Once, when the girl was about twelve years old, he had said to her:
“Try and make a clever woman of her, Lavinia; I should like her to be a clever woman.”
Mrs. Penniman, at this, looked thoughtful a moment. “My dear Austin,” she then inquired, “do you think it is better to be clever than to be good?”
“Good for what?” asked the Doctor. “You are good for nothing unless you are clever.”
From this assertion Mrs. Penniman saw no reason to dissent; she possibly reflected that her own great use in the world was owing to her aptitude for many things.
“Of course I wish Catherine to be good,” the Doctor said next day; “but she won’t be any the less virtuous for not being a fool. I am not afraid of her being wicked; she will never have the salt of malice in her character. She is as good as good bread, as the French say; but six years hence I don’t want to have to compare her to good bread and butter.”
“Are you afraid she will turn insipid? My dear brother, it is I who supply the butter; so you needn’t fear!” said Mrs. Penniman, who had taken in hand the child’s accomplishments, overlooking her at the piano, where Catherine displayed a certain talent, and going with her to the dancing-class, where it must be confessed that she made but a modest figure.
Mrs. Penniman was a tall, thin, fair, rather faded woman, with a perfectly amiable disposition, a high standard of gentility, a taste for light literature, and a certain foolish indirectness and obliquity of character. She was romantic, she was sentimental, she had a passion for little secrets and mysteries—a very innocent passion, for her secrets had hitherto always been as unpractical as addled eggs. She was not absolutely veracious; but this defect was of no great consequence, for she had never had anything to conceal. She would have liked to have a lover, and to correspond with him under an assumed name in letters left at a shop; I am bound to say that her imagination never carried the intimacy farther than this. Mrs. Penniman had never had a lover, but her brother, who was very shrewd, understood her turn of mind. “When Catherine is about seventeen,” he said to himself, “Lavinia will try and persuade her that some young man with a moustache is in love with her. It will be quite untrue; no young man, with a moustache or without, will ever be in love with Catherine. But Lavinia will take it up, and talk to her about it; perhaps, even, if her taste for clandestine operations doesn’t prevail with her, she will talk to me about it. Catherine won’t see it, and won’t believe it, fortunately for her peace of mind; poor Catherine isn’t romantic.”
She was a healthy well-grown child, without a trace of her mother’s beauty. She was not ugly; she had simply a plain, dull, gentle countenance. The most that had ever been said for her was that she had a “nice” face, and, though she was an heiress, no one had ever thought of regarding her as a belle. Her father’s opinion of her moral purity was abundantly justified; she was excellently, imperturbably good; affectionate, docile, obedient, and much addicted to speaking the truth. In her younger years she was a good deal of a romp, and, though it is an awkward confession to make about one’s heroine, I must add that she was something of a glutton. She never, that I know of, stole raisins out of the pantry; but she devoted her pocket-money to the purchase of cream-cakes. As regards this, however, a critical attitude would be inconsistent with a candid reference to the early