They slid into a red glow—a stage set of hell, with grinning demons and lurid paper fires—he made out that Elwood and his girl sat cheek to cheek—then again into the darkness, with the gently lapping water and the passing of the singing boat now near, now far away. For a while Basil pretended that he was interested in this other boat, calling to them, commenting on their proximity. Then he discovered that the scow could be rocked and took to this poor amusement until Elwood Leaming turned around indignantly and cried:
“Hey! What are you trying to do?”
They came out finally to the entrance and the two couples broke apart. Basil jumped miserably ashore.
“Give us some more tickets,” Riply cried. “We want to go around again.”
“Not me,” said Basil with elaborate indifference. “I have to go home.”
Riply began to laugh in derision and triumph. The girl laughed too.
“Well, so long, little boy,” Riply cried hilariously.
“Oh, shut up! So long, Elwood.”
“So long, Basil.”
The boat was already starting off; arms settled again about the girls’ shoulders.
“So long, little boy!”
“So long, you big cow!” Basil cried. “Where’d you get the pants? Where’d you get the pants?”
But the boat had already disappeared into the dark mouth of the tunnel, leaving the echo of Riply’s taunting laughter behind.
It is an ancient tradition that all boys are obsessed with the idea of being grown. This is because they occasionally give voice to their impatience with the restraints of youth, while those great stretches of time when they are more than content to be boys find expression in action and not in words. Sometimes Basil wanted to be just a little bit older, but no more. The question of long pants had not seemed vital to him—he wanted them, but as a costume they had no such romantic significance as, for example, a football suit or an officer’s uniform, or even the silk hat and opera cape in which gentlemen burglars were wont to prowl the streets of New York by night.
But when he awoke next morning they were the most important necessity in his life. Without them he was cut off from his contemporaries, laughed at by a boy whom he had hitherto led. The actual fact that last night some chickens had preferred Riply to himself was of no importance in itself, but he was fiercely competitive and he resented being required to fight with one hand tied behind his back. He felt that parallel situations would occur at school, and that was unbearable. He approached his mother at breakfast in a state of wild excitement.
“Why, Basil,” she protested in surprise, “I thought when we talked it over you didn’t especially care.”
“I’ve got to have them,” he declared. “I’d rather be dead than go away to school without them.”
“Well, there’s no need of being silly.”
“It’s true—I’d rather be dead. If I can’t have long trousers I don’t see any use in my going away to school.”
His emotion was such that the vision of his demise began actually to disturb his mother.
“Now stop that silly talk and come and eat your breakfast. You can go down and buy some at Barton Leigh’s this morning.”
Mollified, but still torn by the urgency of his desire, Basil strode up and down the room.
“A boy is simply helpless without them,” he declared vehemently. The phrase pleased him and he amplified it. “A boy is simply and utterly helpless without them. I’d rather be dead than go away to school—”
“Basil, stop talking like that. Somebody has been teasing you about it.”
“Nobody’s been teasing me,” he denied indignantly—“nobody at all.”
After breakfast, the maid called him to the phone.
“This is Riply,” said a tentative voice. Basil acknowledged the fact coldly. “You’re not sore about last night, are you?” Riply asked.
“Me? No. Who said I was sore?”
“Nobody. Well, listen, you know about us going to the fireworks together tonight.”
“Yes.” Basil’s voice was still cold.
“Well, one of those girls—the one Elwood had—has got a sister that’s even nicer than she is, and she can come out tonight and you could have her. And we thought we could meet about eight, because the fireworks don’t start till nine.”
“What do?”
“Well, we could go on the Old Mill again. We went around three times more last night.”
There was a moment’s silence. Basil looked to see if his mother’s door was closed.
“Did you kiss yours?” he demanded into the transmitter.
“Sure I did!” Over the wire came the ghost of a silly laugh. “Listen, El thinks he can get his auto. We could call for you at seven.”
“All right,” agreed Basil gruffly, and he added, “I’m going down and get some long pants this morning.”
“Are you?” Again Basil detected ghostly laughter. “Well, you be ready at seven tonight.”
Basil’s uncle met him at Barton Leigh’s clothing store at ten, and Basil felt a touch of guilt at having put his family to all this trouble and expense. On his uncle’s advice, he decided finally on two suits—a heavy chocolate brown for every day and a dark blue for formal wear. There were certain alterations to be made but it was agreed that one of the suits was to be delivered without fail that afternoon.
His momentary contriteness at having been so expensive made him save carfare by walking home from downtown. Passing along Crest Avenue, he paused speculatively to vault the high hydrant in front of the Van Schellinger house, wondering if one did such things in long trousers and if he would ever do it again. He was impelled to leap it two or three times as a sort of ceremonial farewell, and was so engaged when the Van Schellinger limousine turned into the drive and stopped at the front door.
“Oh, Basil,” a voice called.
A fresh delicate face, half buried under a mass of almost white curls, was turned toward
