complexion green,” she thought happily. Two high-backed, black chairs with horsehair seats, a little washstand with a blue basin and pitcher, and a faded ottoman with woollen roses cross-stitched on it, completed the furnishing. On the little mantel were vases full of dried and coloured grasses and a fascinating potbellied bottle filled with West Indian shells. On either side were lovable little cupboards with leaded-glass doors like those in the sitting-room. Underneath was a small fireplace.

“I wonder if Aunt Elizabeth will ever let me have a little fire here,” thought Emily.

The room was full of that indefinable charm found in all rooms where the pieces of furniture, whether old or new, are well acquainted with each other and the walls and floors are on good terms. Emily felt it all over her as she flitted about examining everything. This was her room⁠—she loved it already⁠—she felt perfectly at home.

“I belong here,” she breathed happily.

She felt deliciously near to her mother⁠—as if Juliet Starr had suddenly become real to her. It thrilled her to think that her mother had probably crocheted the lace cover on the round pincushion on the table. And that fat, black jar of potpourri on the mantel⁠—her mother must have compounded it. When Emily lifted the lid a faint spicy odour floated out. The souls of all the roses that had bloomed through many olden summers at New Moon seemed to be prisoned there in a sort of flower purgatory. Something in the haunting, mystical, elusive odour gave Emily the flash⁠—and her room had received its consecration.

There was a picture of her mother hanging over the mantel⁠—a large daguerreotype taken when she was a little girl. Emily looked at it lovingly. She had the picture of her mother which her father had left, taken after their marriage. But when Aunt Elizabeth had brought that from Maywood to New Moon she had hung it in the parlour where Emily seldom saw it. This picture, in her bedroom, of the golden-haired, rose-cheeked girl, was all her own. She could look at it⁠—talk to it at will.

“Oh, Mother,” she said, “what did you think of when you were a little girl here like me? I wish I could have known you then. And to think nobody has ever slept here since that last night you did before you ran away with Father. Aunt Elizabeth says you were wicked to do it but I don’t think you were. It wasn’t as if you were running away with a stranger. Anyway, I’m glad you did, because if you hadn’t there wouldn’t have been any me.”

Emily, very glad that there was an Emily, opened her lookout window as high as it would go, got into bed and drifted off to sleep, feeling a happiness that was so deep as to be almost pain as she listened to the sonorous sweep of the night wind among the great trees in Lofty John’s bush. When she wrote to her father a few days later she began the letter “Dear Father and Mother.”

“And I’ll always write the letter to you as well as Father after this, Mother. I’m sorry I left you out so long. But you didn’t seem real till that night I came home. I made the bed beautifully next morning⁠—Aunt Elizabeth didn’t find a bit of fault with it⁠—and I dusted everything⁠—and when I went out I knelt down and kissed the doorstep. I didn’t think Aunt Elizabeth saw me but she did and said had I gone crazy. Why does Aunt Elizabeth think anyone is crazy who does something she never does? I said ’No, it’s only because I love my room so much’ and she sniffed and said ’You’d better love your God.’ But so I do, dear Father⁠—and Mother⁠—and I love Him better than ever since I have my dear room. I can see all over the garden from it and into Lofty John’s bush and one little bit of the Blair Water through the gap in the trees where the Yesterday Road runs. I like to go to bed early now. I love to lie all alone in my own room and make poetry and think out descriptions of things while I look through the open window at the stars and the nice, big, kind, quiet trees in Lofty John’s bush.

“Oh, Father dear and Mother, we are going to have a new teacher. Miss Brownell is not coming back. She is going to be married and Ilse says that when her father heard it he said ’God help the man.’ And the new teacher is a Mr. Carpenter. Ilse saw him when he came to see her father about the school⁠—because Dr. Burnley is a trustee this year⁠—and she says he has bushy grey hair and whiskers. He is married, too, and is going to live in that little old house down in the hollow below the school. It seems so funny to think of a teacher having a wife and whiskers.

“I am glad to be home. But I miss Dean and the gazing-ball. Aunt Elizabeth looked very cross when she saw my bang but didn’t say anything. Aunt Laura says just to keep quiet and go on wearing it. But I don’t feel comfortable going against Aunt Elizabeth so I have combed it all back except a little fringe. I don’t feel quite comfortable about it even yet, but I have to put up with being a little uncomfortable for the sake of my looks. Aunt Laura says bustles are going out of style so I’ll never be able to have one but I don’t care because I think they’re ugly. Rhoda Stuart will be cross because she was just longing to be old enough to wear a bustle. I hope I’ll be able to have a gin-jar all to myself when the weather gets cold. There is a row of gin-jars on the high shelf in the cookhouse.

“Teddy and I had the nicest adventure yesterday evening.

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