. I have seats at the opera— |
| Ulsa | Sullenly. I can’t sleep except in a box. And I’ve heard that you were cashiered from your club. |
| Mr. Icky | A cashier? … |
| Divine | Hanging his head. I was cashiered. |
| Ulsa | What for? |
| Divine | Almost inaudibly. I hid the polo balls one day for a joke. |
| Mr. Icky | Is your mind in good shape? |
| Divine | Gloomily. Fair. After all what is brilliance? Merely the tact to sow when no one is looking and reap when |
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