If they wanted him to keep quiet, why did they play airs which make you march? In those pages were rearing horses, swords, war-cries, the pride of triumph; and they wanted him, like them, to do no more than wag his head and beat time with his feet! They had only to play placid dreams or some of those chattering pages which talk so much and say nothing. There are plenty of them, for example, like that piece of Goldmark’s, of which the old watchmaker had just said with a delighted smile: “It is pretty. There is no harshness in it. All the corners are rounded off. …” The boy was very quiet then. He became drowsy. He did not know what they were playing, hardly heard it; but he was happy; his limbs were numbed, and he was dreaming.
His dreams were not a consecutive story; they had neither head nor tail. It was rarely that he saw a definite picture; his mother making a cake, and with a knife removing the paste that clung to her fingers; a water-rat that he had seen the night before swimming in the river; a whip that he wanted to make with a willow wand. … Heaven knows why these things should have cropped up in his memory at such a time! But most often he saw nothing at all, and yet he felt things innumerable and infinite. It was as though there were a number of very important things not to be spoken of, or not worth speaking of, because they were so well known, and because they had always been so. Some of them were sad, terribly sad; but there was nothing painful in them, as there is in the things that belong to real life; they were not ugly and debasing, like the blows that Jean-Christophe had from his father, or like the things that were in his head when, sick at heart with shame, he thought of some humiliation; they filled the mind with a melancholy calm. And some were bright and shining, shedding torrents of joy. And Jean-Christophe thought: “Yes, it is thus—thus that I will do by-and-by.” He did not know exactly what thus was, nor why he said it, but he felt that he had to say it, and that it was clear as day. He heard the sound of a sea, and he was quite near to it, kept from it only by a wall of dunes. Jean-Christophe had no idea what sea it was, or what it wanted with him, but he was conscious that it would rise above the barrier of dunes. And then! … Then all would be well, and he would be quite happy. Nothing to do but to hear it, then, quite near, to sink to sleep to the sound of its great voice, soothing away all his little griefs and humiliations. They were sad still, but no longer shameful nor injurious; everything seemed natural and almost sweet.
Very often it was mediocre music that produced this intoxication in him. The writers of it were poor devils, with no thought in their heads but the gaining of money, or the hiding away of the emptiness of their lives by tagging notes together according to accepted formulae—or to be original, in defiance of formulae. But in the notes of music, even when handled by an idiot, there is such a power of life that they can let loose storms in a simple soul. Perhaps even the dreams suggested by the idiots are more mysterious and more free than those breathed by an imperious thought which drags you along by force; for aimless movement and empty chatter do not disturb the mind in its own pondering. …
So, forgotten and forgetting, the child stayed in his corner behind the piano, until suddenly he felt ants climbing up his legs. And he remembered then that he was a little boy with dirty nails, and that he was rubbing his nose against a whitewashed wall, and holding his feet in his hands.
On the day when Melchior, stealing on tiptoe, had surprised the boy at the keyboard
