felt tongue-tied, was conscious of no embarrassment; it seemed proper that he should talk, and that she should simply look at him. What made it natural was that he was so handsome, or rather, as she phrased it to herself, so beautiful. The music had been silent for a while, but it suddenly began again; and then he asked her, with a deeper, intenser smile, if she would do him the honour of dancing with him. Even to this inquiry she gave no audible assent; she simply let him put his arm round her waist⁠—as she did so it occurred to her more vividly than it had ever done before, that this was a singular place for a gentleman’s arm to be⁠—and in a moment he was guiding her round the room in the harmonious rotation of the polka. When they paused she felt that she was red; and then, for some moments, she stopped looking at him. She fanned herself, and looked at the flowers that were painted on her fan. He asked her if she would begin again, and she hesitated to answer, still looking at the flowers.

“Does it make you dizzy?” he asked, in a tone of great kindness.

Then Catherine looked up at him; he was certainly beautiful, and not at all red. “Yes,” she said; she hardly knew why, for dancing had never made her dizzy.

“Ah, well, in that case,” said Mr. Townsend, “we will sit still and talk. I will find a good place to sit.”

He found a good place⁠—a charming place; a little sofa that seemed meant only for two persons. The rooms by this time were very full; the dancers increased in number, and people stood close in front of them, turning their backs, so that Catherine and her companion seemed secluded and unobserved. “We will talk,” the young man had said; but he still did all the talking. Catherine leaned back in her place, with her eyes fixed upon him, smiling and thinking him very clever. He had features like young men in pictures; Catherine had never seen such features⁠—so delicate, so chiselled and finished⁠—among the young New Yorkers whom she passed in the streets and met at parties. He was tall and slim, but he looked extremely strong. Catherine thought he looked like a statue. But a statue would not talk like that, and, above all, would not have eyes of so rare a colour. He had never been at Mrs. Almond’s before; he felt very much like a stranger; and it was very kind of Catherine to take pity on him. He was Arthur Townsend’s cousin⁠—not very near; several times removed⁠—and Arthur had brought him to present him to the family. In fact, he was a great stranger in New York. It was his native place; but he had not been there for many years. He had been knocking about the world, and living in faraway lands; he had only come back a month or two before. New York was very pleasant, only he felt lonely.

“You see, people forget you,” he said, smiling at Catherine with his delightful gaze, while he leaned forward obliquely, turning towards her, with his elbows on his knees.

It seemed to Catherine that no one who had once seen him would ever forget him; but though she made this reflection she kept it to herself, almost as you would keep something precious.

They sat there for some time. He was very amusing. He asked her about the people that were near them; he tried to guess who some of them were, and he made the most laughable mistakes. He criticised them very freely, in a positive, offhand way. Catherine had never heard anyone⁠—especially any young man⁠—talk just like that. It was the way a young man might talk in a novel; or better still, in a play, on the stage, close before the footlights, looking at the audience, and with everyone looking at him, so that you wondered at his presence of mind. And yet Mr. Townsend was not like an actor; he seemed so sincere, so natural. This was very interesting; but in the midst of it Marian Almond came pushing through the crowd, with a little ironical cry, when she found these young people still together, which made everyone turn round, and cost Catherine a conscious blush. Marian broke up their talk, and told Mr. Townsend⁠—whom she treated as if she were already married, and he had become her cousin⁠—to run away to her mother, who had been wishing for the last half-hour to introduce him to Mr. Almond.

“We shall meet again!” he said to Catherine as he left her, and Catherine thought it a very original speech.

Her cousin took her by the arm, and made her walk about. “I needn’t ask you what you think of Morris!” the young girl exclaimed.

“Is that his name?”

“I don’t ask you what you think of his name, but what you think of himself,” said Marian.

“Oh, nothing particular!” Catherine answered, dissembling for the first time in her life.

“I have half a mind to tell him that!” cried Marian. “It will do him good. He’s so terribly conceited.”

“Conceited?” said Catherine, staring.

“So Arthur says, and Arthur knows about him.”

“Oh, don’t tell him!” Catherine murmured imploringly.

“Don’t tell him he’s conceited? I have told him so a dozen times.”

At this profession of audacity Catherine looked down at her little companion in amazement. She supposed it was because Marian was going to be married that she took so much on herself; but she wondered too, whether, when she herself should become engaged, such exploits would be expected of her.

Half an hour later she saw her Aunt Penniman sitting in the embrasure of a window, with her head a little on one side, and her gold eyeglass raised to her eyes, which were wandering about the room. In front of her was a gentleman, bending forward a little, with his back turned to Catherine. She knew his back immediately, though she had never seen it;

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