once to change the age-old nature of a people, the despised idealism sprang up again in him at every turn in language, manners, and moral habits and the quotations from Goethe to fit the smallest incidents of domestic life, for he was a singular compound of conscience and self-interest. There was in him a curious effort to reconcile the honest principles of the old German bourgeoisie with the cynicism of these new commercial condottieri⁠—a compound which forever gave out a repulsive flavor of hypocrisy, forever striving to make of German strength, avarice, and self-interest the symbols of all right, justice, and truth.

Jean-Christophe’s loyalty was deeply injured by all this. He could not tell whether his uncle were right or no, but he hated him, and marked him down for an enemy. His grandfather had no great love for him either, and was in revolt against his theories; but he was easily crushed in argument by Theodore’s fluency, which was never hard put to it to turn into ridicule the old man’s simple generosity. In the end Jean Michel came to be ashamed of his own good-heartedness, and by way of showing that he was not so much behind the times as they thought, he used to try to talk like Theodore; but the words came hollow from his lips, and he was ill at ease with them. Whatever he may have thought of him, Theodore did impress him. He felt respect for such practical skill, which he admired the more for knowing himself to be absolutely incapable of it. He used to dream of putting one of his grandsons to similar work. That was Melchior’s idea also. He intended to make Rodolphe follow in his uncle’s footsteps. And so the whole family set itself to flatter this rich relation of whom they expected help. He, seeing that he was necessary to them, took advantage of it to cut a fine masterful figure. He meddled in everything, gave advice upon everything, and made no attempt to conceal his contempt for art and artists. Rather, he blazoned it abroad for the mere pleasure of humiliating his musicianly relations, and he used to indulge in stupid jokes at their expense, and the cowards used to laugh.

Jean-Christophe, especially, was singled out as a butt for his uncle’s jests. He was not patient under them. He would say nothing, but he used to grind his teeth angrily, and his uncle used to laugh at his speechless rage. But one day, when Theodore went too far in his teasing, Jean-Christophe, losing control of himself, spat in his face. It was a fearful affair. The insult was so monstrous that his uncle was at first paralyzed by it; then words came back to him, and he broke out into a flood of abuse. Jean-Christophe sat petrified by the enormity of the thing that he had done, and did not even feel the blows that rained down upon him; but when they tried to force him down on his knees before his uncle, he broke away, jostled his mother aside, and ran out of the house. He did not stop until he could breathe no more, and then he was right out in the country. He heard voices calling him, and he debated within himself whether he had not better throw himself into the river, since he could not do so with his enemy. He spent the night in the fields. At dawn he went and knocked at his grandfather’s door. The old man had been so upset by Jean-Christophe’s disappearance⁠—he had not slept for it⁠—that he had not the heart to scold him. He took him home, and then nothing was said to him, because it was apparent that he was still in an excited condition, and they had to smooth him down, for he had to play at the Palace that evening. But for several weeks Melchior continued to overwhelm him with his complaints, addressed to nobody in particular, about the trouble that a man takes to give an example of an irreproachable life and good manners to unworthy creatures who dishonor him. And when his Uncle Theodore met him in the street, he turned his head and held his nose by way of showing his extreme disgust.

Finding so little sympathy at home, Jean-Christophe spent as little time there as possible. He chafed against the continual restraint which they strove to set upon him. There were too many things, too many people, that he had to respect, and he was never allowed to ask why, and Jean-Christophe did not possess the bump of respect. The more they tried to discipline him and to turn him into an honest little German bourgeois, the more he felt the need of breaking free from it all. It would have been his pleasure after the dull, tedious, formal performances which he had to attend in the orchestra or at the Palace to roll in the grass like a fowl, and to slide down the grassy slope on the seat of his new trousers, or to have a stone-fight with the urchins of the neighborhood. It was not because he was afraid of scoldings and thwackings that he did not do these things more often, but because he had no playmates. He could not get on with other children. Even the little guttersnipes did not like playing with him, because he took every game too seriously, and struck too lustily. He had grown used to being driven in on himself, and to living apart from children of his own age. He was ashamed of not being clever at games, and dared not take part in their sport. And he used to pretend to take no interest in it, although he was consumed by the desire to be asked to play with them. But they never said anything to him, and then he would go away hurt, but assuming indifference.

He found consolation in wandering with Uncle Gottfried when he was in the

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