between forty and forty-five, was a master at a school. He was so overworked with lectures, and correcting exercises, and giving classes, that he had never been able to find time to write his thesis: and at last he had given it up altogether. The wife was ten years younger, pretty, and very shy. They were both intelligent, well read, in love with each other: they knew nobody, and never went out. The husband had no time for it. The wife had too much time: but she was a brave little creature, who fought down her fits of depression when they came over her, and hid them, by occupying herself as best she could, trying to learn, taking notes for her husband, copying out her husband’s notes, mending her husband’s clothes, making frocks and hats for herself. She would have liked to go to the theater from time to time: but Arnaud did not care about it: he was too tired in the evening. And she resigned herself to it.

Their great joy was music. They both adored it. He could not play, and she dared not although she could: when she played before anybody, even before her husband, it was like a child strumming. However, that was good enough for them: and Gluck, Mozart, Beethoven, whom they stammered out, were as friends to them: they knew their lives in detail, and their sufferings filled them with love and pity. Books, too, beautiful, fine books, which they read together, gave them happiness. But there are few such books in the literature of today: authors do not worry about those people who can bring them neither reputation, nor pleasure, nor money, such humble readers who are never seen in society, and do not write in any journal, and can only love and say nothing. The silent light of art, which in their upright and religious hearts assumed almost a supernatural character, and their mutual affection, were enough to make them live in peace, happy enough, though a little sad⁠—(there is no gainsaying that)⁠—very lonely, a little bruised in spirit. They were both much superior to their position in life. M. Arnaud was full of ideas: but he had neither the time nor enough courage left to write them down. It meant such a lot of trouble to get articles and books published: it was not worth it: futile vanity! Anything he could do was so small in comparison with the thinkers he loved! He had too true a love for the great works of art to want to produce art himself: it would have seemed to him pretentious, impertinent, and ridiculous. It seemed to be his lot to spread their influence. He gave his pupils the benefit of his ideas: they would turn them into books later on⁠—without mentioning his name of course.⁠—Nobody spent more money than he in subscribing to various publications. The poor are always the most generous: they do buy their books: the rich would take it as a slur upon themselves if they did not somehow manage to get them for nothing. Arnaud ruined himself in buying books: it was his weakness⁠—his vice. He was ashamed of it, and concealed it from his wife. But she did not blame him for it: she would have spent just as much.⁠—And with it all they were always making fine plans for saving, with a view to going to Italy some day⁠—though, as they knew quite well, they never would go: and they were the first to laugh at their incapacity for keeping money. Arnaud would console himself. His dear wife was enough for him, and his life of work and inward joys. Was it not also enough for her?⁠—She said it was. She dared not say how dear it would have been to her if her husband could have some reputation, which would in some sort be reflected upon herself, and brighten her life, and give her ease and comfort: inward joys are beautiful: but a little ray of light from without shining in from time to time is sweet, and does so much good!⁠ ⁠… But she never said anything, because she was timid: and besides, she knew that even if he wished to make a reputation it was by no means certain that he would succeed: it was too late!⁠ ⁠… Their greatest sorrow was that they had no children. Each hid that sorrow from the other: and they were only the more tender with each other: it was as though the poor creatures were striving to win one another’s forgiveness. Madame Arnaud was kind and affectionate: she would gladly have been friends with Madame Elsberger. But she dared not: she was never approached. As for Christophe, husband and wife would have asked nothing better than to know him: they were fascinated by the music that they could hear faintly when he was playing. But nothing in the world could have induced them to make the first move: they would have thought it indiscreet.


The whole of the first floor was occupied by M. and Madame Félix Weil. They were rich Jews, and had no children, and they spent six months of the year in the country near Paris. Although they had lived in the house for twenty years⁠—(they stayed there as a matter of habit, although they could easily have found a flat more in keeping with their fortune)⁠—they were always like passing strangers. They had never spoken a word to any of their neighbors, and no one knew any more about them than on the day of their arrival. But that was no reason why the other tenants should not pass judgment on them: on the contrary. They were not liked. And no doubt they did nothing to win popularity. And yet they were worthy of more acquaintance: they were both excellent people and remarkably intelligent. The husband, a man of sixty, was an Assyriologist, well known through his famous excavations in Central Asia: like most of

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