the unhappy culprit as she rose, then to be cast down and remain glued to the floor.

The girl stood, pale and silly-looking, and stared at Mr. Strachey much as a rabbit stares at the snake that is about to eat it. She was a very ugly girl of fourteen, with a pasty face, and lank hair that dangled to her shoulders. Her mouth had fallen half open through fear, and she did not shut it all the time she was on view.

Laura could not take her eyes off the scene: they travelled, burning with curiosity, from Annie Johns to Mr. Strachey, and back again to the miserable thief. When, after a few introductory remarks on crime in general, the Principal passed on to the present case, and described it in detail, Laura was fascinated by his oratory, and gazed full at him. He made it all live vividly before her; she hung on his lips, appreciating his points, the skilful way in which he worked up his climaxes. But then, she herself knew what it was to be poor⁠—as Annie Johns had been. She understood what it would mean to lack your tram-fare on a rainy morning⁠—according to Mr. Strachey this was the motor impulse of the thefts⁠—because a lolly shop had stretched out its octopus arms after you. She could imagine, too, with a shiver, how easy it would be, the loss of the first pennies having remained undiscovered, to go on to threepenny-bits, and from these to sixpences. More particularly since the money had been taken, without exception, from pockets in which there was plenty. Not, Laura felt sure, in order to avoid detection, as Mr. Strachey supposed, but because to those who had so much a few odd coins could not matter. She wondered if everyone else agreed with him on this point. How did the teachers feel about it?⁠—and she ran her eyes over the row, to learn their opinions from their faces. But these were as stolid as ever. Only good old Chapman, she thought, looked a little sorry, and Miss Zielinski⁠—yes, Miss Zielinski was crying! This discovery thrilled Laura⁠—just as, at the play, the fact of one spectator being moved to tears intensifies his neighbour’s enjoyment. But when Mr. Strachey left the field of personal narration and went on to the moral aspects of the affair, Laura ceased to be gripped by him, and turned anew to study the pale, dogged face of the accused, though she had to crane her neck to do it. Before such a stony mask as this, she was driven to imagine what must be going on behind it; and, while thus engrossed, she felt her arm angrily tweaked. It was Tilly.

“You are a beast to stare like that!”

“I’m not staring.”

She turned her eyes away at once, more than half believing her own words; and then, for some seconds, she tried to do what was expected of her: to feel a decent unconcern. At her back, Bertha’s purry crying went steadily on. What on earth did she cry for? She had certainly not heard a word Mr. Strachey said. Laura fidgeted in her seat, and stole a side-glance at Tilly’s profile. She could not, really could not miss the last scene of all, when, in masterly fashion, the Principal was gathering the threads together. And so, feeling rather like “Peeping Tom,” she cautiously raised her eyes again, and this time managed to use them without turning her head.

All other eyes were still charitably lowered. Several girls were crying now, but without a sound. And, as the last, awful moments drew near, even Bertha was hushed, and of all the odd hundreds of throats not one dared to cough. Laura’s heart began to palpitate, for she felt the approach of the final climax, Mr. Strachey’s periods growing ever slower and more massive.

When, after a burst of eloquence which, the child felt, would not have shamed a Bishop, the Principal drew himself up to his full height, and, with uplifted arm, thundered forth: “Herewith, Miss Annie Johns, I publicly expel you from the school! Leave it, now, this moment, and never darken its doors again!”⁠—when this happened, Laura was shot through by an ecstatic quiver, such as she had felt once only in her life before; and that was when a beautiful, golden-haired Hamlet, who had held a Ballarat theatre entranced for a whole evening, fell dead by Laertes’ sword, to the rousing plaudits of the house. Breathing unevenly, she watched, lynx-eyed, every inch of Annie Johns’ progress: watched her pick up her books, edge out of her seat and sidle through the rows of desks; watched her walk to the door with short jerky movements, mount the two steps that led to it, fumble with the handle, turn it, and vanish from sight; and when it was all over, and there was nothing more to see, she fell back in her seat with an audible sigh.

It was too late after this for the winding of the snaky line about the streets and parks of East Melbourne, which constituted the boarders’ daily exercise. They were despatched to stretch their legs in the garden. Here, as they walked round lawns and tennis-courts, they discussed the main event of the afternoon, and were a little more vociferous than usual, in an attempt to shake off the remembrance of a very unpleasant half-hour.

“I bet you Sandy rather enjoyed kicking up that shindy.”

Did you see Puggy’s boots again? Girls, he must take twelves!”

“And that old blubber of a Ziely’s handkerchief! It was filthy. I told you yesterday I was sure she never washed her neck.”

Bertha, whose tears had dried as rapidly as sea-spray, gave Laura a dig in the ribs. “What’s up with you, old Tweedledum? You’re as glum as a lubra.”

“No, I’m not.”

“It’s my belief that Laura was sorry for that pig,” threw in Tilly.

“Indeed I wasn’t!” said Laura indignantly.

“Sorry for a thief?”

“I tell you I wasn’t!”⁠—and this was true. Among the divers feelings

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