in protest as she read⁠—for read she did, on three successive days, with an interest she could not explain. And that was not all. It was worse that the people in this book⁠—the extraordinary person who was married, and had children, and yet ate biscuits out of a bag and said she didn’t; the man who called her his lark and his squirrel⁠—as if any man ever did call his wife such names!⁠—all these people seemed eternally to be meaning something different from what they said; something that was forever eluding her. It was most irritating. There was, moreover, no mention of a doll’s house in the whole three acts.

The state of confusion this booklet left her in, she allayed with a little old brown leather volume of Longfellow. And Hyperion was so much more to her liking that she even ventured to borrow it from its place on the shelf, in order to read it at her leisure, braving the chance that her loan, were it discovered, might be counted against her as a theft.

It hung together, no doubt, with the aftereffects of her dip into Ibsen that, on her sitting down to write the work that was to form her passport to the Society, her mind should incline to the most romantic of romantic themes. Not altogether, though: Laura’s taste, such as it was, for literature had, like all young people’s, a mighty bias towards those books which turned their backs on reality: she sought not truth, but the miracle. However, though she had thus taken sides, there was still a yawning gap to be bridged between her ready acceptance of the honourable invitation, and the composition of a masterpiece. Thanks to her wonted inability to project her thoughts beyond the moment, she had been so unthinking of possible failure that Cupid had found it necessary to interject: “Here, I say, don’t blow!” Whereas, when she came to write, she sat with her pen poised over the paper for nearly half an hour, without bringing forth a word. First, there was the question of form: she considered, then abruptly dismissed, the idea of writing verses: the rhymes with love and dove, and heart and part, which could have been managed, were, she felt, too silly and sentimental to be laid before her quizzical audience. Next, what to write about⁠—a simple theme, such as a fairytale, was not for a moment to be contemplated. No, Laura had always flown her hawk high, and she was now bent on making a splutter. It ended by being a toss-up between a play in the Shakesperian manner and a novel after Scott. She decided on the novel. It should be a romance of Venice, with abundant murder and mystery in it, and a black, black villain, such as her soul loved⁠—no macaroon-nibblers or rompers with children for her! And having thus attuned her mind to scarlet deeds, she set to work. But she found it tremendously difficult to pin her story to paper: she saw things clearly enough, and could have related them by word of mouth; but did she try to write them down they ran to mist; and though she toiled quite literally in the sweat of her brow, yet when the eventful day came she had but three niggardly pages to show for her pains.

About twenty girls formed the Society, which assembled one Saturday evening in an empty music-room. All were not, of course, equally productive: some had brought it no further than a riddle: and it was just these drones who, knowing nothing of the pother composition implied, criticised most stringently the efforts of the rest. Several members had pretty enough talents, Laura’s two roommates among the number: on the night Laura made her debut, the weightiest achievement was, without doubt, M. P.’s essay on “Magnanimity”; and Laura’s eyes grew moist as she listened to its stirring phrases. Next best⁠—to her thinking, at least⁠—was a humorous episode by Cupid, who had a gift that threw Laura into a fit of amaze; and this was the ability to expand infinitely little into infinitely much; to rig out a trifle in many words, so that in the end it seemed ever so much bigger than it really was⁠—just as a thrifty merchant boils his oranges, to swell them to twice their size.

Laura being the youngest member, her affair came last on the programme: she had to sit and listen to the others, her cheeks hot, her hands very cold. Presently all were done, and then Cupid, who was chairman, called on “a new author, Rambotham, who it is hoped will prove a valuable acquisition to the Society, to read us his maiden effort.”

Laura rose to her feet and, trembling with nervousness, stuttered forth her prose. The three little pages shot past like a flash; she had barely stood up before she was obliged to sit down again, leaving her hearers, who had only just re-adopted their listening attitudes, agape with astonishment. She could have endured, with phlegm, the ridicule this malheur earned her: what was harder to stomach was that her paper heroics made utterly no impression. She suffered all the humiliation of a flabby fiasco, and, till bedtime, shrank out of her friends’ way.

“You were warned not to be too cocky, you know,” Mary said judicially, on seeing her downcast air.

“I didn’t mean to be, really. Then you don’t think what I wrote was up to much, M. P.?”

“Mm,” said the elder girl, in a noncommittal way.

Here Cupid chimed in. “Look here, Infant, I want to ask you something. Have you ever been in Venice?”

“No.”

“Ever seen a gondola?”

“No.”

“Or the Doge’s palace?⁠—or a black-cloaked assassin?⁠—or a masked lady?”

“You know I haven’t,” murmured Laura, humbled to the dust.

“And probably never will. Well then, why on earth try to write wooden, secondhand rubbish like that?”

“Secondhand?⁠ ⁠… But Cupid⁠ ⁠… think of Scott! He couldn’t have seen half he told about?”

“My gracious!” ejaculated Cupid, and sat down and fanned herself with a

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