He had come at last on a sudden impulse, unknown to anyone, and therefore unexpected. Leaving his bag at the little station in the valley at which he left the train just as the sun was setting behind the surrounding hills, he walked quickly up a winding road between groves of fir and pine towards the great grey house which he knew must be the place into which the man from Australia had so recently come under romantic circumstances. At the top of a low hill he paused and looked about him, recognizing the scenes from the descriptions which Avice had given him in her letters. There was Wraye itself—a big, old-world place, set amongst trees at the top of a long park-like expanse of falling ground; hills at the back, the sea in the far distance. The ruins of an ancient tower stood near the house; still nearer to Brereton, in an old-fashioned flower garden, formed by cutting out a plateau on the hillside, stood a smaller house which he knew—also from previous description—to be the steward’s. He looked long at this before he went nearer to it, hoping to catch the flutter of a gown amongst the rose-trees already bright with bloom. And at last, passing through the rose-trees he went to the stone porch and knocked—and was half-afraid lest Avice herself should open the door to him. Instead, came; a strapping, redcheeked North-country lass who stared at this evident traveller from far-off parts before she found her tongue. No—Miss Avice wasn’t in, she was down the garden, at the far end.
Brereton hastened down the garden; turned a corner; they met unexpectedly. Equally unexpected, too, was the manner of their meeting. For these two had been in love with each other from an early stage of their acquaintance, and it seemed only natural now that when at last they touched hands, hand should stay in hand. And when two young people hold each other’s hands, especially on a Springtide evening, and under the most romantic circumstances and surroundings, lips are apt to say more than tongues—which is as much as to say that without further preface these two expressed all they had to say in their first kiss.
Nevertheless, Brereton found his tongue at last. For when he had taken a long and searching look at the girl and had found in her eyes what he sought, he turned and looked at wood, hill, sky, and sea.
“This is all as you described it,” he said, with his arm round her, “and yet the first real thing I have to say to you now that I am here is—to ask you to leave it!”
She smiled at that and again put her hand in his.
“But—we shall come back to it now and then—together!” she said.
Colophon
The Borough Treasurer
was published in 1921 by
J. S. Fletcher.
This ebook was produced for
Standard Ebooks
by
David Reimer,
and is based on a transcription produced in 2007 by
Bruce Albrecht, Martin Pettit, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.
The cover page is adapted from
Petersfield Square,
a painting completed before 1940 by
William Gunning King.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
August 8, 2024, 4:55 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/j-s-fletcher/the-borough-treasurer.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
Uncopyright
May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.
Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.
Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus