“He mentioned to me once,” he added, as if making an effort of memory, “a house of that sort. He used to visit some workmen there.”

“Exactly.”

Sophia Antonovna triumphed. Her correspondent had discovered that fact quite accidentally from the talk of the people of the house, having made friends with a workman who occupied a room there. They described Haldin’s appearance perfectly. He brought comforting words of hope into their misery. He came irregularly, but he came very often, and⁠—her correspondent wrote⁠—sometimes he spent a night in the house, sleeping, they thought, in a stable which opened upon the inner yard.

“Note that, Razumov! In a stable.”

Razumov had listened with a sort of ferocious but amused acquiescence.

“Yes. In the straw. It was probably the cleanest spot in the whole house.”

“No doubt,” assented the woman with that deep frown which seemed to draw closer together her black eyes in a sinister fashion. No four-footed beast could stand the filth and wretchedness so many human beings were condemned to suffer from in Russia. The point of this discovery was that it proved Haldin to have been familiar with that horse-owning peasant⁠—a reckless, independent, free-living fellow not much liked by the other inhabitants of the house. He was believed to have been the associate of a band of housebreakers. Some of these got captured. Not while he was driving them, however; but still there was a suspicion against the fellow of having given a hint to the police and⁠ ⁠…

The woman revolutionist checked herself suddenly.

“And you? Have you ever heard your friend refer to a certain Ziemianitch?”

Razumov was ready for the name. He had been looking out for the question. “When it comes I shall own up,” he had said to himself. But he took his time.

“To be sure!” he began slowly. “Ziemianitch, a peasant owning a team of horses. Yes. On one occasion. Ziemianitch! Certainly! Ziemianitch of the horses.⁠ ⁠… How could it have slipped my memory like this? One of the last conversations we had together.”

“That means,”⁠—Sophia Antonovna looked very grave⁠—“that means, Razumov, it was very shortly before⁠—eh?”

“Before what?” shouted Razumov, advancing at the woman, who looked astonished but stood her ground. “Before.⁠ ⁠… Oh! Of course, it was before! How could it have been after? Only a few hours before.”

“And he spoke of him favourably?”

“With enthusiasm! The horses of Ziemianitch! The free soul of Ziemianitch!”

Razumov took a savage delight in the loud utterance of that name, which had never before crossed his lips audibly. He fixed his blazing eyes on the woman till at last her fascinated expression recalled him to himself.

“The late Haldin,” he said, holding himself in, with downcast eyes, “was inclined to take sudden fancies to people, on⁠—on⁠—what shall I say⁠—insufficient grounds.”

“There!” Sophia Antonovna clapped her hands. “That, to my mind, settles it. The suspicions of my correspondent were aroused.⁠ ⁠…”

“Aha! Your correspondent,” Razumov said in an almost openly mocking tone. “What suspicions? How aroused? By this Ziemianitch? Probably some drunken, gabbling, plausible⁠ ⁠…”

“You talk as if you had known him.”

Razumov looked up.

“No. But I knew Haldin.”

Sophia Antonovna nodded gravely.

“I see. Every word you say confirms to my mind the suspicion communicated to me in that very interesting letter. This Ziemianitch was found one morning hanging from a hook in the stable⁠—dead.”

Razumov felt a profound trouble. It was visible, because Sophia Antonovna was moved to observe vivaciously⁠—

“Aha! You begin to see.”

He saw it clearly enough⁠—in the light of a lantern casting spokes of shadow in a cellar-like stable, the body in a sheepskin coat and long boots hanging against the wall. A pointed hood, with the ends wound about up to the eyes, hid the face. “But that does not concern me,” he reflected. “It does not affect my position at all. He never knew who had thrashed him. He could not have known.” Razumov felt sorry for the old lover of the bottle and women.

“Yes. Some of them end like that,” he muttered. “What is your idea, Sophia Antonovna?”

It was really the idea of her correspondent, but Sophia Antonovna had adopted it fully. She stated it in one word⁠—“Remorse.” Razumov opened his eyes very wide at that. Sophia Antonovna’s informant, by listening to the talk of the house, by putting this and that together, had managed to come very near to the truth of Haldin’s relation to Ziemianitch.

“It is I who can tell you what you were not certain of⁠—that your friend had some plan for saving himself afterwards, for getting out of St. Petersburg, at any rate. Perhaps that and no more, trusting to luck for the rest. And that fellow’s horses were part of the plan.”

“They have actually got at the truth,” Razumov marvelled to himself, while he nodded judicially. “Yes, that’s possible, very possible.” But the woman revolutionist was very positive that it was so. First of all, a conversation about horses between Haldin and Ziemianitch had been partly overheard. Then there were the suspicions of the people in the house when their “young gentleman” (they did not know Haldin by his name) ceased to call at the house. Some of them used to charge Ziemianitch with knowing something of this absence. He denied it with exasperation; but the fact was that ever since Haldin’s disappearance he was not himself, growing moody and thin. Finally, during a quarrel with some woman (to whom he was making up), in which most of the inmates of the house took part apparently, he was openly abused by his chief enemy, an athletic pedlar, for an informer, and for having driven “our young gentleman to Siberia, the same as you did those young fellows who broke into houses.” In consequence of this there was a fight, and Ziemianitch got flung down a flight of stairs. Thereupon he drank and moped for a week, and then hanged himself.

Sophia Antonovna drew her conclusions from the tale. She charged Ziemianitch either with drunken indiscretion as to a driving job on a certain date, overheard by some spy in some low grog-shop⁠—perhaps in the very eating-shop on the ground

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